McCormack, John. (1884-1945). Signed Photograph to his Manager, Charles L. Wagner. Superb original portrait photograph of the great Irish tenor, boldly signed "Here's to you Charlie old man / it is a real pleasure to work under your 'Honest' managment / always your friend 'John' / Jan 21st, 1920." In fine condition, nicely framed to 12 x 15 inches.
"Being by his own admission a poor actor, he decided to abandon the stage...His concert work revealed him to be a remarkable interpreter, not only of Handel, Mozart and the Italian classics, but also of German lieder....McCormack's numerous recordings show the singular sweetness of his tone and perfection of his style and technique in his prime - for example, in his famous version of Mozart's 'Il mio tesoro' and in Handel's 'O Sleep' (Semele) and 'Come, my beloved' (i.e. 'Care selve' from Atlanta) - while later records of lieder and of Irish folksongs illustrate other aspects of his versatile art. He was always, according to Ernest Newman, 'a patrician artist...with a respect for art that is rarely met with among tenors.'" (Desmond Shawe-Taylor, Grove Online)
"Being by his own admission a poor actor, he decided to abandon the stage...His concert work revealed him to be a remarkable interpreter, not only of Handel, Mozart and the Italian classics, but also of German lieder....McCormack's numerous recordings show the singular sweetness of his tone and perfection of his style and technique in his prime - for example, in his famous version of Mozart's 'Il mio tesoro' and in Handel's 'O Sleep' (Semele) and 'Come, my beloved' (i.e. 'Care selve' from Atlanta) - while later records of lieder and of Irish folksongs illustrate other aspects of his versatile art. He was always, according to Ernest Newman, 'a patrician artist...with a respect for art that is rarely met with among tenors.'" (Desmond Shawe-Taylor, Grove Online)
McCormack, John. (1884-1945). Signed Photograph to his Manager, Charles L. Wagner. Superb original portrait photograph of the great Irish tenor, boldly signed "Here's to you Charlie old man / it is a real pleasure to work under your 'Honest' managment / always your friend 'John' / Jan 21st, 1920." In fine condition, nicely framed to 12 x 15 inches.
"Being by his own admission a poor actor, he decided to abandon the stage...His concert work revealed him to be a remarkable interpreter, not only of Handel, Mozart and the Italian classics, but also of German lieder....McCormack's numerous recordings show the singular sweetness of his tone and perfection of his style and technique in his prime - for example, in his famous version of Mozart's 'Il mio tesoro' and in Handel's 'O Sleep' (Semele) and 'Come, my beloved' (i.e. 'Care selve' from Atlanta) - while later records of lieder and of Irish folksongs illustrate other aspects of his versatile art. He was always, according to Ernest Newman, 'a patrician artist...with a respect for art that is rarely met with among tenors.'" (Desmond Shawe-Taylor, Grove Online)
"Being by his own admission a poor actor, he decided to abandon the stage...His concert work revealed him to be a remarkable interpreter, not only of Handel, Mozart and the Italian classics, but also of German lieder....McCormack's numerous recordings show the singular sweetness of his tone and perfection of his style and technique in his prime - for example, in his famous version of Mozart's 'Il mio tesoro' and in Handel's 'O Sleep' (Semele) and 'Come, my beloved' (i.e. 'Care selve' from Atlanta) - while later records of lieder and of Irish folksongs illustrate other aspects of his versatile art. He was always, according to Ernest Newman, 'a patrician artist...with a respect for art that is rarely met with among tenors.'" (Desmond Shawe-Taylor, Grove Online)