{"title":"Winter 2018","description":"\u003cp\u003eWhen sorted by Catalogue #, items will display as follows. You can also sort alphabetically or by price. \u003c\/p\u003e\n\u003cp\u003eComposers: Items 1 - 84\u003cbr\u003eInstrumentalists: Items 85 - 135\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOpera: Items 136 - 156\u003cbr\u003eConductors: Items 157 - 167\u003cbr\u003eJazz \u0026amp; Song: Items 168 - 183\u003cbr\u003eDance: Items 184 - 192\u003cbr\u003eFilm \u0026amp; Theatre: Items 193 - 203\u003cbr\u003eLiterature \u0026amp; Art: Items 204 - 237\u003cbr\u003eHistory \u0026amp; Culture: Items 238 - 240\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"4384-danilova-alexandra-1903-1997-signed-costume-photograph","title":"Danilova, Alexandra. (1903–1997) Signed Costume Photograph","description":"A very fine original postard photograph, signed by the great Russian dancer.  One corner dinged, otherwise excellent. 9 x 14 cm, sold together with the original transmissal envelope. In very fine condition. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOne of the most popular dancers of her time, she was a star at St. Petersburg's Imperial Ballet, with the Ballets Russes under Sergei Diaghilev, and then with the Ballets Russes de Monto Carlo after Diaghilev's death.  One of the greatest dancers of her time, she created numerous important Balanchine roles and was an important teacher at the School of American Ballet.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093223461023,"sku":"4384","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Danilova_2C_Alexandra_SP_4384.jpg?v=1722186689"},{"product_id":"4907-olivier-laurence-gielgud-john-farrow-mia-collection-of-letters-to-mia-farrow","title":"Olivier, Laurence. (1907–1989) \u0026 Gielgud, John. (1904–2000) [Farrow, Mia. (b. 1945)] Collection of Letters to Mia Farrow","description":"Six cards and letters from Sir Laurence Olivier and one letter from Sir John Gielgud, all to Mia Farrow, leading American actress, singer, fashion model and now UNICEF Goodwill Ambassador. The typed and handwritten letters from Olivier date from 1974 and 1975, with one later letter from 1983, some discussing possible performance opportunities for Mia Farrow. The handwritten letter from Gielgud, dated October 15, 1980, refers to a performance and his enjoyment of meeting both Farrow and Woody Allen. From the collection of Mia Farrow. In fine condition overall.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eComplete contents: \u003c\/div\u003e\u003cdiv style=\"\"\u003e1. TLS from Olivier to Mia Farrow and André Previn (\"Darlings both\"). Brighton, November 14, 1974. 1 p. 5.5 x 7 inches (13.8 x 17.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e2. Autograph postcard from Olivier to Mia Farrow and André Previn (\"My truly beloveds both\"). Ischia, April 4, 1975. 1 p. 5.75 x 4 inches (14.7 x 10.2 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e3. Autograph note from Olivier to Mia Farrow and André Previn (\"My very dear Darlings\"). June 1, 1975. 2 pp. on both sides of his letterhead postcard. 5.5 x 3.5 inches (14 x 8.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e4. TLS from Olivier to Farrow. June 3, 1975. 2 pp. 5.5 x 7 inches (13.8 x 17.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e5. TLS from Olivier to Farrow. August 14, 1975. 1 p. on Granada Television letterhead. 8.25 x 11.75 inches (21 x 30 cm). Folding creases and some light stains.\u003c\/div\u003e\u003cdiv style=\"\"\u003e6. TLS from Olivier to Farrow. January 10, 1983. 1 p. 5.5 x 7 inches (13.8 x 17.8 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e7. ALS from Gielgud to Farrow. October 15, 1980. 1 p. 8.25 x 11.75 inches (21 x 30 cm). \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093239976095,"sku":"4907","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Olivier_Gielgud_Farrow_4907_001-rotated-90.jpg?v=1722186793"},{"product_id":"5205-caruso-enrico-1873-1921-i-am-after-all-caruso-and-he-is-bonci-and-between-the-two-of-us-theres-an-abyss-autograph-letter-about-his-metropolitan-opera-debut","title":"Caruso, Enrico. (1873-1921) \"I am, after all, Caruso and he is Bonci and between the two of us there's an abyss\" - Autograph Letter about his Metropolitan Opera Debut","description":"\u003cdiv style=\"\"\u003eAn important autograph letter from the great tenor to Pasquale Simonelli, the Italian-American banker and impresario who was instrumental in bringing Caruso to the Metropolitan Opera for the first time. Buenos Aires, June 15, 1903. Caruso apologizes to Simonelli for some misunderstandings over their contract negotiations for the Metropolitan Opera, caused by their telegram communications, and explains the other engagements he is juggling in Montecarlo. He goes on to mention his animosity with rival tenor Alessandro Bonci: \"I cannot conceal the fact that I do not look favorably on Bonci's being engaged, not because I'm afraid of him as an artist—I am, after all, Caruso and he is Bonci and between the two of us there's an abyss—but because he's not a very decent fellow.\" Finally, he states his preferences for the operas that he would like to perform, and not perform, at the Met: \"... I can do them in the second year, if, that is, these gentlemen decide that they like me. I believe that they will, because one doesn't come over for nothing.\" [Full translation below.] 4 pp. written on 2 sides of 2 leaves, letterhead of the Splendid Hotel Ex-Frascati, Buenos Aires. Both leaves with heavy wear, splits to folding creases, and large edge losses, unfortunately affecting the text in many places and obscuring the signature; overall good. 8 x 11 inches (21 x 28 cm). Condition issues notwithstanding, a letter of historic importance. \u003cbr\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eIn 1903, Caruso traveled to New York City to take up a contract with the Metropolitan Opera. The gap between his London and New York engagements had been filled by a series of performances in Italy, Portugal and South America. Negotiated by his agent, the banker and impresario Pasquale Simonelli, Caruso's first season began with a new production of \u003ci style=\"\"\u003eRigoletto\u003c\/i\u003e on 23 November 1903. The New York Sun wrote: \"Enrico Caruso, the young Italian Tenor, who after a triumphal progress through Europe and South America has come to take American approval and American dollars to his bosom, under the benevolent guiding of Heinrich Conried, made his entrance last night at the Metropolitan before an audience that filled every box, every rising bank of seats to the smoky height of the topmost gallery, every chair on the floor, and packed the standing room with listeners who yielded to the force of his appeal and drowned him in applause and recalls.\"\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eTranslated from the Italian, in full:\u003c\/div\u003e\u003cdiv style=\"\"\u003e\"Buenos Aires, June 15, 1903.\u003c\/div\u003e\u003cdiv style=\"\"\u003eDear Mr. Simonelli,\u003c\/div\u003e\u003cdiv style=\"\"\u003eI was pleased to receive your two letters of May 7 and [...] and I hasten to reply to them. I am exceedingly glad that everything is settled and [...]. My God, how difficult it is to deal by way of telegrams and from so far away. No wonder there were a few misunderstandings, which I can explain in a few words. When I received the telegram that [...] no longer had a theater and that I was [...] the Montecarlo engagement, he sent a telegram asking me if I would agree to do 10 performances in 1904 at 5 thousand fr. per month [...] You will undoubtedly understand that at the time it was no mean deal, so I accepted. In Lisbon I received the telegram and until I sent a wire from Montecarlo saying that I wanted to be free on February 12th, I still believed that Mr. Couried would not have done half the [...] without bringing more demands to bear. When, however, I received the contract with the additional clause, I had no choice but to insist on cancelling my engagements for February 12th. I had hoped to get out of the Montecarlo thing, but they wanted 100 thousand lire and frankly [...]. I assure you I will do everything in my power so that things become friendly between the two of you.\u003c\/div\u003e\u003cdiv style=\"\"\u003eI cannot conceal the fact that I do not look favorably on Bonci's being engaged, not because I'm afraid of him as an artist—I am, after all, Caruso and he is Bonci and between the two of us there's an abyss—but because he's not a very decent fellow. I hope his engagement is scheduled after mine, and I'd appreciate it if you could find out.\u003c\/div\u003e\u003cdiv style=\"\"\u003eI have been having the newspapers sent to you by my secretary who addressed the last letter that he wrote to you on my behalf to Mr. Spinelli. Luckily I realized it in time. It's clear that that thorn he has in his ––– tickles him from time to time.\u003c\/div\u003e\u003cdiv style=\"\"\u003eAs far as the opening opera is concerned, I do not think it will be Gioconda, Elixir, or Rigoletto. It's all the same to me, but it cannot be an opera that I have never done before.\u003c\/div\u003e\u003cdiv style=\"\"\u003eToday I shall write to my wife and ask her to send you a photograph of me, because I have only two with me and both are autographed.\u003c\/div\u003e\u003cdiv style=\"\"\u003eOnce Bonci's engagement has been confirmed, see if you can get me out of doing Barbiere, Don Pasquale, Marriage of Figaro and [...] because it's too much work to learn all that for the first year and I can do them in the second year, if, that is, these gentlemen decide that they like me. I believe that they will, because one doesn't come over for nothing [...]\"\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093249642655,"sku":"5205","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Caruso_Enrico_ALS_5205_001.jpg?v=1722186856"},{"product_id":"9619-ballets-russes-nijinsky-waslaw-1889-1950-pavlova-anna-1881-1931-karsavina-tamara-1885-1978-le-theatre-no-249-numero-special-1909","title":"[Ballets Russes] [Nijinsky, Waslaw. (1889–1950)] [Pavlova, Anna. (1881–1931)] [Karsavina, Tamara. (1885–1978)] Le Theatre No. 249. Numero special. 1909.","description":"\u003cdiv style=\"\"\u003eSpecial number of the Parisian cultural magazine, devoted to the Saison Russe of 1909. No. 249, Mai (I) 1909. The decorative cover features a color image of Nijinsky and Anna Pavlova in \u003ci style=\"\"\u003eLe Pavillon d'Armide\u003c\/i\u003e; featured inside are photographs of Feodor Chaliapin in Rimsky-Korsakov's \u003ci style=\"\"\u003eIvan the Terrible;\u003c\/i\u003e Michel Fokine, Vera Fokina, Tamara Karsavina, Vera Karalli, Pavlova and Nijinsky, and other singers, actors, and dancers of the Russian companies; and set designs by Roerich and Golovine. 24 pp. Front wrapper detached with some edge wear; back wrapper lacking; internally in fine condition and overall very good. 11 x 14 inches (27.5 x 35.3 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe 1909 season was, essentially, the premiere of Diaghilev's Ballets Russes, although that name was not used until the following year. Most of the dancers were principals of the Imperial Ballet of Saint Petersburg, hired by Diaghilev to perform in Paris during the Imperial Ballet's summer recess. The \u003ci style=\"\"\u003eSaison Russe\u003c\/i\u003e included Rimsky-Korsakov's opera \u003ci style=\"\"\u003eThe Maid of Pskov\u003c\/i\u003e, performed under the title of \u003ci style=\"\"\u003eIvan the Terrible \u003c\/i\u003eand starring Chaliapin as the eponymous Tsar. Also featured were the Polovetsian Dances from Borodin's \u003ci style=\"\"\u003ePrince Igor \u003c\/i\u003eand \u003ci style=\"\"\u003eLe Pavillon d'Armide\u003c\/i\u003e, choreographed by Fokine to music by Nikolai Tcherepnin.