Jolson, Al. (1886-1950) [Vandamm, Florence. (1883-1966)]
Signed Original Vandamm Photograph in the stage play "Big Boy"
Original 6.25 x 8.25 inch photograph of Jolson in full blackface in the 1925 stage play "Big Boy," as captured by the important Broadway photographer Florence Vandamm. Raised stamp of the photographer l.l. "Florence Vandamm," her stamp also on the verso with handwritten "Vanity Fair." Inscribed and signed on the mount in ink "A Happy New Year / Al Jolson." Affixed to mount at upper edges, otherwise in very fine condition. The dot between the two names is considered by some to be an indication of a secretarial signing on behalf of Jolson. However, we are not aware of a definitive signature study of the artist and have likewise found other similar examples of this signature having been offered by several leading autograph auction houses and certified as authentic Jolson by PSA/DNA. The present example is sold thus as possibly accomplished secretarially, the rare Vandamm photograph being in any event the primary interest in this example.Jolson is best known today for his appearance in one of the first "talkies," The Jazz Singer, the first feature film with sound to enjoy wide commercial success, in 1927. Performing the song "Mammy" in blackface, Jolson ad-libbed his signature catchphrase, "You ain't heard nothing yet!" Along with being one of the supreme performers of the vaudeville stage, Jolson was also the first musical artist to sell over 10 million records. Although Jolson's legacy has been somewhat controversial due to his use of stage blackface, his work is being re-appreciated for capturing the roots of minstrelry shows and the classic popular songs of his era. (10635)
Unsigned Photo Song