![Bazzini, Antonio. (1818–1897) Moderato [String Trio] - Autograph Musical Quotation](http://www.schubertiademusic.com/cdn/shop/files/Bazzini_AMQS_11848194.jpg?v=1722188210)
Bazzini, Antonio. (1818–1897). Moderato [String Trio] - Autograph Musical Quotation. An impressive detailed AMQS from the influential Italian violinist and composer. Eight measures penned on hand-ruled paper, identified at the beginning as "Moderato" with lines for violin, viola and violoncello, signed at the conclusion "All Gentile Sigra. Contessa Malvezzi / Ferrara 20 Luglio 1847 / A. Bazzini." 27 x 18 cm. Very fine. From the album of Anna Maria Malvezzi.
The Italian violinist, composer and teacher was one of the most highly regarded artists of his time. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
The Italian violinist, composer and teacher was one of the most highly regarded artists of his time. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
Bazzini, Antonio. (1818–1897). Moderato [String Trio] - Autograph Musical Quotation. An impressive detailed AMQS from the influential Italian violinist and composer. Eight measures penned on hand-ruled paper, identified at the beginning as "Moderato" with lines for violin, viola and violoncello, signed at the conclusion "All Gentile Sigra. Contessa Malvezzi / Ferrara 20 Luglio 1847 / A. Bazzini." 27 x 18 cm. Very fine. From the album of Anna Maria Malvezzi.
The Italian violinist, composer and teacher was one of the most highly regarded artists of his time. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.
The Italian violinist, composer and teacher was one of the most highly regarded artists of his time. As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century. However his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of II. Sequentia, Dies Irae.