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093395361951,"sku":"9619","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Theatre_no_249_Ballets_Russes_9619_1.jpg?v=1722187749"},{"product_id":"9629-faure-gabriel-1845-1924-original-cabinet-photograph-and-autograph-musical-quotation-to-van-hout","title":"Fauré, Gabriel. (1845-1924). Original Cabinet Photograph and Autograph Musical Quotation to Van Hout","description":"Uncommon ensemble from the important and prolific French composer.  A student of Saint-Saens, he was an influential organist and was teacher of Ravel, Enesco, Schmitt, Boulanger and others.  \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAn original cabinet photograph, nicely presented in a frame together with a boldly penned autograph musical quotation from an espressivo viola passage in the first movement of the composer's Opus 15 Piano Quartet in C minor. The AMQS laid down to the mat, signed and dated 20 May, 1892 and inscribed to the Belgian violist Léon van Hout.  The photograph measuring 9.5 x 13.5 cm; the quotation 13.5 x 8 cm; overall 27 x 34 cm.  Unexamined out of frame, the photograph somewhat spotted and possibly affixed from the rear to the inner mount, a few light stains or marks to the mat, else fine.  \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eVan Hout was violist of the Ysaye String Quartet, founded in 1886, who gave the first performance of Fauré's piano Quintet Op. 89.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093395558559,"sku":"9629","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Faure_2C_Gabriel_AMQS_Photo_9629.jpg?v=1722187749"},{"product_id":"9935-mendelssohn-bartholdy-felix-1809-1847-david-ferdinand-1810-1873-beriot-charles-de-1802-1870-benedict-julius-1804-1885-field-john-1782-1837-artot-alexandre-joseph-1815-1845-sammelband-of-romantic-arrangements-for-viol","title":"Mendelssohn-Bartholdy, Felix. (1809–1847) \u0026 David, Ferdinand. (1810–1873) \u0026 Bériot, Charles de. (1802–1870) \u0026 Benedict, Julius. (1804–1885) \u0026 Field, John. (1782–1837) \u0026 Artôt, Alexandre Joseph. (1815–1845) Sammelband of Romantic Arrangements for Violin an","description":"\u003cdiv style=\"\"\u003eSmall sammelband in two volumes (scores and violin parts) of a selection of Romantic pieces arranged for violin and piano. Included are: Mendelssohn's cello sonata no. 1, arranged by Ferdinand David; three duos on themes by Labarre, Schubert, and Donizetti, arranged by Charles de Bériot and Julius Benedict; and John Field's Nocture no. 5, arranged by violinist Alexandre Joseph Artôt as a \"Romance.\" Complete works as follows: \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003eSonate für das Pianoforte und Violoncello, eingerichtet für das Pianoforte und Violine von Ferdinand David, componirt von Felix Mendelssohn-Bartholdy. Opus 45. Pr. 2 Rthlr. Leipzig, bei Fr. Kistner. London, bei Novello [1839?]. [PN] 1215.1229.\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"line-height: 1.42857;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cspan style=\"line-height: 1.42857;\"\u003eLe progrès : 6 duos non difficiles sur des motifs français, italiens et allemands, pour piano et violon. Op. 41. Chaque Pr. 2 fl. 15 kr. 1re Suite: Labarre, Schubert Donizetti. \u003c\/span\u003e\u003cspan style=\"line-height: 1.42857;\"\u003eMayence, Anvers et Bruxelles: chez les fils de B. Schott, [184-?]. [PN] 7004.1\u003c\/span\u003e\n\u003c\/div\u003e\u003cbr style=\"\"\u003eRomance de Field, Transcrite pour le violon avec accompagnement de piano par J. Artot, op. 20. Pr: 54 kr. Mayence, Anvers et Bruxelles: chez les fils de B. Schott, [18--?]. [PN] 8043.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eTurquoise boards and spine, heavily rubbed and with significant edge and corner wear; contemporary manuscript labels on the covers soiled and partially detached but intact; overall foxing and toning to the internal pages. B\u003cspan style=\"\"\u003einding completely intact and structurally sound;\u003c\/span\u003e\u003cspan style=\"\"\u003e overall still complete and usable copies in very good condition. 10 x 12 inches (25.7 x 30.7 cm) and 10.25 x 13 inches (26 x 33 cm).\u003c\/span\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cbr style=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr style=\"\"\u003e\u003cbr style=\"\"\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093405749407,"sku":"9935","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sammelband_Mendelssohn_et_al_9935_286_29.jpg?v=1722187816"},{"product_id":"10061-bernstein-leonard-1918-1990-im-so-glad-modern-music-goes-so-well-in-the-mad-south-three-letters-to-renee-longy","title":"Bernstein, Leonard. (1918–1990) \"I'm so glad modern music goes so well in the Mad South\" - Three Letters to Reneé Longy.","description":"An interesting group of letters to Bernstein's former teacher at Curtis where he studied score reading and ear training with her.  All addressed to Reneé Longy, various sizes, age toning, telegram is folded, overall fine. The group includes:\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eAutograph postcard signed, \"Dear R., I fervently hope the minor operation is truly minor! What a shame you couldn't make it. In any case, I leave here for good on the 21st, which is any minute, zut, and it's been just a flimsy shadow of a summer, so brief, \u0026amp; almost all gray rain. Eh bien, alors, comme M. de la Rochefoucauld a dit... Love you \u0026amp; be well, Lenny,\" post marked July 18, 1959, Vineyard Haven, Massachusetts. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eTyped postcard signed, \"Dear R: Just a rushed word to say I haven't forgotten, and to thank you for your sweet note on the occasion of November fourteenth. What a memory! I'm so glad modern music goes so well in the Mad South, and let me hear how Longy goes in the Mad South. Love: Lenny, December 16, 1952, New York City. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003eWestern Union telegram with envelope, \"Madame Reneé Longy, Drs. Hospital, Coral Gables, FLO, Trying to reach you by phone sending every wish and blessing for speedy recovery and eagerly looking forward to our February reunion. Love, Spooky Bernstein,\" October 27, 1962.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093409878175,"sku":"10061","price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Bernstein_2C_Leonard_3_Letters_10061.jpg?v=1722187842"},{"product_id":"10158-heaney-seamus-1939-2013-mervyn-cordner-original-signed-drawing-and-two-letters-inscribed-by-heaney-to-the-artist","title":"Heaney, Seamus. (1939 - 2013) [Mervyn Cordner] Original Signed Drawing and Two Letters inscribed by Heaney to the Artist","description":"\u003cp\u003eStriking original drawing in red and white pencil, 13 x 15.5 inches on paper mounted to artist's board, of the great poet Seamus Heaney, signed by the artist lower right \"Mervyn Cordner\" and signed in black ink \"Seamus Heaney \/ for Mervyn Cordner.\" Together with two communications from Heaney regarding the portrait: ANS (\"Seamus Heaney\") on the verso of a postcard photograph of T.S. Eliot as a young boy, postmarked 13 Nov, 1990, \"Dear Mr. Cordner, Send the drawing to me at 191 Strand Road, Dublin 4 and I'll sign it.\"; TLS (\"Seamus Heaney\"), 1 p, 19 November, 1990, complimenting the quality of the \"fine piece of work,\" but adding \"You will not, I hope, think me unnecessarily officious if I make one request.  I would appreciate a short formal note from you saying that the signed drawing is for your own personal collection and will not be reproduced in any way.\"  All in fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093412696223,"sku":"10158","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Heaney_2C_Seamus_sig_portrait_10158a.jpg?v=1722187857"},{"product_id":"10246-french-drinking-songs-chansons-a-boire-18th-century-autograph-manuscript","title":"[French Drinking Songs] Chansons à boire - 18th Century Autograph Manuscript","description":"Interesting manuscript collection of 18th century French drinking songs, accomplished in an unknown hand ca. 1750. The collection, titled \"Dessus de Chansons propres a Boire,\" is a part book containing the melody and text to 33 songs, mostly dealing with the pleasures of drinking or the pains of love. No composers' or poets' names are given; however, several of the songs (noted below) are published in \u003ci style=\"\"\u003eRecueil d'airs serieux et à boire de differents autheurs \u003c\/i\u003e(Amsterdam: Estienne Roger, 1711). Complete first lines of the songs listed below. Elegantly penned over 8 staves per page in treble, soprano, alto, and bass clefs. Oblong, on laid paper, 32 pp. Titled on the front wrapper \"Premiere Partie,\" with eight lines of calculations in pen on the wrapper; overall light foxing; wear to the wrappers with front wrapper partially detached and back free endpaper torn. Overall very good and internally fine. 10 x 7.5 inches (26 x 19 cm).\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003eComplete first lines: Verse tout plein; Chasse l'ennuy qui te possede [in Roger, 1711]; Le bon breuvage que le vin [in Roger, 1711]; Ah j'entends un bruit; Chacun a son sort dans la vie [in Roger, 1711]; Quel couroux quel orage; Au milieu d'un repas; Ah n'empoisonnés pas; Taisés vous Rossignols; Goutés mortels; Quel orage imprenu; Doux sommeil; Vaste mer dont le calme perfide; J'ay perdu l'appetit; Paroissès jus charmant et coulès; Dans l'horreur de la nuit; Bacchus a moy viens; Reveillez vous; Paisibles lieux agreables retraittes [apparently a version of the setting by André Campra in \u003ci style=\"\"\u003eL'Europe Galante \u003c\/i\u003e(1697)] ; Vive Bacchus; Lorsque sur l'herbe; Je suis embarrassé; Vous scavez tous chanter; Un petit air a boire; Boirons nous sans compter; Entendez vous le carillon du verre?; Bon vin bon vin; Adorable Dieu de la treille; Vous qui faites vôtre modelle; Thibault collecteur sans pitié; En vain pour oublier une beauté cruelle; Petits oiseaux; Est ce faire honneur a Baccus.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093415317663,"sku":"10246","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/French_Drinking_Songs_10246_3.jpg?v=1722187879"},{"product_id":"10336-faure-gabriel-1845-1924-requiem-pour-soli-choeurs-orchestre-op-48","title":"Fauré , Gabriel. (1845-1924) Requiem pour Soli, Choeurs \u0026 Orchestre. [Op. 48]","description":"Partition d'Orchestre. Upright folio, 128 pp. [PN] J. 4650 H.. Original grey wrappers printed in black and blue, with the ownership signature upper right of composer and conductor (and student of Franck), Francis Casadesus (1870 - 1954). Nicely bound in crimson cloth and marbled boards, markings in blue and graphite pencil, two pages with repaired tears, otherwise very good throughout.  Fuld, p. 459. \u003cbr\u003e\u003cbr\u003eA rare first edition of one of the most beloved works in the choral (and organ) repertory.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093418528927,"sku":"10336","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Faure_Requiem_First_Edition_10336a.jpg?v=1722187898"},{"product_id":"10652-vaughan-sarah-1924-1990-original-handwritten-lyrics-for-songs-by-george-and-ira-gershwin-in-spiral-bound-notebook","title":"Vaughan, Sarah. (1924–1990) Original Handwritten Lyrics for songs by George and Ira Gershwin in Spiral Bound Notebook","description":"Incredible collection of handwritten lyrics, penned by Ms. Sassie herself, the great jazz vocalist Sarah Vaughan.  