An interesting collection of ten signed brochures, each featuring one twentieth-century composer, generally with a lengthy bio and list of works composed to date of issue. Issued by Broadcast Music, Inc. (BMI for short) and inscribed/signed to title unless stated otherwise. Each 9 x 4 inches (23 x 9.5 cm). Generally in fine condition, as described: Read More...
Hartford, Conn.: Park Publishing Co.. 1883. Third Edition. 8vo. Title; (Copyright); Contents [5-15 pp]; (Illustrations list); 17 - 618 pp. Includes 18 plates, but lacking the frontis portrait of Douglass. Fully rebound in crimson percaline with partial original decoratively stamped black and gold front cloth binding integrated to front board. A bit musty, with moisture stains to the modern endpages, scattered light foxing and light stains/toning around edges, small abrasions to the foredge, otherwise very good. Contemporary editions of Douglass' autobiographies are increasingly difficult to come by. Read More...
8vo. Engraved portrait frontispiece and a profusion of additional portrait plates. 549 pages, 7 pages of plates; index pages 557-565, plus advertisements. Fully rebound in crimson percaline with partial original decoratively stamped black, crimson and gold front cloth binding integrated to front board. A bit musty, scattered foxing and light stains/toning around edges, 4 leaves with a cup base moisture stain, extensive abrasions and small tears to the foredge, but only very slightly sometimes affecting the page margins themselves. Read More...
Original ca. 1960 Will Rapport photograph of the dancers in performance in Ailey's first masterpiece, signed in black ink by each of the dancers with their names alone. Photographer's stamp to verso. In fine condition. 7 x 5 inches (17.8 x 12.7 cm.). Read More...
New York: Associated Music Publishers, Inc.. 1957. Small quarto [10-1/2 inches high by 7-1/2 inches wide], softcover bound in printed light tan wrappers. 152 pages. Very good condition, edges of the front wrap slightly darkened, short tear to the surface of the wrap at the spine. Read More...
Original large format exhibition photograph showing Bernstein, Blitzstein, and Blake watching an unidentified pianist (who bears a striking resemblance to composer Elliot Carter) at the keyboard, taken at the "Rountable on Ragtime"at Tanglewood in Lenox, MA in the summer of 1951. Board-mounted silver gelatin print with Kalischer's signature to mount and Stockbridge stamp and hand-numbering to verso of mount. [Lenox, 1951]. A few modest scuffs to the mount, else fine. Photograph 10.5 x 13.5 inches; Mount 20 x 16 inches. Read More...
Original Giorno Poetry Systems pressing of the experimental 1981 double album, a collaboration between the three poets which was recorded during their "Red Night" spoken word tour of 1981. Each has signed to the cover. Gatefold cover: VG+, 2 LPs: VG+. Together with the original records, both of which have not been playtested, but appear to be in fine condition. Light scuffing to cover, overall fine. Read More...
3 page stapled typed plan to "Lose Weight The 'Satchmo' Way by Lucille Armstrong & Louis Armstrong, signed and inscribed in green fountain pen on the first page: "Satchmo /Louis Armstrong." Further inscription to foot of final leaf: "P.S. Satchmo Slogan / the more you shit / the thinner you'll git / no shit." 8.5 x 11 inches (21.5 x 28 cm). Somewhat wrinkled; stains to foot of third page. Read More...
Ca. 2955 souvenir program of "Louis Armstrong And His Concert Group / Satchmo The Great" boldly signed in blue ink "Louis Armstrong" and in red "Barney Bigard" to the front cover and to their respective inside program portraits by Danny Barcelona, Mort Herbert, Billy Kyle and Trummy Young. Slightest toning around the edges, overall very fine. 9 x 12 inches.
New York: Allen, Towne & Heath, Inc.. 1947. First edition. Story of Louis Armstrong, inscribed by Armstrong on the front free endpage "To my life long Buddy Bill Davidson from Louis Armstrong." First edition in English, published in French, in Paris, in the same year. Hardcover, original blue cloth, title in gilt to spine, treble clef embossed to the upper board. Portrait frontispiece, 304 pp. Signed page heavily toned, half title with two small punched holes, spine rubbed with ends a bit frayed, somewhat shaken but solid. Read More...
Glossy photograph still from the 1934 Hollywood film The Gay Divorcee,signed and inscribed in blue and black felt tip ink by co-stars Fred Astaire and Erik Rhodes to "Dana." Very fine. 10 x 8 inches (25.4 x 20.3 cm.). Read More...
Glossy photograph of Astaire and Rogers on a ballroom dance floor in Swing Time, signed in brown felt tip by Fred Astaire and in black felt tip by Ginger Rogers. Unexamined out of frame, possibly laid down to backing, but in apparently fine condition. 10 x 8 inches (25.4 x 20.3 cm.), framed to 13.5 x 11 inches (34.3 x 27.9 cm.) overall. Read More...
