Notable in this image are the great ballerina Tamara Toumanova (farthest right) and Leon Woizikowski (striped costume with long jacket, center), who joined the Ballets Russes in 1916 and was Diaghilev's most outstanding character dancer. He created roles in Leonide Massine's Las Meninas (1916), Les Femmes de bonne humeur and Parade (1917), La Boutique Fantasque and Le Tricorne (1919), Les Matelots (1925), Le Pas d'acier (1927), and in Bronislava Nijinska's Les Noces (1923), Les Biches (1924) and Le Train Bleu (1915). George Balanchine choreographed roles for Woizikowski in Barabau (1925), The Gods Go-a-Begging (1925), Le Bal and Prodigal Son (1929). After Diaghilev's death Woizikowski joined Anna Pavlova's company and during 1932 and 1933 he danced with René Blum's Ballet Russe and created roles in Balanchine's Cotillon and Le Concurrence (1932), and Massine's Jeux d'enfants, Les Presages, Beach, and Choreartium (1933).
Notable in this image are the great ballerina Tamara Toumanova (farthest right) and Leon Woizikowski (striped costume with long jacket, center), who joined the Ballets Russes in 1916 and was Diaghilev's most outstanding character dancer. He created roles in Leonide Massine's Las Meninas (1916), Les Femmes de bonne humeur and Parade (1917), La Boutique Fantasque and Le Tricorne (1919), Les Matelots (1925), Le Pas d'acier (1927), and in Bronislava Nijinska's Les Noces (1923), Les Biches (1924) and Le Train Bleu (1915). George Balanchine choreographed roles for Woizikowski in Barabau (1925), The Gods Go-a-Begging (1925), Le Bal and Prodigal Son (1929). After Diaghilev's death Woizikowski joined Anna Pavlova's company and during 1932 and 1933 he danced with René Blum's Ballet Russe and created roles in Balanchine's Cotillon and Le Concurrence (1932), and Massine's Jeux d'enfants, Les Presages, Beach, and Choreartium (1933).