Superb large original Frederick Morse portrait of the Australian-born composer and pianist composing at the piano. Signed and inscribed to the head in black ink "To my dear friends Karl + Dorothy Payne in fond fellowship and warm admiration for their true artistry + in happy gratitude for kindest hospitality + cherished memory of delightful association from Percy Grainger Nov. 1942" and adding an autograph musical quotation of four measures from The Warriors. Signature of the photographer "Morse Photo" lower right. Laid down to rigid backing, silvering mostly along lower edge and corners, diagonal crease lower right, else fine. 10.6 x 13.75 inches (27 x 35 cm).
The eccentric Grainger had a career spanning three continents (Australia, Europe, and eventually North America). Composed between 1913 and 196, The Warriors: Music to an Imaginary Ballet is an orchestral piece dedicated "For Frederick Delius, in admiration and affection". In addition to the usual orchestral forces, it calls for a very large percussion section, including off-stage brass, led by an assistant conductor, and three pianos.
Superb large original Frederick Morse portrait of the Australian-born composer and pianist composing at the piano. Signed and inscribed to the head in black ink "To my dear friends Karl + Dorothy Payne in fond fellowship and warm admiration for their true artistry + in happy gratitude for kindest hospitality + cherished memory of delightful association from Percy Grainger Nov. 1942" and adding an autograph musical quotation of four measures from The Warriors. Signature of the photographer "Morse Photo" lower right. Laid down to rigid backing, silvering mostly along lower edge and corners, diagonal crease lower right, else fine. 10.6 x 13.75 inches (27 x 35 cm).
The eccentric Grainger had a career spanning three continents (Australia, Europe, and eventually North America). Composed between 1913 and 196, The Warriors: Music to an Imaginary Ballet is an orchestral piece dedicated "For Frederick Delius, in admiration and affection". In addition to the usual orchestral forces, it calls for a very large percussion section, including off-stage brass, led by an assistant conductor, and three pianos.