These handwritten lyrics were used by Vaughan in her live performances.  The notebook also contains personal \"To-Do\" lists as well as some very personal and humorous notes including flight information, computer research and even reminders for her to \"Order Ham.\"   Originally purchased from the estate of Sarah Vaughan Estate, and including a copy of the original auction catalog. \u003cbr\u003e\u003cbr\u003eSarah Vaughan's Gershwin Songbooks, first released in the 1950's and seldom out of print, are classics in the jazz\/vocal cannon.  In fact, it is difficult to suggest another composer with whom Vaughan is more strongly associated than the Gershwins, so popular are her renditions of their songs.  In 1982, Vaughan recorded Gershwin Live! with The Los Angeles Philharmonic which featured several medleys of the Gershwin's tunes.  Vaughan's practice, popular with many singers still, was to memorize lyrics by writing them out, then use them as a crib sheet during the performance.  Here we have a Porgy and Bess medley featuring a chorus of \"It ain't necessarily so,\" transitioning to \"I Loves You, Porgy.\"  Page Two features a medley of \"Nice Work If You Can Get It,\" and \"They Can't Take That Away From Me.\"  Page Three features a medley of \"Swanee,\" and \"Strike Up the Band,\" which was not included in the Gershwin Live! recording, but was of course a staple of Vaughan's touring act.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093428850847,"sku":"10652","price":2200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sarah_Vaughan_Lyrics_Autograph_Book_10652b.jpg?v=1722187963"},{"product_id":"10719-meir-golda-bancroft-anne-collection-of-signed-items-related-to-the-1977-play-golda","title":"Meir, Golda. (1898–1978) \u0026 Bancroft, Anne. (1931–2005) Collection of Signed items related to the 1977 play \"Golda\"","description":"\u003cdiv style=\"\"\u003eAn interesting collection of items relating to the Israeli stateswoman Golda Meir and the actress Anne Bancroft, who portrayed her in the 1977 play \u003ci style=\"\"\u003eGolda.\u003c\/i\u003e Highlights include a touching autograph letter from Bancroft to Meir, written one week after her 1977 visit to Israel, when she met Meir in preparation to play the role; an original Playbill signed by Bancroft and a souvenir program signed by Meir; and an original address book containing contact information for people involved in the production of \u003ci style=\"\"\u003eGolda, \u003c\/i\u003eincluding Bancroft, her husband Mel Brooks, theater personnel and doctors and therapists. Also included are four autograph notes from Bancroft and her family to the collector, Mary Jane Vineburgh (who appears to have worked as a wardrobe dresser on \u003ci style=\"\"\u003eGolda\u003c\/i\u003e), a group of 8 x 10 photographs of Meir, Bancroft, and others, and several other pieces of related correspondence.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eContents, in full: ALS from Bancroft to Meir sending her \"the complete works of Mel Brooks\" and writing that she \"will never be my old self again after seeing Israel\" (2 pp., n.d. [1977], 8.5 x 11 inches, fine) ; Playbill program from the original production of \u003ci style=\"\"\u003eGolda \u003c\/i\u003eat the Morosco Theatre, signed by Bancroft on the cover (5.5 x 9 inches, fine); souvenir program from \u003ci style=\"\"\u003eGolda\u003c\/i\u003e, signed on p. 3 by Meir next to her photograph and featuring 3 pp. of color photographs of the production (9 x 12 inches, very fine); address book labeled \" 'Golda' phone #s\" (3.75 x 5 inches, good);  8 original photographs, showing Bancroft, Meir and others in various locations in Israel and at social events, as well as a promotional headshot of Bancroft (8 x 10 inches, fine); 3 original photographs of Bancroft as a younger woman at the Vacation Camp for the Blind in 1958, in an envelope addressed to her at the Morosco Theatre together with a note from the photographer and the original negatives (8 x 10 inches, very good); autograph postcard from Bancroft to Mary Jane Vineburgh (St. John, March 1, 1978) joking that \"We could use you—dressing is so difficult, can hardly put on my bathing suit and my snorkle mask,\" signed \"The Brooks + Enid\"; miniature autograph Christmas card from Bancroft to Vineburgh signed \"Anne B.\"; autograph note from Bancroft to Vineburgh with a thank-you note from her young son Max (3 pp., June 10, 1978); autograph note from Bancroft asking \"Please buy 6 more bulbs for this lamp\"; gold invitation card to a party for Golda Meir on November 6, 1977, addressed to Mary Jane Vineburgh; several photocopies of press clippings about the play; a photocopy of a letter from the president of the Hebrew University of Jerusalem to Lawrence Vineburgh, regarding a matter related to Golda Meir; an autograph note from Harvey Narcisenfeld to Mary Jane Vineburgh, sending a review; and several pieces of mail soliciting charitable donations.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe New York Times covered Bancroft's visit to Israel in 1977: \"She had come to meet Mrs. Meir, [Bancroft] said, not only to watch her move, learn her mannerisms and listen to her talk but to find a passion in her own life that would match that of Mrs. Meir, 'something that would be a clue to my playing the role so that I would have a handle to hang on to every night... When I work, I have to find a personal image that is similar to the person I'm relating to in the play. If you don't lock into something extremely personal within yourself, the play will have gone by without your having felt anything. So I have to find out what Israel is to Golda, and what Golda's passion is all about. And then I have to find something for myself that is equal.' \" (Margaret Croyden in the New York Times, August 14, 1977.)\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093430915231,"sku":"10719","price":900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Golda_Bancroft_10719_3.jpg?v=1722187980"},{"product_id":"10904-faure-gabriel-1845-1924-boulanger-nadia-1887-1979-original-photograph-of-nadia-boulanger-speaking-at-faures-funeral","title":"[Fauré, Gabriel. (1845-1924)] Boulanger, Nadia. (1887 - 1979) Original Photograph of Nadia Boulanger speaking at Fauré's Funeral","description":"\u003cp\u003eVintage original photograph by Will Potter of Nadia Boulanger speaking at the funeral of the important and prolific French composer. 6.5 x 4.75 inches.  Fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093437010079,"sku":"10904","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Faure_Funeral_photo_10904a.png?v=1722188016"},{"product_id":"11061-beethoven-ludwig-van-1770-1827-stiasny-franz-1881-1941-stiasny-portrait-medal-in-frame","title":"Beethoven, Ludwig van. (1770–1827) [Stiasny, Franz. (1881–1941)] Stiasny Portrait Medal in Frame","description":"\u003cp\u003eA large uniface original portrait medal by the celebrated Austrian sculptor. 6.5 x 5.5 cm.  Niggl 1836.  A few scratches around the edges, overall fine.  Mounted in a period ebonised frame with mahogany insert to 29 cm x 29 cm.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093441663135,"sku":"11061","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Stiasny_Beethoven_11061a.jpg?v=1722188046"},{"product_id":"11377-dindy-vincent-1851-1931-fervaal-signed-and-inscribed-autograph-manuscript","title":"d'Indy, Vincent. (1851–1931) \"Fervaal\" - Signed and Inscribed Autograph Manuscript","description":"\u003cdiv style=\"\"\u003eAutograph musical manuscript of one scene from the important French composer's opera \u003ci style=\"\"\u003eFervaal\u003c\/i\u003e, signed and inscribed by the composer on the title page to a Mme. [Maurice] Sulzbach and dated 1893. Titled \"Fervaal \/ Acte I - Scene II \/ Role de Guilhen,\" the manuscript is a vocal score of the soprano role of Guilhen only, with cues for the piano reduction of the orchestral score and for the part of Fervaal. Very neatly penned in black ink. 15 pp. on 10 ff., folio, bound with a red string. Light toning and external wear; overall very fine. 10.5 x 13.75 inches (27 x 35 cm). A rare manuscript from the great French musician - organist, timpanist, chorus master, conductor, author and teacher!\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eD'Indy's opera \u003ci style=\"\"\u003eFervaal\u003c\/i\u003e, op. 40, was composed between 1889 and 1895.  The composer wrote his own libretto, partly based on the lyric poem \"Axel\" by the Swedish author Esaias Tegnér. D'Indy was strongly influenced by Wagner, and in recent scholarship the opera has been understood in the context of French nationalism. Themes of the opera include the conflict between paganism and Christianity, with D'Indy using the old musical theme of \"Pange lingua\" to signify Christianity. \u003cspan style=\"\"\u003eThere has not been a complete commercial recording of \u003c\/span\u003e\u003ci style=\"\"\u003eFervaal\u003c\/i\u003e\u003cspan style=\"\"\u003e, although there have been several recordings of the Prelude.\u003c\/span\u003e\n\u003c\/div\u003e\u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003eMadame Maurice Sulzbach was a singer who performed in 1892 with D'Indy in his cantata \u003ci style=\"\"\u003eSainte Marie Madeleine\u003c\/i\u003e, as well as hosting musical events. This manuscript, with its autograph inscription to the singer, is mentioned in Manuela Schwartz's \u003ci style=\"\"\u003eVincent D'Indy et son temps \u003c\/i\u003e(2006), where the program from an 1892 matinee hosted by Sulzbach is also reprinted. \u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093452214431,"sku":"11377","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/DIndy_Fervaal_MS_11377_4.jpg?v=1722188118"},{"product_id":"11510-dindy-vincent-1851-1931-lart-et-le-peuple-autograph-manuscript","title":"d'Indy, Vincent. (1851–1931) L'Art et le Peuple - Autograph Manuscript","description":"\u003cdiv style=\"\"\u003eAutograph musical manuscript of the important French composer's work for choir and orchestra, \u003ci style=\"\"\u003eL'Art et le Peuple. \u003c\/i\u003eN.d. [ 1918]. Very neatly penned manuscript score in black and blue ink, scored for SATB choir, soprano, alto, and baritone soloists, and full orchestra. 25 staves per system, penned over 13 pp. Rehearsal numbers added in blue pencil. Light toning, slight corner crease to the back page, not affecting the music; overall very fine. 10.5 x 13.75 inches (27 x 35 cm). A rare manuscript from the great French musician - organist, timpanist, chorus master, conductor, author and teacher!\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003ci style=\"\"\u003eL'Art et le Peuple, \u003c\/i\u003eop. 39,\u003ci style=\"\"\u003e \u003c\/i\u003ewas originally set by D'Indy in 1894 for four-part male chorus a cappella, and then orchestrated in 1918. The text is taken from Victor Hugo's 1853 poem, which celebrates the power of art to bring together and free the peoples of the world. The poem was originally published in his collection \u003ci\u003eLes Châtiments, \u003c\/i\u003ewhich attacked Napoleon III's Second Empire.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093456146591,"sku":"11510","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/DIndy_MS_11510_3.jpg?v=1722188144"},{"product_id":"11824-schoenberg-arnold-1874-1951-wellesz-egon-1885-1974-arnold-schonberg-the-earliest-monograph-on-schoenberg-inscribed-to-anton-webern","title":"[Schoenberg, Arnold. (1874-1951)] Wellesz , Egon. (1885-1974) \"Arnold Schönberg\"  - The Earliest Monograph on Schoenberg, Inscribed to Anton Webern","description":"12mo. Original publisher's decorative paper boards. 