{"product_id":"22177-film-theatre-and-entertainment-various-signed-title-pages-cut-from-books-other-autographed-items","title":"[Film, Theatre and Entertainment] [Various] Signed title pages cut from books; other autographed items (64 in total)","description":"Signed pages cut from books (title page if not stated otherwise), inscribed to Paul McMahon if not noted otherwise. In excellent condition if not noted otherwise. As follows (in alphabetical order):\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eAmory, Cleveland. (1917–1998), \u003ci style=\"\"\u003eThe Cat Who Came for Christmas \u003c\/i\u003e(Boston: Little, Brown, 1987). Inscription dated \"1989.\" 8.25 x 5.5 inches (21 x 13.7 cm). Amory was a notable animal rights activist.\u003c\/div\u003e\u003cdiv style=\"\"\u003eAmory, Cleveland, \u003ci style=\"\"\u003eThe Cat and the Curmudgeon \u003c\/i\u003e(Boston: Little, Brown, 1990 [?]). Half title. Inscription dated \"1991.\" 8.25 x 5.5 inches (20.8 x 13.5 cm).\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003eAnger, Kenneth. (b. 1927), \u003ci style=\"\"\u003eTime Must Have a Stop: Icons and Statements \u003c\/i\u003e(Vienna: PVS, 1995 [?]). Book not identified with certainty. Oblong format, 11 x 8.25 inches (27.5 x 21 cm). Anger was the first filmmaker in Hollywood producing movies with openly gay themes.\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Barrault, Jean-Louis. (1910–1994)] \u003ci style=\"\"\u003eJean-Louis Barrault\u003c\/i\u003e (Hamburg: Johannes Maria Hoeppner, 1957). Inscribed in French by the French actor, \"Pour Paul avec mon amitié JL Barrault 21 Mars 64.\" 11 x 7.5 inches (27.5 x 19 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCarlisle Hart, Kitty. (1910–2007), \u003ci style=\"\"\u003eKitty: An Autobiography \u003c\/i\u003e(New York: Doubleday, 1988). Inscription dated \"May 1989.\" 9.25 x 6 inches (23.4 x 15 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCharisse, Cyd. (1922–2008) and Martyn, Tony. (1913–2012), \u003ci style=\"\"\u003eThe Two of Us\u003c\/i\u003e (New York: Jason\/Charter, 1976), co-written by Richard Kleiner. Half title, inscribed by both actress\/dancer Charisse and actor\/singer Martin, who were married for 60 years; inscription dated \"3\/27\/80.\" 9 x 5.5 inches (22.8 x 13.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eChristy, Marian. (b. 1932), \u003ci style=\"\"\u003eInvasions of Privacy \u003c\/i\u003e(Redding, Mass.: Addison \u0026amp; Wesley, 1984). Half title, inscribed by the fashion journalist and artist, \"For dear Paul – a fine and respected colleague and friend. Admiringly Marian Christy Nov. 11 '86.\" 8.25 x 5 inches (21 x 12.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCollins, Joan. (b. 1933), \u003ci style=\"\"\u003ePast Imperfect \u003c\/i\u003e(New York: Simon and Schuster, 1984). 8.5 x 5.25 inches (21.5 x 13.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCollins, Joan. Blank red sheet of paper inscribed \"to Paul \u0026amp; Ralph.\" 9.5 x 7 inches (24.5 x 18 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Cornell, Katherine. (1893–1974)] McClintic, Guthrie. (1893–1961), \u003ci style=\"\"\u003eMe and Kit \u003c\/i\u003e(Boston: Little, Brown and Company, 1955). Inscribed by both Cornell and McClintic. 8.5 x 5.5 inches (21.2 x 14 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCross, Christopher. (b. 1951). Catalogue card, inscribed to unruled verso. 3 x 5 inches (7.7 x 12.7 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eCrystal, Billy. (b. 1948), \u003ci style=\"\"\u003eAbsolutely Mahvelous \u003c\/i\u003e(New York: Putnam's Sons, 1986), co-written by Dick Schaap. 8 x 5 inches (20.3 x 12.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eDonahue, Phil. (b. 1935), \u003ci style=\"\"\u003eDonahue, My Own Story\u003c\/i\u003e (New York, Simon and Schuster, 1979). 