Morini, Erica. (1904-1995). Signed Photograph . Vintage original doubleweight photograph from the stupendous Austrian violinist, shown performing with orchestra. Signed in blue ink with her name alone to a light area, in very fine condition. Slightly under 8 x 10 inches.
A student of Ottokar Sevcik, she made her Berlin debut under Nikisch in 1917. One of the finest violinists of the 20th century, she was the first woman to record many concerto repertoire staples, including Brahms, Beethoven, Tchaikovsky and Mendelssohn. The elderly Kreisler said Morini performed his pieces better than he ever had and Heifetz apparently turned to Morini for coaching on his staccato-playing!
A student of Ottokar Sevcik, she made her Berlin debut under Nikisch in 1917. One of the finest violinists of the 20th century, she was the first woman to record many concerto repertoire staples, including Brahms, Beethoven, Tchaikovsky and Mendelssohn. The elderly Kreisler said Morini performed his pieces better than he ever had and Heifetz apparently turned to Morini for coaching on his staccato-playing!
Morini, Erica. (1904-1995). Signed Photograph . Vintage original doubleweight photograph from the stupendous Austrian violinist, shown performing with orchestra. Signed in blue ink with her name alone to a light area, in very fine condition. Slightly under 8 x 10 inches.
A student of Ottokar Sevcik, she made her Berlin debut under Nikisch in 1917. One of the finest violinists of the 20th century, she was the first woman to record many concerto repertoire staples, including Brahms, Beethoven, Tchaikovsky and Mendelssohn. The elderly Kreisler said Morini performed his pieces better than he ever had and Heifetz apparently turned to Morini for coaching on his staccato-playing!
A student of Ottokar Sevcik, she made her Berlin debut under Nikisch in 1917. One of the finest violinists of the 20th century, she was the first woman to record many concerto repertoire staples, including Brahms, Beethoven, Tchaikovsky and Mendelssohn. The elderly Kreisler said Morini performed his pieces better than he ever had and Heifetz apparently turned to Morini for coaching on his staccato-playing!