1f. (with publisher's device), [iii] (title), [iv] (copyright notices, printer's note), 1f. (motto), 7-[151] (text), [ii] (chronological table), [i] (table of contents), [ii] (advertisements) pp. With folding facsimile of a sketch leaf for the 5 Orchestral Pieces, op. 16. Preserved in a custom-made brown cloth-covered folding box with black leather title label gilt to spine. Binding slightly worn and browned. Lower outer corners of first few signatures slightly dampstained; annotation in pencil to p. 128.\u003cbr\u003e\u003cbr\u003eWith an autograph inscription from the author to Anton Webern to upper right corner of recto of first sheet in pencil dated February 1, 1921: \"Anton v. Webern in aufrichtiger Gesinnung Egon Wellesz 1 Februar 21.\"\u003cbr\u003e\u003cbr\u003eFirst Edition of the earliest monograph on Schoenberg, inscribed to fellow Austrian composer and conductor Anton Webern, member of the Second Viennese School, student, significant follower of, and influence on Arnold Schoenberg, one of the best-known exponents of the twelve-tone technique. \u003cbr\u003e\u003cbr\u003eIn 1904-5, Egon Wellesz was one of Schoenberg's first students, perhaps even his very first. Unlike Alban Berg and Anton von Webern, he soon parted with his teacher to focus on musicology. He continued to compose prolifically, and even though he cultivated a more traditional idiom, his veneration for Schoenberg and discipleship to him remained unbroken, as attested to by the present volume.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093466009759,"sku":"11824","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Schoenberg_Inscribed_to_Webern_Book_11824a.jpg?v=1722188207"},{"product_id":"12644-science-anatomical-stereoscope-card-collection","title":"[Science] Anatomical Stereoscope Card Collection","description":"An unusual collection of 58 graphically interesting stereoscope viewer cards, issued by the Keystone View Company, ca. 1900. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTogether with three view cards without stereoscopic effect. All in fine condition. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1-1   Surface of the head\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1-6   Composite view\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1-8   Composit view\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1-11 Outter Surface of the Brain\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1-13 Base of the Brain\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-5   Front and Side of the Neck\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-10 Spinal Canal\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-11 Arachnoid and Cranial Sinuses\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-13 Structures Piercing the Dura Mater\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-15 Inner part of the Right Clayicle\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-18 Parotid Gland\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-23 Sagittal Section of the Head\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-25 Sagittal Section Adult\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-27 Posterior Wall Removed Pharynx Exposed\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-1  Thorax\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-5  View of the lungs\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-10 Relation of the Heart\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-13 Heart and Ventricles\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-16 Lungs\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-17 Aorta, Spleen, Liver, etc.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-18 Aorta, Spleen, Liver, etc.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-19 Back\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-20 Organs of the Thorax\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-26 Auricle and Ventricle\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-27 Heart, Left Auricle and Ventricle\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e3-29 Interior Right Auricle\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-6   Aortic Arch\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-11 Back. Surface Anatomy\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-15 Back. First Layer of Muscles\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-23 Walls of Axilla\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-32 Palmar Arch\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e4-33 Elbow and Shoulder Joints\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-3   External Oblique Muscles\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-4   Abdominal Muscles\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-6   Small Intestines\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-9   Viscera in a Female Subject\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-25 Lumbar Region\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-26 Erector Spinae\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5-27 Kidneys\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e6-13 The Caecnm and Appendix\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e6-14 Mncous Membrane\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e7-29 Deep Femoral Vessels\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e8-7   Hip Joint\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e8-9   Knee Joint\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e8-12 Head of the Tibia\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e8-16 Popliteal Space\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e8-28 Sole of the Foot\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e9-9   Frontal Sinus\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e9-10 Frontal Sinus\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e9-24 Frontal Sinus\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e9-29 Five Complete Sinuses\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e9-38 X-Ray. Top of the Skull\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e10-12 Mastoidectomy\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e10-26 Tymanum","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093492355231,"sku":"12644","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/s-l1600-1_ded56e1e-9e28-4073-bae4-f0bcb251cbd6.jpg?v=1722188385"},{"product_id":"12657-eisenstein-sergei-1898-1948-to-console-the-widow-erotic-drawing","title":"Eisenstein, Sergei. (1898–1948) \"To console the widow\" - Erotic Drawing","description":"Original drawing on paper in red and black pencil and crayon, titled in Russian \"To console the widow\", numbered 33 and signed by the artist and dated 30.12.42. 324 x 217 mm. The work depicts a male figure with an enormous penis approximately the same height and width as the rest of his body, requiring it to be stabilized with a tall sliding rack, the tip clipped in place above his head as he leans back evidently from fatigue. A photographer is shown behind a camera under a dark cloth with a hand extending out and holding a flash bulb, while a female figure with head obscured float above the title at the head.  Previously from the collection of Jean-Claude Marcadé and Galia Ackerman, authors of the reference book on Eisenstein's erotic drawings \"Dessins Secrets\" (Le Seuil, 1999), in which are illustrated selected related works from the same series accomplished on the 29th through 31st of December, 1942 on pages 98 - 110.\u003cdiv\u003e\n\u003cbr\u003eThe pioneering Soviet Russian film director and film theorist, Sergei Eisenstein, is often considered to be the \"Father of Montage\" and is widely acknowledged as a seminal modern artist. He is noted in particular for his silent films Strike (1924), Battleship Potemkin (1925) and October (1927), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).  A prolific writer of aesthetic and sexual theory, he was also the author of an extraordinary oeuvre of erotic drawings which have remained less known, despite a series of exhibitions and monographs devoted to them over the last 20 years, focused primarily on the collection of the Russian State Archive and examples discovered in Mexican private collections.  Both celebrated and disparaged as a successful practitioner of propaganda that served the Stalinist state, Eisenstein himself was at the same time absorbed with European Decadence both as an artistic school and aesthetic sensibility. He even declared: “Had it not been for Leonardo, Marx, Lenin, Freud and the movies, I would in all probability have been another Oscar Wilde.’’\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093492551839,"sku":"12657","price":8500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Eisenstein_Erotic_Drawing_Console_the_Widow_12657_2_281_29.jpg?v=1722188386"},{"product_id":"12656-eisenstein-sergei-1898-1948-erotic-drawing-collection","title":"Eisenstein, Sergei. (1898–1948) Erotic Drawing Collection","description":"Three original drawings on paper in red, orange, blue and black pencil and crayon, numbered in the upper right corners 41, 42 and 45, the second two bearing titles in cyrillic, each signed by the artist and dated 31.12.42. 330 x 220 mm. Previously from the collection of Jean-Claude Marcadé and Galia Ackerman, authors of the reference book on Eisenstein's erotic drawings \"Dessins Secrets\" (Le Seuil, 1999), in which other drawings of this same numbered series are illustrated.\u003cbr\u003e\u003cbr\u003eThe first drawing, number 41, depicts a male figure wearing red embroidered gloves and holding a large bird whose head (covered in a hat) reaches into a cloud formation which itself forms a large phallus pointing upwards and penetrating a floating red orifice in the sky, while on the ground a voluptuous woman points to the bird above with one hand and reaches suggestively towards the man's crotch with the other. Drawing number 42 is titled \"Savior,\" in which the same male figure points overhead to the now enormous bird who has taken on more of the size and quality of a dragon and has plunged its own head through the large and now more fully formed red orifice, as the woman in the foreground gestures to the sky with arms outstretched. In drawing number 45, titled \"Always Forward \/ To New Adventures\" the bird flies off overhead as the two figures now paddle off together in what appears to be a large vagina canoe (the final fruition of the floating red orifice?), the male figure rowing while the naked female pushes her derriere into his lap and looks back at him with a broad smile, as somewhat alarmed fish swim in the water before them. \u003cdiv\u003e\n\u003cbr\u003eThe pioneering Soviet Russian film director and film theorist, Sergei Eisenstein, is often considered to be the \"Father of Montage\" and is widely acknowledged as a seminal modern artist. He is noted in particular for his silent films Strike (1924), Battleship Potemkin (1925) and October (1927), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). A prolific writer of aesthetic and sexual theory, he was also the author of an extraordinary oeuvre of erotic drawings which have remained less known, despite a series of exhibitions and monographs devoted to them over the last 20 years, focused primarily on the collection of the Russian State Archive and examples discovered in Mexican private collections. Both celebrated and disparaged as a successful practitioner of propaganda that served the Stalinist state, Eisenstein himself was at the same time absorbed with European Decadence both as an artistic school and aesthetic sensibility. He even declared: “Had it not been for Leonardo, Marx, Lenin, Freud and the movies, I would in all probability have been another Oscar Wilde.’’