{"product_id":"22015-varese-edgard-offrandes-inscribed-full-score-to-a-columbia-princeton-electronic-music-engineer","title":"Varèse, Edgard. (1883–1965) \"Offrandes\" - Inscribed Full Score to a Columbia-Princeton Electronic Music Engineer","description":"\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e for soprano and chamber orchestra. Full score. 8vo. 10.5 x 7 inches (26.7 x 17.5 cm). 31 pp. [PN] NY 2074. \u003cspan style=\"\"\u003eInscribed by the composer on the title to Peter Smith, then an engineering student working at the \u003c\/span\u003e\u003cspan style=\"\"\u003eColumbia-Princeton Electronic Music Center,\u003c\/span\u003e\u003cspan style=\"\"\u003e who had assisted Varèse with some of his early pioneering efforts in electronic music: \u003c\/span\u003e\"au Herr Prof. Peter Smith cordial souvenir Edgard Varèse.\"  In original gray wrappers, slightly worn and with small stains. Miniscule pinprick through head of upper wrapper and first pages, else in very fine condition throughout.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eIn an email to Schubertiade Music \u0026amp; Arts, Peter Smith recalls that \"i\u003cspan style=\"\"\u003en the course of that work, I assisted several well-known composers in how to use the electronic equipment in order to achieve their musical desires.  Edgard Varèse was one of those composers. Varèse and I spent several afternoons in the electronic music center where he would describe what he wanted to hear from the equipment and what he could achieve with the various recording techniques. I would teach how to properly splice the tape so that he could piece together the sounds that were in his mind for a particular composition.  We worked like this together for perhaps a period of 6 months.\" \u003c\/span\u003e\u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eAn interesting association copy from the pathbreaking composer who saw potential in using electronic mediums for sound production, and his use of new instruments and electronic resources led to his being known as the \"Father of Electronic Music\" while Henry Miller described him as \"The stratospheric Colossus of Sound\".\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eIn 1921, after a stimulating trip to Mexico, Varèse began \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e\u003cspan style=\"\"\u003e, a setting of two sensuously surrealistic poems by the composer’s friend Tablada and the Chilean poet Vincente Huidobro. \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e\u003cspan style=\"\"\u003e, which Varèse described as a “very small-scale piece, a purely intimate work,” was scored for solo soprano and an unusual chamber orchestra that included harp and percussion. The premiere of \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e\u003cspan style=\"\"\u003e was conducted by Salzedo at a concert of the International Composer’s Guild in New York on April 23, 1922. Stunningly interpreted on that occasion by Russian soprano Nina Koshetz, \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e\u003cspan style=\"\"\u003e was an unqualified success with the (admittedly partisan) audience—the last unalloyed public acclaim that the composer was to enjoy for decades. British musicologist Wilfred Mellers provides a clue to the initial success and enduring fascination of \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e\u003cspan style=\"\"\u003e when he observes that it “is related to the world of Debussy” and notes astutely that there are “passages where the barriers between musical sound and ‘noise’ are crossed . . . [T]his is not a technical procedure; it is a new (and at the same time very old) musical philosophy.” \u003c\/span\u003e\u003ci style=\"\"\u003eOffrandes\u003c\/i\u003e was originally published in 1927 by C.C. Birchard \u0026amp; Co., Boston, Mass. \u003cbr style=\"\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093799686303,"sku":"22015","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Varese_2C_Edgard_Offrandes_Inscribed_Full_Score_to_a_Columbia_Princeton_Electronic_Music_Engineer_22015b.jpg?v=1722190445","url":"https:\/\/www.schubertiademusic.com\/products\/22015-varese-edgard-offrandes-inscribed-full-score-to-a-columbia-princeton-electronic-music-engineer","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}