Wagner, Richard. (1813–1883). Tannhäuser und der Sängerkrieg auf Wartburg, romantische Oper in drei Acten. Vollständiger Clavierauszug.. Dresden: C.F. Meser. [1852]. First edition, 2nd Variant of the Dresden version. Large upright folio. 273 pp. Lithograph title, half-title, & Personen. Music engraved throughout. [PN] 325. Finely bound in an impressive contemporary full leather binding with extensive relief detailing. Title-page somewhat foxed, otherwise very clean throughout and in overall fine condition, housed in a green custom cloth box. Hopkinson 2A (A); Hofmann, p. 23; Fuld, p. 429.
Almost immediately after Wagner conducted the first performance at the Royal Theater in Dresden on October 19, 1845, he set about revising the opera, especially altering the third act. Wagner himself paid for the publication of the piano-vocal scores and the present copy is the first edition of the second version.
Almost immediately after Wagner conducted the first performance at the Royal Theater in Dresden on October 19, 1845, he set about revising the opera, especially altering the third act. Wagner himself paid for the publication of the piano-vocal scores and the present copy is the first edition of the second version.
Wagner, Richard. (1813–1883). Tannhäuser und der Sängerkrieg auf Wartburg, romantische Oper in drei Acten. Vollständiger Clavierauszug.. Dresden: C.F. Meser. [1852]. First edition, 2nd Variant of the Dresden version. Large upright folio. 273 pp. Lithograph title, half-title, & Personen. Music engraved throughout. [PN] 325. Finely bound in an impressive contemporary full leather binding with extensive relief detailing. Title-page somewhat foxed, otherwise very clean throughout and in overall fine condition, housed in a green custom cloth box. Hopkinson 2A (A); Hofmann, p. 23; Fuld, p. 429.
Almost immediately after Wagner conducted the first performance at the Royal Theater in Dresden on October 19, 1845, he set about revising the opera, especially altering the third act. Wagner himself paid for the publication of the piano-vocal scores and the present copy is the first edition of the second version.
Almost immediately after Wagner conducted the first performance at the Royal Theater in Dresden on October 19, 1845, he set about revising the opera, especially altering the third act. Wagner himself paid for the publication of the piano-vocal scores and the present copy is the first edition of the second version.