Bruni, Antonio Bartolomeo. (1757–1821). Six Sonates pour le violon... 1er Livre de Sonates. Paris: Imbault. [1802?]. Score for two violins. Disbound upright folio. Engraved. 12.75 x 9.5 inches (32.5 x 24 cm). 50 pp. [PN] 55. Several pages intentionally left blank. Handstamp "Imbault" to right foot of title. With overpaste of Cianchettini & Sperati, London. Number "(9.)" (always in parentheses) added in ink to head of all pages, including title. Dampstained to outer edge, some foxing; else in very good condition.
The first of many sets of sonatas (or duos) for two violins by the prolific Italian composer who lived in Paris from 1780 to 1806. The second violin part is mere accompaniment and far easier than the first. The plate number suggests an engraving date around 1785, but the title page clearly postdates the French Revolution.
A violinist, conductor and composer, Bruni was best known for his comic operas, his numerous violin works, and a viola method. His oeuvre included nearly 100 works for string quartet and trio, as well as over 100 duos (most for two violins), nearly 40 sonatas for various instruments and over 100 etudes and caprices. He was also a supporter of the French Revolution and catalogued the musical instruments confiscated during the Reign of Terror.
Bruni, Antonio Bartolomeo. (1757–1821). Six Sonates pour le violon... 1er Livre de Sonates. Paris: Imbault. [1802?]. Score for two violins. Disbound upright folio. Engraved. 12.75 x 9.5 inches (32.5 x 24 cm). 50 pp. [PN] 55. Several pages intentionally left blank. Handstamp "Imbault" to right foot of title. With overpaste of Cianchettini & Sperati, London. Number "(9.)" (always in parentheses) added in ink to head of all pages, including title. Dampstained to outer edge, some foxing; else in very good condition.
The first of many sets of sonatas (or duos) for two violins by the prolific Italian composer who lived in Paris from 1780 to 1806. The second violin part is mere accompaniment and far easier than the first. The plate number suggests an engraving date around 1785, but the title page clearly postdates the French Revolution.
A violinist, conductor and composer, Bruni was best known for his comic operas, his numerous violin works, and a viola method. His oeuvre included nearly 100 works for string quartet and trio, as well as over 100 duos (most for two violins), nearly 40 sonatas for various instruments and over 100 etudes and caprices. He was also a supporter of the French Revolution and catalogued the musical instruments confiscated during the Reign of Terror.