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Leoncavallo, Ruggero. (1857-1919). Autograph Letter. An interesting and boldly penned letter from the Italian composer best known for his operas, and particularly for the beloved repertoire staple, "Pagliacci" (1892). Four integral pages, signed "R. Leoncavallo." 22 x 28 cm. Pallanza. 31 May, 1898. With the original envelope, addressed to the conductor Luigi Bernardi in Vicenza. Usual folds, in fine condition.

The composer excuses himself for not having written sooner, explaining that he was sick in bed with a gastric fever. "I received a newspaper where I read that the result of the work has been very good, and I have to admit that I am surprised not to have received a brief not describing the evening [Bernardi had recently conducted a performance in Vicenza of Leoncavallo's 'Boheme']. Possibly you were angry because I had not written? I have not explained why - anyway, you could have given me some details!" He discusses some financial negotiations at length, involving Edouardo and Sonia and again states how happy he is that the performance went well, asking Bernardi to "thank the singers, especially the good Ledelmeyer, Signora Leoni, Bodero and all the others, and my thanks to the orchestra." He concludes "I shake you hand affectionately and hope that the affairs of the company will improve from Modena."

Leoncavallo, Ruggero. (1857-1919) Autograph Letter

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Leoncavallo, Ruggero. (1857-1919). Autograph Letter. An interesting and boldly penned letter from the Italian composer best known for his operas, and particularly for the beloved repertoire staple, "Pagliacci" (1892). Four integral pages, signed "R. Leoncavallo." 22 x 28 cm. Pallanza. 31 May, 1898. With the original envelope, addressed to the conductor Luigi Bernardi in Vicenza. Usual folds, in fine condition.

The composer excuses himself for not having written sooner, explaining that he was sick in bed with a gastric fever. "I received a newspaper where I read that the result of the work has been very good, and I have to admit that I am surprised not to have received a brief not describing the evening [Bernardi had recently conducted a performance in Vicenza of Leoncavallo's 'Boheme']. Possibly you were angry because I had not written? I have not explained why - anyway, you could have given me some details!" He discusses some financial negotiations at length, involving Edouardo and Sonia and again states how happy he is that the performance went well, asking Bernardi to "thank the singers, especially the good Ledelmeyer, Signora Leoni, Bodero and all the others, and my thanks to the orchestra." He concludes "I shake you hand affectionately and hope that the affairs of the company will improve from Modena."