![[Callas, Maria. (1923–1977)] Vickers, Jon. (1926–2015) Signed Photograph with Callas](http://www.schubertiademusic.com/cdn/shop/files/Vickers_2C_Jon_SP_with_Callas_9556.jpg?v=1722187732)
[Callas, Maria. (1923–1977)] Vickers, Jon. (1926–2015). Signed Photograph with Callas. Mounted glossy photograph of the powerful Canadian tenor shown in Médée with Callas, their only collaboration together. Vickers has inscribed on the mount, extending just slightly onto the image itself, "Dear Maria, what a joy to work with / For Allan / Jon Vickers." 19.5 x 27 cm overall.
"All through his life, Vickers would invoke the name of Callas as one of the few...who had changed the face of opera in their time....Callas had taken works of art that many sopranos had used simply as demonstrations of vocal technique (always scorned by Vickers) and 'translated them into real, living characters [with] great messages.'" (Jeannie Williams, "Jon Vickers: A Hero's Life," p. 92-93)
"All through his life, Vickers would invoke the name of Callas as one of the few...who had changed the face of opera in their time....Callas had taken works of art that many sopranos had used simply as demonstrations of vocal technique (always scorned by Vickers) and 'translated them into real, living characters [with] great messages.'" (Jeannie Williams, "Jon Vickers: A Hero's Life," p. 92-93)
[Callas, Maria. (1923–1977)] Vickers, Jon. (1926–2015). Signed Photograph with Callas. Mounted glossy photograph of the powerful Canadian tenor shown in Médée with Callas, their only collaboration together. Vickers has inscribed on the mount, extending just slightly onto the image itself, "Dear Maria, what a joy to work with / For Allan / Jon Vickers." 19.5 x 27 cm overall.
"All through his life, Vickers would invoke the name of Callas as one of the few...who had changed the face of opera in their time....Callas had taken works of art that many sopranos had used simply as demonstrations of vocal technique (always scorned by Vickers) and 'translated them into real, living characters [with] great messages.'" (Jeannie Williams, "Jon Vickers: A Hero's Life," p. 92-93)
"All through his life, Vickers would invoke the name of Callas as one of the few...who had changed the face of opera in their time....Callas had taken works of art that many sopranos had used simply as demonstrations of vocal technique (always scorned by Vickers) and 'translated them into real, living characters [with] great messages.'" (Jeannie Williams, "Jon Vickers: A Hero's Life," p. 92-93)