Exceptional original Falk sepia portrait photograph of the great violinist with his instrument and bow, boldly signed and inscribed with an self-deprecating and humorous inscription dated Melbourne, June 1, [19]32, "'Nothing is bad - / that could be worst [sic]!'?! / Sincerely, / Jascha Heifetz," then adding an arrow "see above" pointing to his own bow arm! In fine condition. 6 x 8 inches; 15.25 x 20.3 cm. The most unusual signed Heifetz photographs we've ever offered.
As seen in this image, Heifetz utilized the Russian bow hold and a highly pronated (forward-tilted) right arm, which kept his right elbow relatively high and the wrist angled above the hand. This unique mechanics allowed him to transfer arm weight directly into the strings for his characteristic dense, ringing tone.
Jascha Heifetz was famously cool and serious on stage, but he actually possessed a dry, sharp wit. He often used self-deprecating humor and tongue-in-cheek quips to poke fun at himself, his fellow musicians, and the lofty expectations of classical music culture.
Benjamin J. Falk (1853-1925) was an American photographer active in New York City during the late 19th and early 20th centuries. His portrait studio was at Twenty-Third Street and Broadway, on the site where the Flatiron Building stands today. After he left Twenty-Third Street (probably around 1902, when the Flatiron Building was completed) Falk had an establishment at the Waldorf Astoria Hotel.
Exceptional original Falk sepia portrait photograph of the great violinist with his instrument and bow, boldly signed and inscribed with an self-deprecating and humorous inscription dated Melbourne, June 1, [19]32, "'Nothing is bad - / that could be worst [sic]!'?! / Sincerely, / Jascha Heifetz," then adding an arrow "see above" pointing to his own bow arm! In fine condition. 6 x 8 inches; 15.25 x 20.3 cm. The most unusual signed Heifetz photographs we've ever offered.
As seen in this image, Heifetz utilized the Russian bow hold and a highly pronated (forward-tilted) right arm, which kept his right elbow relatively high and the wrist angled above the hand. This unique mechanics allowed him to transfer arm weight directly into the strings for his characteristic dense, ringing tone.
Jascha Heifetz was famously cool and serious on stage, but he actually possessed a dry, sharp wit. He often used self-deprecating humor and tongue-in-cheek quips to poke fun at himself, his fellow musicians, and the lofty expectations of classical music culture.
Benjamin J. Falk (1853-1925) was an American photographer active in New York City during the late 19th and early 20th centuries. His portrait studio was at Twenty-Third Street and Broadway, on the site where the Flatiron Building stands today. After he left Twenty-Third Street (probably around 1902, when the Flatiron Building was completed) Falk had an establishment at the Waldorf Astoria Hotel.