Feuermann, Emanuel. (1902–1942). 1942 Schumann Cello Concerto Program. Page removed from a concert program, January 23-24, 1942, from a performance of the Schumann cello concerto with the Boston Symphony. 1 page, in fine condition.
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
Feuermann, Emanuel. (1902–1942). 1942 Schumann Cello Concerto Program. Page removed from a concert program, January 23-24, 1942, from a performance of the Schumann cello concerto with the Boston Symphony. 1 page, in fine condition.
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)