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Tadolini, Giovanni. (1789 - 1872). Autograph Musical Quotation. 17-measure AMQS "Tempo di Valz (molto Lento)" for Piano, inscribed "Omaggio alla Sigra. Contessa Anna Malvezzi / G. Tadolini / Parigi / 8 Decembre / 1842." 27 x 18 cm. Very fine. From the album of Anna Maria Malvezzi.


The Italian composer, conductor and singing instructor enjoyed a career that alternated between Bologna and Paris and is probably best known for completing six sections of Rossini's 1833 version of the Stabat mater after the latter fell sick. However, he also composed eight operas as well as sinfonias, sonatas, chamber music, and numerous pieces of religious music and art songs. A student of Rubini (voice) and Mattei (composition), he worked at the Théâtre-Italien in Paris as a répétiteur and chorus master from 1811 to 1814, later married the soprano Eugenia Tadolini and returned to the Théâtre-Italien in 1829 with his wife, he as the director, and she as a singer in the company.

Tadolini, Giovanni. (1789 - 1872) Autograph Musical Quotation

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Tadolini, Giovanni. (1789 - 1872). Autograph Musical Quotation. 17-measure AMQS "Tempo di Valz (molto Lento)" for Piano, inscribed "Omaggio alla Sigra. Contessa Anna Malvezzi / G. Tadolini / Parigi / 8 Decembre / 1842." 27 x 18 cm. Very fine. From the album of Anna Maria Malvezzi.


The Italian composer, conductor and singing instructor enjoyed a career that alternated between Bologna and Paris and is probably best known for completing six sections of Rossini's 1833 version of the Stabat mater after the latter fell sick. However, he also composed eight operas as well as sinfonias, sonatas, chamber music, and numerous pieces of religious music and art songs. A student of Rubini (voice) and Mattei (composition), he worked at the Théâtre-Italien in Paris as a répétiteur and chorus master from 1811 to 1814, later married the soprano Eugenia Tadolini and returned to the Théâtre-Italien in 1829 with his wife, he as the director, and she as a singer in the company.