50. Curtis, Tony. (1925–2010). Some Like It Hot - Inscribed to Robert Goulet "You should have been Marilyn."
Billy Wilder's Some Like It Hot , edited by Alison Castle with interviews by Dan Auiler. Cologne, Taschen, 2001. Signed and inscribed by Tony Curtis in black pen, "Robert you should have been Marilyn/ Tony Curtis." 10 3/8 by 16 1/4 by 2 inches. From the Estate of Robert Goulet.
Robert Goulet (1933-2007) was an American singer and actor. He originated the role of Lancelot in the 1960 Broadway musical Camelot and made numerous appearances in Las Vegas.
Paris: E. Guyot. 1830. 8 vo. Half title; publisher's stamped autograph authentication; [i]; frontispiece portrait (N.H. Jacob, Lith. by Langlumé); Title; [i]; Avant-Propos [i, ii]; 1-66 pp. Foxing, some stains to margins, edges rough, in original printed brown wrappers, spine and corners chipped. Rare.
197. [Thoroughbass Manual] Kellner, David . (ca. 1670-1748). Treulicher Unterricht im General-Bass, worinnen alle Weitläuftigkeit vermieden, und dennoch gantz deutlich und umständlich vielerley neuerfundene Vortheile an die Hand gegeben werden, vermöge welcher einer in kurtzer Zeit alles, was zu dieser Wissenschafft gehöret, sattsam begreifen kann...Mit einer Vorrede des Herrn Daniel Solanders...Vierte Auflage. [Popular Eighteenth-Century Thoroughbass Manual]
Hamburg: Zu finden bey Christian Herolds sel. Wittwe. 1767. Fourth edition (first published in 1732).. Small quarto (8.4375 x 7 inches; 214 x 179 mm.). [6], 98, [6, "Register"] pages (signature collation: )(3 A-N4). Two large engraved diagrams (on pages 6 and 60) and two smaller woodcut diagrams (on pages 58 and 73) in the text. The wheel for the volvelle on page 6, depicting the "circle of fifths," is lacking (no volvelle wheels called for on pages 58, 60, and 73). Woodcut musical notation. Decorative woodcut head- and tail-pieces and initials. Read More...
Berkeley: Univ of California Pr. 1975. First Edition. Hardcover, in jacket. 205 pp. Clean, unmarked, tightly bound, in a very good dj with small tears at top edge and slightly rubbed. Ownership signature of John Grimes, timpanist of the Handel and Haydn Society and Boston Baroque, a long-time faculty member at Boston Conservatory and Vice President of the Boston Musicians Association. "The first general study of musical timbre."