New York: Simon & Schuster. 1959. First edition. 151pp, 11" 14 1/2". First edition, with acetate dust jacket. Fine condition, in stained and toned slipcase which bears a few splits in places. The photographer's first book. and certainly, one of the monuments of twentieth century collaborations between a photographer and author.
New York: Random House . 1993. First Edition, First Printing. Upright sumo. 287 pp. Signed and dated by the eminent American photographer on the front free endpaper, "Avedon, 9.27.93," from the collection of Adolph Green and Phyllis Newman. A visual autobiography that includes an assemblage of 284 photographs, this three-part book encompasses the faces, events and places that were critical in defining the life and career of Richard Avedon. In fine condition. Read More...
New York: Random House. 1994. First Edition, First Printing. Large 4to. 183 pp. First edition. Signed and inscribed by the eminent American photographer on the illustrated frontispiece, "For Phyllis and Adolph / with love / Dick / 1994". The companion to Avedon's spectacular An Autobiography, this definitive account of the life and work of photographer Richard Avedon features over 500 photographs documenting 50 years of Avedon's work, and was published to coincide with a major retrospective at the Whitney Museum of American Art in New York City. Mild wear to dustjacket, overall in fine condition. Read More...
Gelatin silver print by the great American photographer of Mae West posing alongside Mr. America, Mr. Dick Dubois, 1954, with whom she appeared (as well as with 8 other "muscle boys"!) in Las Vegas singing "The Strongest Men in the World." Original period print, cropped from the original full format image. Unfortunately marred by significant ink stains across several areas, with small pinholes in each corner and some wear to the margins, but nevertheless quite striking. Some pencil notations on the verso, unstamped. 10.5 x 11.25 inches.
Silver and Mother-of-pearl Belt Buckle,in the shape of a Gibson Les Paul electric guitar, inscribed on reverse "B.B.", thought to have been given by King to fellow guitarist J. Geils, with whom he toured in the 1970s. Provenance: The Estate of J. Geils. Approx 5 x 1.8 inches, with an associated leather belt. Read More...
Leipzig: im Schwickertschen Verlage. 1797. Second. Carl Philipp Emanuel Bachs / vormaligem Kapellmeister der Prinzessinn Amalia von Preussen und Musikdirector in Hamburg / Versuch / über die wahre Art / das Clavier zu spielen / Zweiter Theil, / in welchem die Lehre von dem Accompagnement / und der freyen Fantasie / abgehandelt wird. / Nebst einer Kupfertafel. / Zweite vom Verfasser verbesserte, und mit Zusätzen vermehrte Auflage. Ownership stamp of the Austrian cellist Rudolf Glickh to title page. 8vo. 7 x 8.25 inches (18 x 22 cm). [8], 280 pp. In fine condition throughout, nicely bound in three quarter brown cloth over marbled boards. Read More...
London: London Gallery Editions. 1944. First. Softcover. 8vo. 47 pp. plus signed limitation page, hand numbered by the author 441 from the edition of 500. Pale green paper covers contained in the original yellow paper wrappers, all slightly toned but otherwise in fine condition; block split from cover along rear gutter with glue remnants visible along front and rear gutters. Several gatherings uncut. Overall a crisp, beautiful copy. Signed bilingual edition, translated by Roland Penrose and Mesens with illustrations by the author, including numerous poems concerning music, such as "La partition compléte / The Complete Score," accompanied by a two-page illustration of five staves covered in unusual key signatures and objects. Another poem "Le clavecin bien tamponné / de Jean Sébastien Bach / Entièrement Fait a la main / par l'artiste / en personne," appears with an illustration of a hand playing the piano. Read More...
9906. Bachofen, Johan Caspar. (1695 - 1755). Musicalisches Halleluja, oder schöne und geistreiche Gesänge, Mit neuen und anmuthigen Melodeyen begleitet, und zur Aufmunterung zum Lob Gottes...Neunte und privilegierte Auflage.
Zurich: Burglischer Druckeren. 1776. Thick octavo. Full 18th century dark brown calf. [viii], 880, [viii] pp. With a fine frontispiece engraving depicting a winged female figure playing the keyboard with three seated cherubs playing a viol, violin and recorder seated around her. Binding worn, front board and endpage starting to separate but still relatively solid, brass remnants on board edges, apparently lacking original clasps, early ownernship markings ("Joh. Jakob Widler...Wiedikon / 1781") and remnants of wax seals to inner boards and endpages. Overall a fine copy of this important work by the Swiss composer and music pedagogue. Read More...