Chopin, Frédéric. (1810–1849). Etude, Op. 10, No. 3 (Facsimile Edition). Washington: Robert Owen Lehman Foundation. 1964. 4 facsimile pp. Paper folder within a second hard folder bearing ex-library stamp.
Very fine.
"The facsimile, at a time when technical advances in these matters lead one to expect a high standard, is perfect. The Music occupies the inner two sides of a folded oblong leaf and even the blank outer sides have been reproduced, the ink shown as having soaked through the paper. To all intents and purposes the owner of this facsimile might as well be handling the autograph itself." (Music and Letters, Vol. 46 #2, p. 185)
Very fine.
"The facsimile, at a time when technical advances in these matters lead one to expect a high standard, is perfect. The Music occupies the inner two sides of a folded oblong leaf and even the blank outer sides have been reproduced, the ink shown as having soaked through the paper. To all intents and purposes the owner of this facsimile might as well be handling the autograph itself." (Music and Letters, Vol. 46 #2, p. 185)
Chopin, Frédéric. (1810–1849). Etude, Op. 10, No. 3 (Facsimile Edition). Washington: Robert Owen Lehman Foundation. 1964. 4 facsimile pp. Paper folder within a second hard folder bearing ex-library stamp.
Very fine.
"The facsimile, at a time when technical advances in these matters lead one to expect a high standard, is perfect. The Music occupies the inner two sides of a folded oblong leaf and even the blank outer sides have been reproduced, the ink shown as having soaked through the paper. To all intents and purposes the owner of this facsimile might as well be handling the autograph itself." (Music and Letters, Vol. 46 #2, p. 185)
Very fine.
"The facsimile, at a time when technical advances in these matters lead one to expect a high standard, is perfect. The Music occupies the inner two sides of a folded oblong leaf and even the blank outer sides have been reproduced, the ink shown as having soaked through the paper. To all intents and purposes the owner of this facsimile might as well be handling the autograph itself." (Music and Letters, Vol. 46 #2, p. 185)