{"product_id":"22229-satie-erik-1866-1925-en-habit-de-cheval-a-4-mains","title":"Satie, Erik. (1866–1925) En habit de Cheval (à 4 mains)","description":"Four pieces for piano 4-hands by the eccentric French composer. Unbound upright folio. Lithographed. [PN] R.9832. L. \u0026amp; Cie. 13 pp. Original orange wrappers. In modern case. 14 x 11 inches (35.2 x 27.5 cm). Wrappers very brittle and detached, with slight loss and early repair to spine; else, a fine copy.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe four pieces of this cycle from 1911, whose title translates as \"in riding gear\" (meaning the horse's not the rider's, as Satie emphasized), are named \u003ci style=\"\"\u003eChoral, Fugue litanique, Autre choral\u003c\/i\u003e and\u003ci style=\"\"\u003e Fugue de papier. \u003c\/i\u003eSatie orchestrated the work a few months later. According to British musicologist Robert Orledge, \u003cspan style=\"\"\u003e\"\u003c\/span\u003e\u003ci style=\"\"\u003eEn habit de cheval\u003c\/i\u003e\u003cspan style=\"\"\u003e offers the best example of Satie integrating Schola [Cantorum] teaching with his own composition, and in it he also worked out his own individual concept of orchestration.\" (Schola Cantorum was the \u003c\/span\u003eprivate music school in Paris that Satie attended from 1905 to 1912.)\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003ch5 style=\"\"\u003e\u003cbr\u003e\u003c\/h5\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093806633119,"sku":"22229","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Satie_2C_Erik_En_habit_de_Cheval_22229c.jpg?v=1722190494","url":"https:\/\/www.schubertiademusic.com\/products\/22229-satie-erik-1866-1925-en-habit-de-cheval-a-4-mains","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}