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Stravinsky, Igor. (1882–1971). Mavra. Opera Bouffe - SIGNED. London;Toronto: Édition russe de musique : Boosey & Hawkes. 1947. Piano-vocal score. 89 pp ; 31 cm. Boldly signed and inscribed in fountain pen ink on the half title to Natalie Limonick, opera vocal coach at UCLA in the 1950s. Wrappers stained along upper edge, spine chipped and worn, markings in red and graphite pencil throughout.



Stravinsky's Mavra is a one-act opera buffa and one of the earliest works of the composer's 'neo-classical' period. The libretto of the opera, by Boris Kochno, is based on Aleksandr Pushkin's The Little House in Kolomna. Mavra premiered in Paris on June 3, 1922, staged under the auspices of Sergei Diaghilev, with Oda Slobdoskaya among the original cast and though it was not successful, it was praised by Satie and Stravinsky himself later said that "Mavra seems to me the best thing I've done".

Stravinsky, Igor. (1882–1971) Mavra. Opera Bouffe - SIGNED

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Stravinsky, Igor. (1882–1971). Mavra. Opera Bouffe - SIGNED. London;Toronto: Édition russe de musique : Boosey & Hawkes. 1947. Piano-vocal score. 89 pp ; 31 cm. Boldly signed and inscribed in fountain pen ink on the half title to Natalie Limonick, opera vocal coach at UCLA in the 1950s. Wrappers stained along upper edge, spine chipped and worn, markings in red and graphite pencil throughout.



Stravinsky's Mavra is a one-act opera buffa and one of the earliest works of the composer's 'neo-classical' period. The libretto of the opera, by Boris Kochno, is based on Aleksandr Pushkin's The Little House in Kolomna. Mavra premiered in Paris on June 3, 1922, staged under the auspices of Sergei Diaghilev, with Oda Slobdoskaya among the original cast and though it was not successful, it was praised by Satie and Stravinsky himself later said that "Mavra seems to me the best thing I've done".