\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093492617375,"sku":"12656","price":16000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Eisenstein_2C_Sergei_Three_original_drawings_12656a.jpg?v=1722188384"},{"product_id":"12689-jazz-in-japan-davis-miles-1926-1991-gordon-dexter-1923-1990-simone-nina-1933-2003-evans-bill-1929-1980-vaughan-sarah-1924-1990-collection-of-signed-japanese-pressing-lps-including-kind-of-blue","title":"[Jazz in Japan] Davis, Miles. (1926–1991) \u0026 Gordon, Dexter. (1923–1990) \u0026 Simone, Nina. (1933–2003) \u0026 Evans, Bill. (1929–1980) \u0026 Vaughan, Sarah. (1924–1990) Collection of Signed Japanese Pressing LPs, including KIND OF BLUE","description":"\u003cp\u003eAn extraordinary collection of five Japanese pressed LPs, each signed by the primary artist while on tour in Japan 1973-78, and including an especially rare signed copy of Miles Davis' \"Kind of Blue.\" \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe support for jazz in Japan has long been immense and also, remarkably consistent. Even during a slump in the United States in the 70's that threatened to put many American jazz labels and musicians out of business, American jazz artists flocked to Japan to perform, with many releasing \"Live in Japan\" albums, including Miles Davis, Bill Evans and Sarah Vaughan. ''Japan almost singlehandedly kept the jazz record business going during the late 1970's,'' said a producer with Blue Note Records, Michael Cuscuna. ''Without the Japanese market, a lot of independent jazz labels probably would have folded, or at least stopped releasing new material.'' (NY Times \"In Japan, Jazz Resurges As a National Passion,\" 1\/7\/88)  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEach album includes the original obi strip (spine card), the piece of paper wrapped around the spine of Japanese LPs, the term\u003ci\u003e obi\u003c\/i\u003e designating the sash around a kimono (\u003ci\u003eKimono no \u003cb\u003eobi\u003c\/b\u003e\u003c\/i\u003e). Japanese pressings generally feature very high quality vinyl and the present examples are all in fine condition, rated individually below.  Four of them are dated by the obtainer of the signature or by the artist (Simone). \n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBILL EVANS - NEW CONVERSATIONS.  \u003c\/div\u003e\n\u003cdiv\u003eLabel: WARNER P-10516\u003cbr\u003eCover : E,W\/ Record : E+\u003cbr\u003eObi stripe: E\u003cbr\u003eObtained 13 September, 1978, signed, dated and inscribed in black ink on the front cover. \u003cbr\u003e\u003cbr\u003eSARAH VAUGHAN WITH CLIFFORD BROWN\u003cbr\u003eLabel: MERCURY BT-1324\u003cbr\u003eCover : E,W\/ Record : E,DJ\u003cbr\u003eObi stripe: E\u003cbr\u003eObtained 26 April, 1975, signed in black ink on the front cover.  \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eNINA SIMONE - SPELL ON YOU\u003cbr\u003eLabel: PHILIPS SFX-7167\u003cbr\u003eCover : E,W\/ Record : E-,W\u003cbr\u003eObi stripe: E\u003cbr\u003eObtained 1973, signed and dated in black ink on the record label and to an interior page of the album booklet\u003cbr\u003e\u003cbr\u003eDEXTER GORDON - APARTMENT\u003cbr\u003eLabel: STEEPLECHASE RJ-7101\u003cbr\u003eCover : E,W\/ Record : E+\u003cbr\u003eObi stripe: E\u003cbr\u003eObtained 25 September 1975, signed in black ink on the front cover by Dexter Gordon, Kenny Drew, Niels-Henning Orsted Pedersen and Albert \"Tootsie\" Heath\u003cbr\u003e\u003cbr\u003eMILES DAVIS - KIND OF BLUE\u003cbr\u003eLabel: CBS\/SONY SOPL-155\u003c\/div\u003e\n\u003cdiv\u003eCover : E,W\/ Record : E+\u003c\/div\u003e\n\u003cdiv\u003eObi stripe: E\u003c\/div\u003e\n\u003cdiv\u003eObtained 1975, signed in silver ink \"Miles Davis\" on the front cover. \u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe present collection includes several remarkable rarities, but the highlight is surely the exceedingly rare signed copy of what is widely regarded to be the greatest jazz album of all time, Miles Davis' \"Kind of Blue.\" Davis was notoriously prickly and a generally reluctant autograph signer. Though authentic autograph signatures are certainly obtainable,  we are aware of only one other extant authentically signed copy (also sold by Schubertiade) of Davis's greatest masterpiece.  Of the previous example sold by Schubertiade, noted jazz collector and dealer Larry Rafferty noted that in his 40+ years of collecting jazz autographs, this is \"absolutely the only copy I have ever seen -- or heard of\" and our research further confirms that no signed copies have appeared at auction or in trade catalogues.  \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eThe best-selling jazz record of all time is universally acknowledged as a masterpiece, revered as much by rock and classical music fans as by jazz lovers. Kind of Blue brought together seven now-legendary musicians in the prime of their careers: tenor saxophonist John Coltrane, alto saxophonist Julian \"Cannonball\" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and, of course, trumpeter Miles Davis. To the musicians who recorded it, Kind of Blue was just another session when it was released in August, 1959. But the disc was quickly recognized by the jazz community as a classic. Jazz musicians were startled by the truly different sound on an album that laid out a clear roadmap for further modal explorations. \"So What\" became the tune, the one that every musician -- not just the practitioners of jazz -- simply had to know. The other tracks also quickly became standards and the individual solos throughout the record continue to inspire musicians to this day. Drummer Jimmy Cobb puts it all down to simplicity -- the reason Kind of Blue has remained so successful for so long. And because of its inherent balance, historian Dan Morgenstern adds, the album never wears out its welcome.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093494419615,"sku":"12689","price":35000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Miles_Davis_Kind_of_Blue_12689.jpg?v=1722188400"},{"product_id":"12933-liszt-franz-1811-1886-sammelband-of-first-and-early-editions","title":"Liszt, Franz. (1811–1886) Sammelband of First and Early Editions","description":"\u003cdiv style=\"\"\u003eLarge ca. 1850's sammelband of piano works by Liszt, containing 19 separately issued early and first edition publications in folio (each approx. 10\" x 13\"). Light toning and foxing throughout, but overall in fine condition. Beautifully bound in modern red marbled boards, quarter green leather with crimson title plate to spine. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe contents bound in the following order:\u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Illustrations du Prophète de G. Meyerbeer pour le piano. Leipzig: Breitkopf \u0026amp; Härtel. [1850]. No. 1, Prière, Hymne triomphal. Marche du sacre. Engraved. [PN] 8088. 31 pp. S.414\/1 ; LW.A165\/1 ; R 223\/1.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003e* Illustrations du Prophète de G. Meyerbeer pour le piano. Leipzig: Breitkopf \u0026amp; Härtel. [1850]. No. 2, Les Patineurs. Engraved. [PN] 8089. 35 pp. S.414\/2 ; LW.A165\/2 ; R 223\/2.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e*\u003cspan style=\"\"\u003e Illustrations du Prophète de G. Meyerbeer pour le piano. Leipzig: Breitkopf \u0026amp; Härtel. [1850]. No. 3, Pastorale. Appel aux armes. Engraved. [PN] 8090. 29 pp. \u003c\/span\u003eS.414\/3 ; LW.A165\/3 ; R 223\/3.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eAndante Final de Lucie de Lamermoor, 2r. Acte, pour piano seul. Paris: Bernard Latte [1845]. Engraved. [PN] B.L. 2207. 9 pp.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003e* Ouvertures de C. M. de Weber, Partitions pour piano. Paris: Schlesinger, Brandus, \u0026amp; co [ca. 1847]. \u003c\/span\u003eNo. 3, Oberon. Engraved. [PN] B. et Cie 4669. 17 pp. S. 574 ; LW.A122. R 288.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e* Grande Fantaisie sur Don Juan de Mozart pour piano. Paris: Schlesinger [1843]. Engraved. [PN] M. S. 3930. 33 pp. S. 418 ; LW.A80. R 228.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e* Grandes Etudes de Paganini, transcrites pour le piano et dédiées à Madame Clara Schumann. Leipzig: Breitkopf \u0026amp; Härtel [1851]. Cahier II (Etudes IV-VI). Engraved. [PN] 8369. 23 pp. S.141\/4-6 ; LW.A173\/4-6. R 3b.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Grandes Etudes de Paganini, transcrites pour le piano et dédiées à Madame Clara Schumann. Leipzig: Breitkopf \u0026amp; Härtel [1851]. Cahier I (Etudes I-III). Engraved. [PN] 8368. 31 pp. S.141\/1-3 ; LW.A173\/1-3. R 3b.\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Rhapsodie hongroise pour le piano. Au Compte Ladislas Teleky. Leipzig: Bartholf Senff [ca. 1851]. No. 2. Engraved. [PN] 26. 19 pp. S. 244\/2 ; LW.A 132\/2 ; R 106\/2.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Liebesträume. 3 Notturnos für das Pianoforte. Leipzig: Kistner [1850]. Engraved. [PN] 1751. 22 pp. S.541 ; LW.A103. R 211.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 1. Engraved. [PN] C. S. 9300. 7 pp. S.427\/1 ; LW.A131\/1. R 252\/1.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* \u003cspan style=\"\"\u003eSoirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 2. \u003c\/span\u003eEngraved. [PN] C. S. 9301. 11 pp. S.427\/2 ; LW.A131\/2. R 252\/2.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 3. Engraved. [PN] C. S. 9302. 15 pp. S.427\/3 ; LW.A131\/3. R 252\/3.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 4. Engraved. [PN] C. S. 9303. 11 pp. S.427\/4 ; LW.A131\/4. R 252\/4. \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 5. Engraved. [PN] C. S. 9304. 11 pp. S.427\/5 ; LW.A131\/5. R 252\/5.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 6. Engraved. [PN] C. S. 9305. 11 pp. S.427\/6 ; LW.A131\/6. R 252\/6.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 7. Engraved. [PN] C. S. 9306. 9 pp. S.427\/7 ; LW.A131\/7. R 252\/7.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 8. Engraved. [PN] C. S. 9307. 15 pp. S.427\/8 ; LW.A131\/8. R 252\/8.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e* Soirées de Vienne. Valses-Caprices d'après F. Schubert dedié à son ami S. Löwy. Vienna: C. A. Spina [1852 or 1853]. Cahier 9. Engraved. [PN] C. S. 9308. 11 pp. S.427\/9 ; LW.A131\/9. R 252\/9.\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eLiszt's technical advances as a pianist during the 1830's and 1840's made possible an ever-broadening variety of pianistic textures, colors, and effects. Among his innovations were \"Liszt octaves,\" played with alternating hands to give the illusion of double octaves at breathtaking speeds. These new techniques, together with the advancing technology of louder and larger pianos (and not insignificantly, his enormous and flexible hands), helped Liszt to bring orchestral textures to life on the piano. At the same time, an important aspect of Liszt's oeuvre was the transcription and arrangement of the works of other composers for the piano, including Beethoven's string quartets, songs and chamber music by Schubert, and many operatic selections. \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eIn an era before recording technology, these transcriptions and arrangements can be seen as crucial to the dissemination and reception history of the relevant works. However, to look at them as mere \"arrangements\" would be to neglect Liszt's pianistic brilliance, as John Michael Cooper writes: \"His genius and originality in rendering these compositions in a fashion commensurate with his profound understanding of the expressive capabilities of the fortepiano makes the terms \u003ci style=\"\"\u003etranscription \u003c\/i\u003eand \u003ci style=\"\"\u003earrangement\u003c\/i\u003e awkward half-truths for these works.