Baroni - Cavalcabò, Julie. (1813-1887). Fantaisie composée pour le Pianoforte et dedié a Monsieur W.A. Mozart Fils par son éléve, Oeuv. 4.. Together with: Sonate, Oeuv. 3Leipzig: Breikopf and Hartel. c. 1833. First printing. Fantaisie, PN 5046; Sonate pour le Pianoforte, PN 5045.
Two very uncommon editions by the Austrian pianist and composer who was a pupil of Mozart's younger son, Franz Xaver Wolfgang, with whom she studied until 1836 and to whom the present Fantaisie is dedicated. Schumann dedicated his Humoreske op. 20 to Cavalcabò and of her Op. 25 Fantasy, he remarked that "she knows how to plan and perfect a piece of music; she gives us choice harmonies, often elegant and tender; her melodies are deep-felt, though often echoing the Italian softness." (Grove Online)
Two very uncommon editions by the Austrian pianist and composer who was a pupil of Mozart's younger son, Franz Xaver Wolfgang, with whom she studied until 1836 and to whom the present Fantaisie is dedicated. Schumann dedicated his Humoreske op. 20 to Cavalcabò and of her Op. 25 Fantasy, he remarked that "she knows how to plan and perfect a piece of music; she gives us choice harmonies, often elegant and tender; her melodies are deep-felt, though often echoing the Italian softness." (Grove Online)
Baroni - Cavalcabò, Julie. (1813-1887). Fantaisie composée pour le Pianoforte et dedié a Monsieur W.A. Mozart Fils par son éléve, Oeuv. 4.. Together with: Sonate, Oeuv. 3Leipzig: Breikopf and Hartel. c. 1833. First printing. Fantaisie, PN 5046; Sonate pour le Pianoforte, PN 5045.
Two very uncommon editions by the Austrian pianist and composer who was a pupil of Mozart's younger son, Franz Xaver Wolfgang, with whom she studied until 1836 and to whom the present Fantaisie is dedicated. Schumann dedicated his Humoreske op. 20 to Cavalcabò and of her Op. 25 Fantasy, he remarked that "she knows how to plan and perfect a piece of music; she gives us choice harmonies, often elegant and tender; her melodies are deep-felt, though often echoing the Italian softness." (Grove Online)
Two very uncommon editions by the Austrian pianist and composer who was a pupil of Mozart's younger son, Franz Xaver Wolfgang, with whom she studied until 1836 and to whom the present Fantaisie is dedicated. Schumann dedicated his Humoreske op. 20 to Cavalcabò and of her Op. 25 Fantasy, he remarked that "she knows how to plan and perfect a piece of music; she gives us choice harmonies, often elegant and tender; her melodies are deep-felt, though often echoing the Italian softness." (Grove Online)