![[Tamburini, Antonio. (1800 - 1876)] Portrait Lithograph](http://www.schubertiademusic.com/cdn/shop/files/Tamburini_litho_11998157.jpg?v=1722188246)
[Tamburini, Antonio. (1800 - 1876)]. Portrait Lithograph. Paris: Chez Aubert, galerie Véro-Dodat. . [ca. 1840]. Portrait lithograph of the great Italian baritone, creator of numerous Bellini and Donizetti roles. Published Chez Aubert gal. Vero-Dodat and printed by Imp d'Aubert & C., as extracted from "Galerie de la presse, de la littérature et des beaux-arts." A little toned around the edges, otherwise in fine condition. 20.5 x 27 cm (the full sheet).
Tamburini "was a singularly handsome man; his voice was rich, sweet, extensive and equal – ranging from F toF#, two perfect octaves – and in every part of it entirely under control. His execution has never been exceeded...No one since himself has so thoroughly combined grandeur, accent, florid embellishment and solidity." (Henry Chorley, "Thirty Years' Musical Recollections," 1862).
Tamburini "was a singularly handsome man; his voice was rich, sweet, extensive and equal – ranging from F toF#, two perfect octaves – and in every part of it entirely under control. His execution has never been exceeded...No one since himself has so thoroughly combined grandeur, accent, florid embellishment and solidity." (Henry Chorley, "Thirty Years' Musical Recollections," 1862).
[Tamburini, Antonio. (1800 - 1876)]. Portrait Lithograph. Paris: Chez Aubert, galerie Véro-Dodat. . [ca. 1840]. Portrait lithograph of the great Italian baritone, creator of numerous Bellini and Donizetti roles. Published Chez Aubert gal. Vero-Dodat and printed by Imp d'Aubert & C., as extracted from "Galerie de la presse, de la littérature et des beaux-arts." A little toned around the edges, otherwise in fine condition. 20.5 x 27 cm (the full sheet).
Tamburini "was a singularly handsome man; his voice was rich, sweet, extensive and equal – ranging from F toF#, two perfect octaves – and in every part of it entirely under control. His execution has never been exceeded...No one since himself has so thoroughly combined grandeur, accent, florid embellishment and solidity." (Henry Chorley, "Thirty Years' Musical Recollections," 1862).
Tamburini "was a singularly handsome man; his voice was rich, sweet, extensive and equal – ranging from F toF#, two perfect octaves – and in every part of it entirely under control. His execution has never been exceeded...No one since himself has so thoroughly combined grandeur, accent, florid embellishment and solidity." (Henry Chorley, "Thirty Years' Musical Recollections," 1862).