[Opera] Gigli, Beniamino. (1890-1957). Signed Photograph. A desirable signed real photo postcard of the honey-voiced tenor at his most dapper, dated 1933. Stamped by the photographer G. Grazioli of Firenze at bottom right corner. Boldly signed in blue ink and in crisp, very fine condition.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe.
[Opera] Gigli, Beniamino. (1890-1957). Signed Photograph. A desirable signed real photo postcard of the honey-voiced tenor at his most dapper, dated 1933. Stamped by the photographer G. Grazioli of Firenze at bottom right corner. Boldly signed in blue ink and in crisp, very fine condition.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe.