All items guaranteed authentic without limit

Your cart

Your cart is empty

[Devotional Prayer Cards] . Handpainted Devotional Prayer Card - Cross and Sacred Heart in a Cartouche, ca. 1820.

Hand-painted devotional prayer card, French or Belgian, ca. 1820, depicting a cross above the Sacred Heart in its crown of thorns, set in a gilt-edged scrolling cartouche against a golden glory, framed by flowers, with an inscribed ribbon below. Hand-drawn and hand-colored in ink, pencil, gouache and watercolor with gilt highlights, mainly on parchment. Number 11 of the group of hand-painted devotional cards from the same collection. Condition. Measurement.

Some of these early nineteenth-century devotional cards were made as canivets, so called after the small knife used to cut their intricate patterns. Cloistered nuns made them to support their convents and charities (such convent work is also known as Klosterarbeiten). Entirely hand-cut and painted, they were the precursors of the machine-made lace-paper holy cards of later generations.

[Devotional Prayer Cards] Handpainted Devotional Prayer Card - Cross and Sacred Heart in a Cartouche, ca. 1820

Regular price $500.00
Unit price
per 
Fast Shipping
Secure payment
Shipping calculated at checkout.

Have questions? Contact us

Secure payment

[Devotional Prayer Cards] . Handpainted Devotional Prayer Card - Cross and Sacred Heart in a Cartouche, ca. 1820.

Hand-painted devotional prayer card, French or Belgian, ca. 1820, depicting a cross above the Sacred Heart in its crown of thorns, set in a gilt-edged scrolling cartouche against a golden glory, framed by flowers, with an inscribed ribbon below. Hand-drawn and hand-colored in ink, pencil, gouache and watercolor with gilt highlights, mainly on parchment. Number 11 of the group of hand-painted devotional cards from the same collection. Condition. Measurement.

Some of these early nineteenth-century devotional cards were made as canivets, so called after the small knife used to cut their intricate patterns. Cloistered nuns made them to support their convents and charities (such convent work is also known as Klosterarbeiten). Entirely hand-cut and painted, they were the precursors of the machine-made lace-paper holy cards of later generations.