9.5 x 6 inches (23.5 x 15 cm). Small stain to right edge.\u003c\/div\u003e\u003cdiv style=\"\"\u003eFlowers, Wayland. (1939–1988). Blank yellow sheet (front end paper from a book?) inscribed by the actor and puppeteer, \"For Paul, Thanks for buying the other one! Kisses, 'Madame' \u0026amp; Wayland.\" \"Madame\" was Flowers's puppet companion in his comedy show. Cartoon of Madame drawn to the right of the inscription. 9 x 7 inches (23 x 17.5 cm). Ink smeared. Dampstaining to upper right corner.\u003c\/div\u003e\u003cdiv style=\"\"\u003eGabor, Zsa Zsa (1917–2016), \u003ci style=\"\"\u003eZsa Zsa Gabor: My Story \u003c\/i\u003e(Cleveland and New York: The World Publishing Company, 1960), ghostwritten by Gerold Frank. 8.5 x 5.25 inches (21.2 x 13.5 cm).Gingold, Hermione. (1897–1987), \u003ci style=\"\"\u003eSirens Should Be Seen and not Heard\u003c\/i\u003e (Philadelphia: Lippincott, 1963). Half title inscribed to verso. 8 x 5 inches (20.3 x 13 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eGingold, Hermione. Blank sheet (front endpaper of a book?) inscribed to verso. 7.5 x 7 inches (18.5 x 17.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eGordon, Ruth. (1895–1985), \u003ci style=\"\"\u003eMy Side \u003c\/i\u003e(New York: Harper \u0026amp; Row, 1976). Page with printed dedication, \"For my son, Jones\" inscribed to Paul McMahon. Dated \"30 October '76.\" 9.25 x 6 inches (23.5 x 15.5 cm). Book identified by dedication.\u003c\/div\u003e\u003cdiv style=\"\"\u003eGordon, Ruth, \u003ci style=\"\"\u003eRuth Gordon: An Open Book \u003c\/i\u003e(Garden City, N. Y.: Doubleday \u0026amp; Company, 1980). Half title and title, each inscribed. 8.25 x 5 inches (20.7 x 13 cm).\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003eGraham, Sheilah. (1904–1988), \u003ci style=\"\"\u003eBeloved Infidel: The Education of a Woman\u003c\/i\u003e (New York: Henry Holt and Company, 1958), co-written by Gerold Frank. 8.25 x 5.25 inches (21 x 13.3 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eGranger, Stewart. (1913–1993), \u003ci style=\"\"\u003eSparks Fly Upward\u003c\/i\u003e (New York: Putnam, 1981). Half title inscribed to verso, \"For Paul \/ One of the few americans \/ who has read my book! \/ Thanks \/ Stewart Granger.\" 9 x 5.25 inches (22.8 x 13 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eHagen, Uta. (1919–2004), \u003ci style=\"\"\u003eRespect for Acting\u003c\/i\u003e (New York: Macmillan, 1973). 8.25 x 5 inches (20.8 x 12.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eHavoc, June. (1912–2010). Blank page cut from unidentified book (probably \u003ci style=\"\"\u003eEarly Havoc,\u003c\/i\u003e New York: Simon and Schuster, 1959) and inscribed to Paul McMahon. 8 x 5.25 inches (20.2 x 13.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eHavoc, June, \u003ci style=\"\"\u003eMore Havoc \u003c\/i\u003e(New York: Harper \u0026amp; Row, 1980). Half title with inscription dated \"80.\" 9.25 x 5.5 inches (23.5 x 14.2 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eHayden, Sterling. (1916–1986), \u003ci style=\"\"\u003eWanderer\u003c\/i\u003e (New York: Alfred A. Knopf, 1963). 8.5 x 5.5 inches (21.2 x 14 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Hayes, Helen. (1900–1993)] Catherine Hayes Brown, \u003ci style=\"\"\u003eLetters to Mary \u003c\/i\u003e(New York: Random House, 1940). Inscribed by Helen (not Catherine) Hayes to Paul McMahon. 9 x 5.25 inches (21.5 x 13.5 cm). Catherine Hayes Brown was the mother of Helen Hayes. Like her daughter, she was an actress.\u003c\/div\u003e\u003cdiv style=\"\"\u003eHayes, Helen, \u003ci style=\"\"\u003eOf Joy\u003c\/i\u003e (New York: M. Evans and Company, 1965). 8.25 x 5.25 inches (20.9 x 13.2 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eHayes, Helen, \u003ci style=\"\"\u003eMy Life in Three Acts \u003c\/i\u003e(San Diego: Harcourt Brace Jovanovich, 1990). 