\" (Historical Dictionary of Romantic Music, p. 341).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093501825183,"sku":"12933","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Liszt_First_Edition_Sammelband_12933a.jpg?v=1722188451"},{"product_id":"13025-sorabji-kaikhosru-shapurji-1892-1988-opus-clavicembalisticum-signed-first-edition-of-one-of-the-longest-solo-piano-works-ever-composed","title":"Sorabji, Kaikhosru Shapurji. (1892 - 1988) Opus Clavicembalisticum - SIGNED FIRST EDITION OF ONE OF THE LONGEST SOLO PIANO WORKS EVER COMPOSED","description":"\u003cp\u003eRare signed copy of the notoriously long and virtuosic piano work. Signed and inscribed to Carl Engel, French-born American pianist, musicologist and publisher. Engel was also a writer on music for The Musical Quarterly, and chief of the Music Division of the Library of Congress. \u003cbr\u003e\u003c\/p\u003e\u003cdiv style=\"margin: 0px; padding: 0px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"margin: 0px; padding: 0px;\"\u003eAt the time of its first performance in 1930, the Opus Clavicembalisticum was the longest piano solo work ever composed, taking over four hours to play. It is one of the most important works by the colorful, enigmatic Parsi composer and journalist best known for this and other keyboard works of labyrinthine complexity and protracted length. Notorious for his reclusiveness and prickly manner, Sorabji imposed a decades-long moratorium on performances of his works, relenting only in his final years.\u003c\/div\u003e\u003cdiv style=\"margin: 0px; padding: 0px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"margin: 0px; padding: 0px;\"\u003eWrappers chipped, front wrapper detached; otherwise in very good condition. 252 pp. (Large oblong folio) 28 x 39 cm (11x15½\") original wrappers. No. Eleven of only Twenty-three copies printed on Whatman handmade paper and signed by the composer.  Wrappers professionally restored with various chips and tears nicely filled, contained in a custom black cloth box with title plate to spine.  \u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093504446623,"sku":"13025","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sorabji_Opus_Clavicembalisticum_13025a.jpg?v=1722188470"},{"product_id":"14152-donizetti-gaetano-1797-1848-donzelli-domenico-1790-1873-two-arias-for-fausta-autograph-musical-manuscripts","title":"[Donizetti, Gaetano. (1797–1848)] Donzelli, Domenico. (1790–1873) Two Arias for \"Fausta\" - Autograph Musical Manuscripts","description":"\u003cp style=\"\"\u003eAutograph musical manuscripts in a copyist's hand for two additional arias by Donizetti for his opera \u003ci style=\"\"\u003eFausta\u003c\/i\u003e, as sung by the tenor Domenico Donzelli and signed by Donzelli on the first page of each. Titled: \u003ci style=\"\"\u003eAdagio Nuovo scritto [per il ...] Sig. Donzelli da scegliersi a suo desio\u003c\/i\u003e and \u003ci style=\"\"\u003eCabaletta per Crispo Atto II nuova scritta espressamente per il Sig. Donzelli. \u003c\/i\u003eUndated [ca. 1833.] Scored for orchestra and solo voice (Crispo), with an empty choir part in the second aria. 11 pp. and 8 pp., on hand-ruled manuscript paper. On the first page of each, an autograph note in the hand of Domenico Donzelli reads: \"Autografo di Donizetti.\" In fact, the manuscripts are in a copyist's hand: apparently, Donzelli intended \"autografo\" in the sense of an original composition by Donizetti. The numbers on the first page, 32 and 33, are likely catalog numbers from a theatre or the singer's collection. \u003c\/p\u003e\u003cp style=\"\"\u003eLarge area of water damage to the upper edge of all pages, partially obscuring the titles and some areas of the musical text. Overall toning, edge wear, some light soiling. The vocal line, text, bass, and most of the instrumental parts are fully legible throughout. Overall in very good condition. 12.75 x 9.25 inches (32.5 x 23.5 cm).\u003c\/p\u003e\u003cp style=\"\"\u003eThe two manuscripts speak to the ever-evolving nature of bel canto opera and reveal the interesting history of Donizetti's \u003ci style=\"\"\u003eFausta.\u003c\/i\u003e This opera seria, based on Roman history, revolves around Fausta, the wife of Emperor Constantine I, who falls in love with her stepson Crispus (Crispo.) The opera premiered in Naples in January 1832 with prima donna Giuseppina Ronzi de Begnis as Fausta, and was staged shortly thereafter in Milan (with Adelaide Tosi), Venice (with Giuditta Pasta and Domenico Donzelli) and Turin. In each production, changes were made to the arias performed - apparently both with and without Donizetti's consent. At La Scala, Adelaide Tosi substituted an aria from Donizetti's \u003ci style=\"\"\u003eCastello di Kenilworth\u003c\/i\u003e for Fausta's first aria, while tenor Francesco Pedrazzi added an aria by Cesare Pugni. Although perhaps shocking to modern audiences, this practice of inserting arias from another opera was well-established in the 18th century and continued through the bel canto era, as Hilary Poriss writes in \u003ci style=\"\"\u003eChanging the Score: Arias, Prima Donnas, and the Authority of Performance\u003c\/i\u003e: \"Insertion arias might replace a portion of an opera (substitutions), or they might dislodge none of the original music (interpolations); they may have been authored by the composer of the opera, or they may have been written by someone else[...] Without exception, singers planned these insertions in advance, and everyone involved in the production[...] was aware of when and where they would occur.\" (Poriss, p. 3).\u003c\/p\u003e\u003cp style=\"\"\u003eDonizetti corresponded with the impresario Alessandro Lanari in 1833 about alterations to \u003ci style=\"\"\u003eFausta\u003c\/i\u003e for its Venice performance with Pasta and Donzelli. Among the changes were a new introduction and a new soprano-tenor duet for the two stars. It was likely at this point that the two present arias were composed: they seem especially well-suited to Donzelli's voice, which was powerful and dark of timbre, but did not have a particularly wide range or impressive coloratura. It seems possible that \"Se crudel, cosi m'estimi\" may have been written on the same text as an aria previously inserted into the opera without Donizetti's consent (perhaps even the aria by Pugni which Pedrazzi performed in Milan.) According to autograph notes at the end of the scores, \"Se crudel, cosi m'estimi\" is to be inserted near the beginning of the second act, before the duet beginning \"Le tue discolpe o perfido.\" It is unclear which aria \"Nel candor di sua innocenza\" replaces or precedes, but a note in that manuscript specifies: \"\"Here sing the crescendo of the other aria, repeat the cabaletta, and proceed to the cadenze ad lib.\"\u003c\/p\u003e\u003cp style=\"\"\u003eThe two present arias do not appear in the vocal score published in Milan by F. Lucca ca. 1841, or in the 1865 manuscript found on IMSLP. Interestingly, the copy of the Lucca edition on IMSLP contains an inserted manuscript copy of a \u003ci style=\"\"\u003edifferent \u003c\/i\u003eversion of \"Se crudel, cosi m'estimi,\" in the same key as the present version but with a higher tessitura; it is unclear whether that version predates or postdates the present version. \"Se crudel, cosi m'estimi\" has been included in the present version in at least two twentieth-century productions of the opera that we know of, but we have found no other record of the cabaletta \"Nel candor di sua innocenza\" either in an edition or a recording.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBorn in Bergamo, Italy, Gaetano Donizetti studied music at Bergamo and Bologna, and produced his first opera in 1818 at Venice. The work which carried his fame beyond Italy was \u003ci style=\"\"\u003eAnna Bolena\u003c\/i\u003e (1830), and he had several other successes, notably \u003ci style=\"\"\u003eLucia di Lammermoor\u003c\/i\u003e (1835). Sadly, after years of untreated syphilis, he became mentally ill at the height of his career and was institutionalized.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cdiv style=\"\"\u003eThe Italian tenor Domenico Donzelli was celebrated for his robust voice and enjoyed a successful career in Paris, London and his native country during the 1808-1841 period. He was celebrated in particular for many of his Rossini roles, especially Otello. He also appeared in several premières of Donizetti operas, for instance, as Almuzir in \u003ci style=\"\"\u003eZoraide di Granata\u003c\/i\u003e (1822), Ugo, conte di Parigi in the opera of that name (1832), and Don Ruiz in \u003ci style=\"\"\u003eMaria Padilla\u003c\/i\u003e (1841). \u003c\/div\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093541474463,"sku":"14152","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Donizetti_Aria_MS_14152_281_29.jpg?v=1722188724"},{"product_id":"14285-levasseur-nicholas-1791-1871-mozart-wolfgang-amadeus-1756-1791-leporello-in-don-giovanni-original-engraving","title":"Levasseur, Nicholas. (1791–1871) [Mozart, Wolfgang Amadeus. (1756–1791)] Leporello in Don Giovanni - Original Engraving","description":"Original hand-colored engraving of the important French bass Nicholas Levasseur as Leporello in Mozart's \u003ci\u003eDon Giovanni\u003c\/i\u003e. Engraved by Louis Maleuvre and published by Hautecoeur-Martinet, Paris, [1835]. Light toning, but vibrantly colored and overall in fine condition. Ca. 5.5 x 8.5 inches (14 x 21 cm), matted to 8 x 12 inches (20 x 30 cm).","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093545635999,"sku":"14285","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Levasseur_Mozart_Don_Giovanni_Engraving_14285_001.jpg?v=1722188745"},{"product_id":"14289-catalani-angelica-1780-1849-engraved-portrait","title":"Catalani, Angelica. (1780-1849) Engraved Portrait","description":"\u003cp\u003eOriginal portrait of the celebrated Italian soprano, one of the greatest bravura singers of all time, engraved after a drawing by Adam Buck. Overall toning; lower caption almost entirely trimmed away; mounting remnants on the verso and edges; overall in very good condition. 4.25 x 6.5 inches (11 x 16 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093545799839,"sku":"14289","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Catalani_Angelica_Engraved_Portrait_14289_001.jpg?v=1722188746"},{"product_id":"14291-gluck-cristoph-willibald-1714-1787-engraved-bust-portrait-in-profile","title":"Gluck, Cristoph Willibald. (1714–1787) Engraved Bust Portrait in Profile","description":"\u003cp\u003eOriginal engraved portrait of the important early Classical opera composer, shown in profile against a black oval background. Engraved by Augustin de Saint-Aubin and published in 1790. Light foxing and wear to the right edge; overall in fine condition. 