Bizet, Georges. (1838-1875). Les Pecheurs des Perles - Important Signed Presentation Copy. The printed first edition score of his first opera Les Pecheurs des Perles [The Pearl Fishers], arranged by the composer for piano and voices, paginated 1-210 [but in fact 214 pages, as the numbers 85-88 have been repeated]. 4to, bound in roan backed boards, gilt title and bands on spine. Published by Choudens, Paris, n.d. [1863]. Signed and Inscribed on the dedication page in French to the tenor Francois Morini, who sang the major role of Nadir in the first production (and who is listed on the following printed Personages page): "A Nadir Morini - faible témoignage de reconnaissance, d'estime et d'amitié Georges Bizet."
An important and evocative association copy. Les Pecheurs de Perles had its first performance at the Théatre Lyrique, Paris, on 30 September 1863, shortly before Bizet's twenty-fifth birthday. It was given 18 performances, regarded as respectable for a début work, although it did not obtain lasting popularity until after Bizet's death. Its great male friendship duet in Act 1, Au fond du temple saint, sung by Nadir and his rival in love Zurga, is one of the most famous in all opera. Front cover somewhat worn, with bumped corners. Some even browning on the interior pages, which remain clear throughout. The inscription is strongly written, with a large dark signature. Autograph material of Bizet is highly uncommon and presentation scores of this kind are among the rarest of all forms.
An important and evocative association copy. Les Pecheurs de Perles had its first performance at the Théatre Lyrique, Paris, on 30 September 1863, shortly before Bizet's twenty-fifth birthday. It was given 18 performances, regarded as respectable for a début work, although it did not obtain lasting popularity until after Bizet's death. Its great male friendship duet in Act 1, Au fond du temple saint, sung by Nadir and his rival in love Zurga, is one of the most famous in all opera. Front cover somewhat worn, with bumped corners. Some even browning on the interior pages, which remain clear throughout. The inscription is strongly written, with a large dark signature. Autograph material of Bizet is highly uncommon and presentation scores of this kind are among the rarest of all forms.
Bizet, Georges. (1838-1875). Les Pecheurs des Perles - Important Signed Presentation Copy. The printed first edition score of his first opera Les Pecheurs des Perles [The Pearl Fishers], arranged by the composer for piano and voices, paginated 1-210 [but in fact 214 pages, as the numbers 85-88 have been repeated]. 4to, bound in roan backed boards, gilt title and bands on spine. Published by Choudens, Paris, n.d. [1863]. Signed and Inscribed on the dedication page in French to the tenor Francois Morini, who sang the major role of Nadir in the first production (and who is listed on the following printed Personages page): "A Nadir Morini - faible témoignage de reconnaissance, d'estime et d'amitié Georges Bizet."
An important and evocative association copy. Les Pecheurs de Perles had its first performance at the Théatre Lyrique, Paris, on 30 September 1863, shortly before Bizet's twenty-fifth birthday. It was given 18 performances, regarded as respectable for a début work, although it did not obtain lasting popularity until after Bizet's death. Its great male friendship duet in Act 1, Au fond du temple saint, sung by Nadir and his rival in love Zurga, is one of the most famous in all opera. Front cover somewhat worn, with bumped corners. Some even browning on the interior pages, which remain clear throughout. The inscription is strongly written, with a large dark signature. Autograph material of Bizet is highly uncommon and presentation scores of this kind are among the rarest of all forms.
An important and evocative association copy. Les Pecheurs de Perles had its first performance at the Théatre Lyrique, Paris, on 30 September 1863, shortly before Bizet's twenty-fifth birthday. It was given 18 performances, regarded as respectable for a début work, although it did not obtain lasting popularity until after Bizet's death. Its great male friendship duet in Act 1, Au fond du temple saint, sung by Nadir and his rival in love Zurga, is one of the most famous in all opera. Front cover somewhat worn, with bumped corners. Some even browning on the interior pages, which remain clear throughout. The inscription is strongly written, with a large dark signature. Autograph material of Bizet is highly uncommon and presentation scores of this kind are among the rarest of all forms.