Baker, Josephine. (1906–1975). The Original Charleston. Musique de Cecil Mack et Jimmy Johnson dansé par Joséphine Baker dans l'Hyper-Revue des Folies Bergère "La Folie du Jour" .... Paris: Editions Francis Salabert. [1926]. First Edition thus. Quarto. Original bifolium sheet music with pictorial covers, letterpress recto only. Light wear around the edges, diagonal crease to left corner, else very good condition. 10.5 x 13.75 inches (27 x 35 cm). Uncommon; only 3 copies listed by Worldcat (Staatsbibliothek zu Berlin, Biblioteca Comunale di Trento, Zentralbibliothek Zurich).
In 1926 Baker left the Revue Negre to join the Folies Bergère and her success became a sensation. The Charleston formed the finale of a frenetic show, the critic André Rouverge writing in the Mercure de France that “the Charleston, as danced à la Baker, fairly boils over with diabolic intensity”. This score features a blissful dancing La Baker by R. de Valerio on the cover.
Baker, Josephine. (1906–1975). The Original Charleston. Musique de Cecil Mack et Jimmy Johnson dansé par Joséphine Baker dans l'Hyper-Revue des Folies Bergère "La Folie du Jour" .... Paris: Editions Francis Salabert. [1926]. First Edition thus. Quarto. Original bifolium sheet music with pictorial covers, letterpress recto only. Light wear around the edges, diagonal crease to left corner, else very good condition. 10.5 x 13.75 inches (27 x 35 cm). Uncommon; only 3 copies listed by Worldcat (Staatsbibliothek zu Berlin, Biblioteca Comunale di Trento, Zentralbibliothek Zurich).
In 1926 Baker left the Revue Negre to join the Folies Bergère and her success became a sensation. The Charleston formed the finale of a frenetic show, the critic André Rouverge writing in the Mercure de France that “the Charleston, as danced à la Baker, fairly boils over with diabolic intensity”. This score features a blissful dancing La Baker by R. de Valerio on the cover.