8.25 x 10.5 inches (20.8 x 26.7 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093545898143,"sku":"14291","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Gluck_Engraved_Portrait_14291_001.jpg?v=1722188746"},{"product_id":"14292-gluck-cristoph-willibald-1714-1787-soulacroix-gabriel-1853-1905-cossira-emile-1854-1923-iphigenie-en-tauride-original-photograph","title":"[Gluck, Cristoph Willibald. (1714–1787)] Soulacroix, Gabriel. (1853–1905) \u0026 Cossira, Emile. (1854–1923) \"Iphigénie en Tauride\" - Original Photograph","description":"\u003cdiv style=\"\"\u003eAn original photograph from a scene in Gluck's \u003ci style=\"\"\u003eIphigénie en Tauride\u003c\/i\u003e, staged at the Parisian \u003cspan style=\"\"\u003eThéâtre de la Renaissance on December, 1899. Pictured in costume are Gabriel Soulacroix as Oreste, Emile Cossira as Pylade, and Louis Ballard as Thoas, dressed in elaborate Grecian robes. In very fine condition, mounted on a heavy board in very good condition with some wear to the edges, the photographer's name mostly cut away. 8.5 x 11.25 inches (22 x 28.8 cm).\u003c\/span\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eGluck's most successful opera, \u003c\/span\u003e\u003ci style=\"\"\u003eIphigénie en Tauride \u003c\/i\u003ewas staged more than 400 times in the late eighteenth and early nineteenth centuries, and was newly arranged in 1889 by Richard Strauss.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093545930911,"sku":"14292","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Gluck_Iphigenie_OP_14292_001.jpg?v=1722188747"},{"product_id":"14306-callas-maria-1923-1977-norma-1952-royal-opera-house-program","title":"[Callas, Maria. (1923–1977)] \"Norma\" - 1952 Royal Opera House Program","description":"Original program from La Divina's London debut at the Royal Opera House on November 8. 1952. Callas starred as Norma with veteran mezzo Ebe Stignani as Adalgisa, in a performance which also featured the young Joan Sutherland as Clotilde. 4 pp. Mounting remnants on last page; overall in fine condition. 8.5 x 11.25 inches (21.6 x 28.5 cm).\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eCallas' London debut as Norma was captured on recording, showcasing the diva in top vocal form. Callas and the London public had what she herself called \"a love affair\", and she returned to the Royal Opera House in 1953, 1957, 1958, 1959, and 1964 to 1965. It was also at the Royal Opera House where in 1965 Callas ended her stage career in the role of Tosca.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093546160287,"sku":"14306","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Callas_Norma_Prog_14306_281_29.jpg?v=1722188749"},{"product_id":"14372-feininger-lyonel-1871-1956-der-virtuose-original-woodcut","title":"Feininger, Lyonel. (1871-1956) \"Der Virtuose\" - Original Woodcut","description":"\u003cp style=\"\"\u003eOriginal woodcut by the influential German-American painter and printmaker, printed posthumously and published by\u003cspan style=\"\"\u003e Associated American Artists, New York. Printed by Harold McGrath at the Gehenna Press, Northampton, Massachusetts. \u003c\/span\u003e\u003cspan style=\"line-height: 1.42857;\"\u003eImage size 16.2x20.8 cm (6½x8¼\") on larger sheet, approximately 33x45.7 cm (13x18\"). Tipped to card backing. No. 86 of 100 copies. In fine condition.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093548486815,"sku":"14372","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Feininger_Lyonel_Virtuose_Woodcut_14372_002.jpg?v=1722188762"},{"product_id":"14429-hindemith-paul-1895-1963-philharmonisches-konzert-variationen-fur-orchester","title":"Hindemith, Paul. (1895-1963) Philharmonisches Konzert; Variationen für Orchester","description":"\u003cdiv style=\"\"\u003eStudy score for the important twentieth-century composer's theme and variations for orchestra, composed in 1932 aboard the S. S. Ausonia. \u003cspan style=\"line-height: 1.42857;\"\u003eGramophone calls the work \"\u003c\/span\u003e\u003cspan style=\"line-height: 1.42857;\"\u003ea bridge between Hindemith’s raucous 1920s manner and the graver, mature style of \u003c\/span\u003e\u003cit style=\"line-height: 1.42857;\"\u003eMathis der Maler.\" \u003c\/it\u003e\u003cspan style=\"line-height: 1.42857;\"\u003e[PN] B.S.S. 33468. 68 pp. Some damage to the spine at top and bottom, light overall toning and wear, but otherwise in very good condition. 6 x 9 inches (15 x 23 cm).\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093550289055,"sku":"14429","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Hindemith_Philharmonisches_Konzert_14429_281_29.jpg?v=1722188777"},{"product_id":"14445-martinon-jean-1910-1976-signed-program-photograph","title":"Martinon, Jean. (1910-1976) Signed Program Photograph","description":"\u003cp\u003eSigned halftone photograph of the French conductor and composer in action, taken from a 1957 concert program. Martinon has signed in blue ink below the image; another hand has dated March 12, 1957. Right edge rough; otherwise in fine condition. Single sheet, 5.5 x 8.5 inches (13.8 x 21.5 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093550715039,"sku":"14445","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Martinon_Jean_SP_14445_001.jpg?v=1722188777"},{"product_id":"14446-neaman-yfrah-1923-2003-mathieson-muir-1911-1975-signed-program-photograph","title":"Neaman, Yfrah. (1923-2003) \u0026 Mathieson, Muir. (1911-1975) Signed Program Photograph","description":"\u003cp\u003eSigned photographs of the British violinist of Palestinian birth and the Scottish conductor and composer, on recto and verso of a single page extracted from a concert program. Another hand has dated the page May 9, 1948; on this date, Neaman performed Tchaikovsky's Violin Concerto in D major at the Royal Albert Hall with the Philharmonia under Mathieson. Light toning, one edge rough, some light creasing and wear; overall in very good condition. 7.25 x 9.5 inches (18.5 x 24.5 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093550878879,"sku":"14446","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Neaman_Mathieson_SP_14446_001.jpg?v=1722188779"},{"product_id":"14450-malcuzynski-witold-1914-1977-signed-program-photograph","title":"Malcuzynski, Witold. (1914–1977) Signed Program Photograph","description":"\u003cp\u003eSigned halftone photograph of the distinguished Polish pianist, on a single sheet extracted from a 1954 concert program. He performed with the London Philharmonic under Sir Adrian Boult on December 6, 1954. Together with another page from the same program, with biographies of Malcuzynski and Boult. Right edge rough with some wrinkling and slight corner wear, but otherwise in fine condition. 7.5 x 9.75 inches (18.8 x 24.8 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093550977183,"sku":"14450","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Malcuzynski_Witold_SP_14450_001.jpg?v=1722188782"},{"product_id":"14451-fischer-dieskau-dietrich-1925-2012-signed-program-photograph","title":"Fischer-Dieskau, Dietrich. (1925–2012) Signed Program Photograph","description":"Signed halftone photograph of the great German baritone, lieder specialist beyond compare, on a single sheet extracted from an English concert program ca. 1950's. Fischer-Dieskau has signed boldly over the image in red ink. On the verso, a section of texts shows that he performed Mahler's \u003ci\u003eLieder eines fahrenden Gesellen.\u003c\/i\u003e Left edge rough with some light toning, but overall in fine condition. 6.25 x 8.75 inches (15.9 x 22.3 cm).","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093551075487,"sku":"14451","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Fischer_Dieskau_SP_14451_001.jpg?v=1722188780"},{"product_id":"14452-schmidt-isserstedt-hans-1900-1973-signed-program-photograph","title":"Schmidt-Isserstedt, Hans. (1900–1973) Signed Program Photograph","description":"\u003cdiv\u003eSigned halftone photograph of the German conductor and composer who led the Hamburg State Opera, the Berlin State Opera and later the North German Radio Symphony Orchestra. On a single sheet extracted from a London concert program, also featuring a smaller image of pianist Denis Matthews below. Another hand has dated at the head: January 21, 1954. Right edge rough; signature slightly smudged; overall in very good condition. 5.25 x 8.25 inches (13.5 x 21 cm).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093551108255,"sku":"14452","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Schmidt_Isserstedt_SP_14452_001.jpg?v=1722188782"},{"product_id":"14486-cage-john-1912-1992-rauschenberg-robert-1925-2008-cage-color-screenprint-with-collage-on-paper","title":"[Cage, John. (1912–1992)] Rauschenberg, Robert. (1925–2008) \"Cage\" - Color Screenprint with Collage on Paper","description":"\u003ci style=\"\"\u003eCage\u003c\/i\u003e\u003cspan style=\"\"\u003e, 1983, edition of 125, printed by Styria Studio, New York. Signed, numbered, and dated \"RAUSCHENBERG 93\/125 83\" within the image l.l., printer's dry stamp l.r. Color screenprint with collage on paper, image\/sheet size 41 3\/4 x 29 3\/4 in. (105.9 x 75.5 cm), framed. \u003c\/span\u003e\u003cspan style=\"\"\u003eDeckled edges, floated within the mat, pale foxing or staining to fabric elements.\u003c\/span\u003e\u003cdiv style=\"\"\u003e\u003cfont face=\"serif\"\u003e\u003cbr style=\"\"\u003e\u003c\/font\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cfont face=\"serif\" size=\"3\"\u003e\"Of the artists who emerged in the 1950s, Rauschenberg's similarities to the work of John Cage have to do with the ways he calls into question the distinctions between reality and realism and between representation and the actual, and through his inclusive orientation to the environment.  If Cage seemed to be annihilating the composer as the author of what we listen to in a concert, then it may be that Rauschenberg annihilates the idea of the artist or person as having a fixed and invariable core. Without that core, the self must reinvent itself in response to the environment.  This idea of continual reinvention of the self leads in the same direction as Cage's chance compositions lead: but it is more complex than simply calling it openness to the environment, than calling the artist the nexus of environmental events. It is an attitude toward art which centralizes contingency, or the role of chance and unexpected events, without the abandonment of control. Pollock sought the representation of the unconscious, which was the meaning of his statement that he paints out of the unconscious. Rauschenberg constructed chance, making chance into an actuality in his art.  It might be equally possible to say that he constructed contingency, in large part through the centralization of the actively engaged spectator.\" (Roann Barris, \"\u003cspan style=\"color: inherit;\"\u003eRauschenberg: The Art of Collaboration, Construction and Performance\")\u003c\/span\u003e\u003c\/font\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093552091295,"sku":"14486","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Rauschenberg_Robert_Cage_14486_001.jpg?v=1722188789"},{"product_id":"14863-lee-harper-1926-2016-autograph-valentines-day-card","title":"Lee, Harper. (1926-2016) Autograph Valentine's Day Card","description":"\u003cspan style=\"\"\u003eAn original 2010 Valentine's Day card from the beloved American author of \u003c\/span\u003e\u003ci style=\"\"\u003eTo Kill a Mockingbird \u003c\/i\u003eto her longtime friend Bruce Higgison. Showing a furry puppy on the front, the card opens to read \"Not even a cold, wet nose, and a furry coat can hide a heart that's true. Happy Valentine's Day\" and is signed by Lee: \"Much love, Nelle.\"  Together with the original mailing envelope, addressed in Lee’s own hand and postmarked February 13, 2010. In fine condition, with a couple of small creases to the front of the card. 8 x 11 inches open.\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eBruce Higgison was a New York neighbor of Harper Lee whom she described in a letter as \"the kindest friend I have, and [...] the kindest person in general - in the world that is.