Feuermann, Emanuel. (1902–1942). Large Photograph on Cover of 1941 Musical America. A fine image of the great cellist on the cover of the December 10, 1941 issue of Musical America. The complete issue, dating from shortly before the cellist's premature death, also includes a signed photograph of the influential conductor, Albert Wolff and the back cover is boldly signed by tenor, Jan Peerce. The issue is packed with many great additional photographs and concert reviews. Spine reinforced, else very fine. 10.5 x 14 inches.
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
Feuermann, Emanuel. (1902–1942). Large Photograph on Cover of 1941 Musical America. A fine image of the great cellist on the cover of the December 10, 1941 issue of Musical America. The complete issue, dating from shortly before the cellist's premature death, also includes a signed photograph of the influential conductor, Albert Wolff and the back cover is boldly signed by tenor, Jan Peerce. The issue is packed with many great additional photographs and concert reviews. Spine reinforced, else very fine. 10.5 x 14 inches.
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)
"Feuermann, arguably more than Casals, was responsible for revolutionizing cello technique. His astonishing technical facility made him the first cellist to play with the ease of a violinist, while his purity of tone, intensity of sound, clarity of articulation and fine musicianship mark him out as one of the greatest string players of the 20th century." (Grove Online)