Brahms, Johannes. (1833–1897). Fantasien für Pianoforte. Op. 116. . Berlin: Simrock. 1892. First edition. Zweites Heft. 15 pp. [PN] 9875. Ownership stamp from the American composer Walter Starbuck on the upper right corner, else very clean throughout. Separating at spine, else fine. McCorkle 467f. Hofmann 244f.
First performed by Heinrich Barth on January 6, 1893 at the Populärer Kammermusik-Abend. In a letter to his friend Rudolf von der Leyen, Brahms called the three Intermezzos op.117 ‘Wiegenlieder meiner Schmerzen’ (‘lullabies of my sorrow’).
First performed by Heinrich Barth on January 6, 1893 at the Populärer Kammermusik-Abend. In a letter to his friend Rudolf von der Leyen, Brahms called the three Intermezzos op.117 ‘Wiegenlieder meiner Schmerzen’ (‘lullabies of my sorrow’).
Brahms, Johannes. (1833–1897). Fantasien für Pianoforte. Op. 116. . Berlin: Simrock. 1892. First edition. Zweites Heft. 15 pp. [PN] 9875. Ownership stamp from the American composer Walter Starbuck on the upper right corner, else very clean throughout. Separating at spine, else fine. McCorkle 467f. Hofmann 244f.
First performed by Heinrich Barth on January 6, 1893 at the Populärer Kammermusik-Abend. In a letter to his friend Rudolf von der Leyen, Brahms called the three Intermezzos op.117 ‘Wiegenlieder meiner Schmerzen’ (‘lullabies of my sorrow’).
First performed by Heinrich Barth on January 6, 1893 at the Populärer Kammermusik-Abend. In a letter to his friend Rudolf von der Leyen, Brahms called the three Intermezzos op.117 ‘Wiegenlieder meiner Schmerzen’ (‘lullabies of my sorrow’).