{"product_id":"17655-fontana-lucio-concetto-spaziale-a-1968","title":"Fontana, Lucio. (1899–1968) Concetto Spaziale a, 1968","description":"\u003cdiv style=\"\"\u003eEtching, aquatint, embossing, punched holes. Signed at the lower right and numbered 41 \/ 210 at the lower left. 25.25 x 18.75 inches (46 x 62 cm). In very fine condition.  Archivally framed to an overall size of 22 x 29 inches. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThis work was among the last pieces completed by Fontana before his death in 1968. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cp style=\"\"\u003e\"Lucio Fontana’s respect for the advancements of science and technology during the 20th century led him to approach his art as a series of investigations into a wide variety of mediums and methods. As a sculptor, he experimented with stone, metals, ceramics, and neon; as a painter he attempted to transcend the confines of the two-dimensional surface. In a series of manifestos originating with the “Manifesto blanco” (White manifesto, 1946), Fontana announced his goals for a “spatialist” art, one that could engage technology to achieve an expression of the fourth dimension. He wanted to meld the categories of architecture, sculpture, and painting to create a groundbreaking new aesthetic idiom.\u003c\/p\u003e\n\u003cp style=\"\"\u003eFrom 1947 on, Fontana’s experiments were often entitled \u003cem style=\"\"\u003eConcetti spaziali\u003c\/em\u003e (Spatial concepts), among which a progression of categories unfolds. The artist’s polychrome sculptures brought color, considered to be under the dominion of painting, into the realm of the three-dimensional. In his \u003cem style=\"\"\u003ebuchi\u003c\/em\u003e (holes) cycle, begun in 1949, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture...From 1958, Fontana purified his paintings by creating matte, monochrome surfaces, thus focusing the viewer’s attention on the slices that rend the skin of the canvas.\" (Jennifer Blessing, Guggenheim Online)\u003c\/p\u003e\n\u003cp style=\"\"\u003ePrints such as the present \u003cem style=\"\"\u003eConcetto spaziale \u003c\/em\u003eare among these \u003cem style=\"\"\u003eTagli\u003c\/em\u003e (cuts, 1958–68), whose violent jags enforce the idea that the work is an object, not solely a surface. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093657211039,"sku":"17655","price":12500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Lucio_Fontana_Concetto_Spaziale_17655_2.jpg?v=1722189487","url":"https:\/\/www.schubertiademusic.com\/products\/17655-fontana-lucio-concetto-spaziale-a-1968","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}