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Viardot, Pauline. (1821-1910). Autograph Letter.
Charming autograph letter from the important nineteenth-century singer to a female friend and pianist, organizing an evening of chamber music and reporting an amusing mistake made by her maid. Dated Thursday, March 29. Translated from the French: "Dear young friend, Will you be so kind as to bring the (simple) quartet version of the Bach Concerto? I cannot find my orchestra parts any more. Don't be late -- I have had a nice Pleyel brought for you. We will play in the Galerie -- it will be charming. [...] We'll begin with the beautiful Schumann string quartet. Can you imagine, my new maid, who brought your answer yesterday evening, said [...] that you would come this evening, but that you were too tired to play... Pantomime!!!! Isn't that lovely?" 3 pp. on a small bifolium with Viardot's monogram. In fine condition. 6 x 4 inches (15.4 x 10 cm).

Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.

Viardot, Pauline. (1821-1910) Autograph Letter

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Viardot, Pauline. (1821-1910). Autograph Letter.
Charming autograph letter from the important nineteenth-century singer to a female friend and pianist, organizing an evening of chamber music and reporting an amusing mistake made by her maid. Dated Thursday, March 29. Translated from the French: "Dear young friend, Will you be so kind as to bring the (simple) quartet version of the Bach Concerto? I cannot find my orchestra parts any more. Don't be late -- I have had a nice Pleyel brought for you. We will play in the Galerie -- it will be charming. [...] We'll begin with the beautiful Schumann string quartet. Can you imagine, my new maid, who brought your answer yesterday evening, said [...] that you would come this evening, but that you were too tired to play... Pantomime!!!! Isn't that lovely?" 3 pp. on a small bifolium with Viardot's monogram. In fine condition. 6 x 4 inches (15.4 x 10 cm).

Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.