9.25 x 5.75 inches (23.3 x 14.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Hunter, Tab. (1931–2018)] \u003ci style=\"\"\u003eThe Tab Hunter Album, \u003c\/i\u003eed. Diana Lurvey (New York: Ideal Publishing Company, 1957). Leaf (pp. 3–4) with Hunter's signature (no inscription) to recto (contents page). 10.75 x 8.5 inches (27.5 x 21 cm). Browned, brittle and frayed at edges, especially at former gutter.\u003c\/div\u003e\u003cdiv style=\"\"\u003eKanin, Garson. (1912–1999), \u003ci style=\"\"\u003eTracy and Hepburn: An Intimate Memoir \u003c\/i\u003e(New York: Viking Penguin, 1971). Inscription in black ink to verso, sideways: \"This one is for Paul = with every good wish = Garson Kanin 5.V.89 Boston.\" Inscription in red ink in a different hand to verso: \"Happy Birthday \/ Merry Xmas \/ Happy Anniversary \/ to two dear friends - \/  Marc    March 72.\"  8.25 x 5.25 inches (21 x 13.2 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eKaye, Danny. (1911–1987). Signed leaf (probably front endpaper) cut from unidentified book (no inscription). 8.25 x 5.25 inches (21 x 13.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Kerr, Deborah. (1921–2007)] Eric Braun, \u003ci style=\"\"\u003eDeborah Kerr\u003c\/i\u003e (New York: St. Martin's Press, 1978). Inscribed by Kerr. 9.25 x 5.75 inches (23.5 x 14.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eKing, Alan. (1927–2004) \u003ci style=\"\"\u003eIs Salami and Eggs Better than Sex?\u003c\/i\u003e (Boston: Little, Brown and Company, 1985), co-written by Mimi Sheraton. 8.25 x 5.25 inches (21 x 13.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eKirkwood, James, Jr. (1924–1989), \u003ci style=\"\"\u003eThere Must Be a Pony! \u003c\/i\u003e(Boston: Little, Brown, 1960 [?]). Leaf with printed dedication, \"To Lila Lee and James Kirkwood, Sr., with love and shingles,\" followed by inscription. 7 x 4 inches (17.6 x 10.2 cm). Identified by printed dedication. Browned and brittle; creases to top left corner.\u003c\/div\u003e\u003cdiv style=\"\"\u003eLanchester, Elsa. (1902–1986), \u003ci style=\"\"\u003eCharles Laughton and I \u003c\/i\u003e(New York: Harcourt, Brace and Company, 1938). Signed (not inscribed by Lanchester. 8.5 x 5.5 inches (21.5 x 14 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eMac Liammóir, Micheál. (1899–1978), \u003ci style=\"\"\u003eEach Actor on His Ass. \u003c\/i\u003eTranslated from the Irish by the author (London: Routledge and Kegan Paul, 1961). 8.5 x 5.5 inches (21.5 x 13.6 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eMcDowell, Michael (1950–1999) \u0026amp; Schuetz, Dennis. (?–?). Nathan Aldyne [joint pen name of McDowell and Schuetz], \u003ci style=\"\"\u003eSlate \u003c\/i\u003e(New York: Villard Books, 1984). Inscribed in black ink inMcDowell's hand, \"11 May 84 \/ For Paul Michael McDowell\" followed by the signature of Schuetz and, in parentheses, \"Nathan Aldyne\" in a third hand both in blue ink. 8.5 x 5 inches (21.4 x 13 cm). \u003c\/div\u003e\u003cdiv style=\"\"\u003eMcKuen, Rod. (1933–2015), \u003ci style=\"\"\u003eLonesome Cities \u003c\/i\u003e(New York: Random House, 1968). 8.5 x 5 inches (21.2 x 12.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Marceau, Marcel. (1923–2007)] Ben Martin, \u003ci style=\"\"\u003eMarcel Marceau: Master of Mime \u003c\/i\u003e(New York: Penguin, 1979). Inscription by Marceau, dated \"1982.\" 10 x 6.5 inches (25 x 17 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eMasters, George. (1936–1998), \u003ci style=\"\"\u003eThe Masters Way to Beauty \u003c\/i\u003e(New York: E. P. Dutton, 1977), co-written by Norma Lee Browning. 9.25 x 5.75 inches (23.5 x 14.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eMerchant, Ismail. (1936–2000), \u003ci style=\"\"\u003eHullabaloo in old Jeypore: The Making of \u003c\/i\u003eThe Deceivers\u003ci style=\"\"\u003e \u003c\/i\u003e(New York: Doubleday, 1988). 9.25 x 6 inches (23.5 x 15.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eNeagle, Anna. (1904–1986). Blank leaf (front endpaper of Neagle's book \u003ci style=\"\"\u003eThere Is Always Tomorrow, \u003c\/i\u003eLondon: Allen, 1974?) inscribed with Paul McMahon with date \"1975.\"8.5 x 5 inches (21 x 13.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eNorton, Elliot. (1903–2003), \u003ci style=\"\"\u003eBroadway Down East: \u003c\/i\u003e\u003ci style=\"\"\u003eAn Informal Account of the Plays, Players, and Playhouses of Boston from Puritan Times to the Present\u003c\/i\u003e (\u003cspan style=\"\"\u003eBoston: Trustees of the Public Library of the City of Boston, 1978). Half title with inscription to Paul McMahon, dated \"Feb 14 1979.\" 10 x 7.75 inches (25.5 x 19.6 cm).\u003c\/span\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003eO'Brien, Margaret. (b. 1937), \u003ci style=\"\"\u003eMy Diary \u003c\/i\u003e(Philadelphia: J. B. Lippincott Company, 1948). 8 x 5.25 inches (20.3 x 13.3 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003ePhillips, Michelle. (b. 1944). Blank yellow leaf (front paper of unidentified book) inscribed to Paul McMahon. 9 x 5.75 inches (22.8 x 14.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eReems, Harry. (1947–2013), \u003ci style=\"\"\u003eHere Comes Harry Reems! \u003c\/i\u003e(New York: Pinnacle Books, 1975). Inscription: \"To Paul – Keep it up, but... stay out of Memphis! Harry Reems.\"  6.75 x 3.75 inches (17.5 x 10 cm). Memphis is the city where the actor was indicted on federal charges of \"conspiracy to distribute obscenity across state lines\" in 1974 for acting as the male lead in the porn movie \u003ci style=\"\"\u003eDeep Throat \u003c\/i\u003e(1972). He was convicted in 1975, but the decision was overturned in the following year, and the charges were dropped.\u003c\/div\u003e\u003cdiv style=\"\"\u003eReynolds, Debbie. (1932–2016), \u003ci style=\"\"\u003eDebbie: My Life\u003c\/i\u003e (New York: William Morrow and Company, 1988). Inscription dated \"Oct 88.\" 9 x 6 inches (23.3 x 15 cm.).\u003c\/div\u003e\u003cdiv style=\"\"\u003eRigg, Diana. (1938–2020). \u003ci style=\"\"\u003eNo Turn Unstoned: The Worst Ever Theatrical Reviews Compiled by Diana Ring \u003c\/i\u003e(Garden City, N. Y.: Doubleday \u0026amp; Company, 1983). 10 x 7 inches (25.7 x 17.8 cm). Upper left corner torn off, without loss to text.\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Somes, Michael. (1917–1994)]. Hugh Fisher, \u003ci style=\"\"\u003eMichael Somes \u003c\/i\u003e(London: Adam and Charles Black, 1955). Inscribed by Somes. 9.75 x 7.25 inches (24.7 x 18.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Stapleton, Maureen. (1925–2006). Leaf (pp. 3–4) of unidentified periodical on film, probably from 1981, with printed dedication to (and several photographs of) Maureen Stapleton. Inscribed by Stapleton on p. 3. 9 x 6.25 inches (23.2 x 15.7 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eSwanson, Gloria. (1899–1983), \u003ci style=\"\"\u003eSwanson of Swanson\u003c\/i\u003e (New York: Random House, 1980), actually ghostwritten by Swanson's eighth and final husband, William Dufty. Half title with inscription dated \"1980.\" 9.25 x 5.75 inches (23.5 x 15 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eTenuta, Judy. (1949–2022). \u003ci style=\"\"\u003eThe Power of Judyism \u003c\/i\u003e(New York: Harper Perennial, 1991). Half title inscribed, \"to Paul – demi-God of the written word. You make me want to spawn! It could happen. Love Judy Tenuta.\" 9.25 x 6 inches (23.4 x 14.9 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eTerry, Walter. (1913–1982), \u003ci style=\"\"\u003eOn Pointe! \u003c\/i\u003e(New York: Dodd Mead, 1962). 8.25 x 5.25 inches (21 x 13.2 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eTerry, Walter, \u003ci style=\"\"\u003eIsadora Duncan: Her Life, Her Art, Her Legacy \u003c\/i\u003e(New York: Dodd Mead, 1963). 8.25 x 5.25 inches (21 x 13.2 cm).\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003eVadim, Roger. (1928–2000), \u003ci\u003eBardot, Deneuve, Fonda\u003c\/i\u003e (English translation; New York: Simon and Schuster, 1986). Inscription to Paul McMahon in French, \"Pour Paul \/ amical souvenir \/ Roger Vadim.\" 9.25 x 5.75 inches (23.5 x 14.6 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eVan Doren, Mamie. (b. 1931). Blank leaf (front endpaper of Van Doren's book\u003ci\u003e Playing the Field: My Story\u003c\/i\u003e, 1987?) inscribed to Paul McMahon, with date \"10-16-87.\" 8.5 x 5.5 inches (21.5 x 13.7 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eWarrick, Ruth. (1916–2005), \u003ci\u003eThe Confessions of Phoebe Tyler\u003c\/i\u003e (Englewood Cliffs, N. J.: Prentice-Hall, 1980), co-written by Don-Preston. 9 x 5.75 inches (22.9 x 15 cm). Phoebe Tyler was the role Warrick was associated with. She appeared in this role in the \u003ci\u003eAll My Children \u003c\/i\u003eTV serial from its launch in 1970 to 2005.\u003c\/div\u003e\u003cdiv style=\"\"\u003eWhiting, Margaret. (2004–2011), \u003ci\u003eIt Might As Well Be Spring\u003c\/i\u003e (New York: William Morrow and Company, 1987), co-written with Will Holt. Half title inscribed to Paul McMahon. 9.25 x 5.75 inches (23.5 x 15 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eWinters, Shelley, (1920–2006), \u003ci\u003eShelley: Also Known as Shirley \u003c\/i\u003e(New York: William Morrow and Company, 1980). 9.25 x 6 inches (23.5 x 15.4 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eWrangler, Jack. (1946–2009), \u003ci\u003eThe Jack Wrangler Story\u003c\/i\u003e (New York: St. Martin's Press, 1984). Half title Inscribed to Paul McMahon in purple ink. 8.25 x 5.5 inches (21 x 13.7 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003eYork, Michael. (b. 1942), \u003ci\u003eAccidentally on Purpose: An Autobiography\u003c\/i\u003e (New York: Simon and Schuster, 1991). 9.25 x 6 inches (23.5 x 15 cm).  Ink of inscription bleeding through.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\"Paul\" (unidentified). Page of unidentified book with printed dedication, \"To Roger\" added to by inscription, \"...and to Paul, delighted to have had the chance, on a gray and sour Boston Sunday, to interview \u003cu\u003eyou\u003c\/u\u003e, to find out the textures and weathers of \u003cu\u003eyour\u003c\/u\u003e Madeleine Cosquer. And hoping that it's the first of many meetings. Affectionately, Paul.\" Dated \"4\/78.\" 8.25 x 5 inches (21 x 12.8).\u003c\/div\u003e\u003cdiv style=\"\"\u003e[Unidentified] Catalog card with illegible signature to unruled verso. 3 x5 inches (7.7 x 12.7 cm). Creased and browned to edges.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eFrom the library of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon’s stage manager, announcer, dresser, secretary and escort, and later spent 25 years as an arts and entertainment reviewer and photographer with Gay Community News, Esplanade, Tommy’s Connection, The Mirror, Bay Windows and other publications.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093805093023,"sku":"22177","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/28Various_29_Signed_title_pages_cut_from_books_3B_other_autographed_items_2864_in_Toal_-_Paul_29_22177g.jpg?v=1722190486","url":"https:\/\/www.schubertiademusic.com\/products\/22177-film-theatre-and-entertainment-various-signed-title-pages-cut-from-books-other-autographed-items","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}