\" During Lee's visits to her hometown in Alabama, Higgison kept her up-to-date on New York gossip via letters.\u003cbr\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093564346527,"sku":"14863","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/IMG_5951.jpg?v=1722188871"},{"product_id":"14947-verdi-giuseppe-1813-1901-attila-dramma-lirica-in-un-prologo-e-tre-atti-di-giuseppe-verdi","title":"Verdi, Giuseppe. (1813-1901) Attila. Dramma Lirica in un Prologo e tre Atti [...] di Giuseppe Verdi.","description":"\u003cdiv style=\"\"\u003eAttila. Dramma Lirica in un Prologo e tre Atti. Poesia di Temistocle Solera, Musica di Giuseppe Verdi, da rappresentarsi nel Gran Teatro La Fenice nella Stagione di Carnavale e Quadragesima del 1845-46. \u003cspan style=\"\"\u003eThe singers listed under \"Artisti\" are Ignazio Marini, Natale Costantini, Sofia Loewe, Carlo Guasco, Ettore Profili, and Giuseppe Romanelli.  \u003c\/span\u003e28 pp. Original green wrappers, in very fine and crisp condition. 4.5 x 7.25 inches (11.5 x 18.2 cm).  Only one copy in the United States (Pierpont Morgan) recorded by WorldCat. Melisi 228; Chusid, p. 24. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cbr\u003eA rare copy of the first edition libretto to Verdi's opera, based on the 1809 play \u003ci\u003eAttila, König der Hunnen \u003c\/i\u003eby Zacharias Werner. \u003ci\u003eAttila\u003c\/i\u003e received its first performance at La Fenice in Venice on 17 March 1846. It achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II; other contemporary comment praised the work as suitable for the \"political education of the people\", while, in contrast, others criticised the opera as \"Teutonic\" in nature. Benjamin Lumley, who first produced \u003ci\u003eAttila \u003c\/i\u003ein London, wrote in his autobiography that \"none perhaps of Verdi's works had kindled more enthusiasm in Italy or crowned the fortunate composer with more abundant laurels than \u003ci\u003eAttila\u003c\/i\u003e.\"\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093566967967,"sku":"14947","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Verdi_Attila_Libretto_14947_002.jpg?v=1722188889"},{"product_id":"14991-wood-henry-1869-1944-collection-of-materials-relating-to-the-promenade-concerts","title":"[Wood, Henry. (1869-1944)] Collection of Materials relating to the Promenade Concerts","description":"\u003cdiv style=\"\"\u003eAn interesting small archive of notes from the collection of the English conductor best known for his association with London's Promenade Concerts. The materials include a handwritten document titled \"Promenade Concerts Timings, Seasons 1937, 1938 \u0026amp; 1939 (To 1st Sept. 39),\" which contains lists of repertoire for the concert series. The handwritten register contains lists of orchestral repertoire and each piece's length in minutes under the headings: Overtures, Symphonies, Pianoforte Concertos, Violin Concertos, Concertos for Solo Instrument, Suites \u0026amp; Rhapsodies, Miscellaneous Works, Wagnerian Excerpts, Arias, and Choral Works. 22 pp., pages almost completely detached, overall very good. 8 x 12.75 inches (21 x 32.5 cm). The register includes two later inserted typed documents, one with a further repertoire list and one listing the sheet music supplied to the BBC for use in the Proms of 1945, dated July 26, 1945. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eAlso included is a printed \"Plan of the Orchestra,\" showing the unusual orchestral seating plan for a performance of Bach's St. Matthew Passion in October 1908 (the orchestra is divided into two \"choirs,\" with a large number of winds in the center and front; toning, 17.25 x 14.5 inches \/ 43.5 x 37 cm); and an \"Exercise in Breathing and Breath-Control\" printed for \"members of Henry J. Wood's Select Choir\" and dated October 27, 1903 (4 pp., light toning, 8 x 10 inches \/ 20.3 x 25.3 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003ePromenade concerts had existed in London's pleasure gardens since the mid 18th century, and indoor proms became a feature of 19th century musical life in London from 1838. The annual series of Promenade or \"Prom\" concerts was inaugurated on 10 August 1895 in the Queen's Hall in Langham Place by the impresario Robert Newman, but soon became most closely associated with the conductor Henry Wood, who was largely responsible for building the repertoire of the series. Within the first two decades, Wood firmly established the policy of introducing works by contemporary composers (both British and international) and of bringing fresh life to unperformed or under-performed works. Richard Strauss wrote of his ensemble: \u003cspan style=\"\"\u003e\"I cannot leave London without an expression of admiration for the splendid Orchestra which Henry Wood's master hand has created in such a short time.\"\u003c\/span\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003eDuring his studies at the Royal Academy of Music, Wood was accompanist to the great voice teacher Manuel Garcia, and came under his pedagogical influence—as can be seen in the interesting document \"Exercises in Breathing and Breath-Control.\"\u003c\/span\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093568311455,"sku":"14991","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Wood_Henry_Prom_14991.jpg?v=1722188901"},{"product_id":"15026-ney-elly-1882-1968-autograph-easter-note-on-photograph-card","title":"Ney, Elly. (1882-1968) Autograph Easter Note on Photograph Card","description":"\u003cdiv style=\"\"\u003eAn autograph Easter greeting from the important German pianist, signed on a greeting card printed with her photograph on the front and with the prayer of St. Francis of Assisi in a facsimile of her handwriting on the verso. Ney has inscribed the card in English to the pianist Alice Caldwell \"with kindest regards and heartiest greetings,\" and dated Easter 1948. Blank inside. 6 x 4 inches.\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003eElly Ney was one of the 20th century's outstanding pianists. Of her great performing, Willhelm Kempff wrote: \"My ears still hear her melodious voice, with its unmistakable hint of her Rhineland origins, which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord (Beethoven's D minor sonata, for instance), and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words, nor should it be scientifically dissected. Those who had ears, heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts, as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul.\"\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe pianist Alice Caldwell \u003cspan style=\"\"\u003estudied at Oberlin College\u003c\/span\u003e and toured Europe as a concert pianist from the 1920's through the 1940's.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093569458335,"sku":"15026","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ney_Elly_SP_15026_002.jpg?v=1722188906"},{"product_id":"15040-cage-john-1912-1992-john-cage-in-concert-original-flyer","title":"Cage, John. (1912–1992) \"John Cage in Concert\" - Original Flyer","description":"\u003cdiv style=\"\"\u003eOriginal flyer\/poster for \"John Cage in Concert,\" a February 22, 1975 performance with Nancy Seymour in Fort Lauderdale, FL, sponsored by Broward Community College and featuring performances of Cage's works \"Empty Words, Part III\" and \"Music for Marcel Duchamp.\" The striking poster design features a large mushroom surrounded by brown lettering. On the verso, a halftone photograph of Cage with the quotation, \"It behooves us therefore to see each thing directly as it is, be it the sound of a tin whistle or the elegant Lepiota Procera.\" Folding crease; overall in fine condition. 8.5 x 9.25 inches.\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eAn interesting poster from the innovative and influential American composer who once said that if he were to live his life over again, he would be a botanist rather than an artist. He was in fact an amateur mycologist of some distinction, helping to found the New York Mycological Society, winning an Italian TV quiz on mushrooms in the 1950s, and co-writing (with Lois Long and Alexander Smith) \"The Mushroom Book.\"\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093570015391,"sku":"15040","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cage_2C_John_Mushroom_Concert_Flyer_15040a.jpg?v=1722188908"},{"product_id":"15109-cage-john-1912-1992-signed-postcard-of-music-of-changes","title":"Cage, John. (1912–1992) Signed Postcard of Music of Changes","description":"Printed postcard of notation of Music of Changes III\/1951,  9 x 14 cm, boldly signed \"John Cage\" in blue ink in the upper right blank area and in fine condition.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe ground-breaking piece of indeterminate music \u003ci style=\"\"\u003e\u003cb style=\"\"\u003eMusic of Changes\u003c\/b\u003e\u003c\/i\u003e\u003cspan style=\"\"\u003e for solo \u003c\/span\u003epiano\u003cspan style=\"\"\u003e was c\u003c\/span\u003e\u003cspan style=\"\"\u003eomposed in 1951 for pianist and friend \u003c\/span\u003eDavid Tudor\u003cspan style=\"\"\u003e. The process of composition involved applying decisions made using the \u003c\/span\u003e\u003ci style=\"\"\u003eI Ching, \u003c\/i\u003e\u003cspan style=\"\"\u003eapplied to large charts of sounds, \u003c\/span\u003edurations\u003cspan style=\"\"\u003e, \u003c\/span\u003edynamics\u003cspan style=\"\"\u003e, \u003c\/span\u003etempo\u003cspan style=\"\"\u003e and densities.\u003c\/span\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093572309151,"sku":"15109","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cage_John_Changes_Sig_15109_001.jpg?v=1722188923"},{"product_id":"15204-walkowitz-abraham-1878-1965-three-signed-books","title":"Walkowitz, Abraham. (1878–1965) Three Signed Books","description":"\u003cdiv style=\"\"\u003eThree signed books, listed below, from the important American Modernist painter, known for his abstract cityscapes and for his huge number of drawings of Isadora Duncan. Together with  three exhibition flyers from 1966, 1970 and 1971, and a 1966 newspaper clipping.\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003ci style=\"\"\u003eJewish Artists. Ghetto Motives \u003c\/i\u003e(New York: Machmadin Art Editions, 1946), printed in Hebrew, bound in red cloth. Signed on the front free endpaper. Light shelf wear to the spine; overall fine. 8 x 10.75 inches (20.5 x 27.3 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003ci style=\"\"\u003eImprovisations of New York: A Symphony in Lines \u003c\/i\u003e(Girard, Kansas: Haldeman-Julius Publications, 1948). Signed on the front wrapper and additionally on the title page. Large chips to the corners with front wrapper almost detached and large loss at the upper spine; overall good. 8.5 x 11 inches (21.5 x 27.5 cm).\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003ci style=\"\"\u003eA Demonstration of Objective, Abstract, and Non-Objective Art \u003c\/i\u003e(Girard, Kansas: Haldeman-Julius Publications, 1945). Signed on the front wrapper. Overall toning and two tears to the back wrapper; otherwise fine. 8.5 x 11 inches (21.5 x 27.5 cm).\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093575356575,"sku":"15204","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Walkowitz_2C_Abraham_Signed_Books_15204.jpg?v=1722188950"},{"product_id":"15234-chinese-art-book-of-chinese-seals","title":"[Chinese Art] Book of Chinese Seals","description":"\u003cp\u003eAccordion-bound book of Chinese red chops or seals, stamped in red ink on both sides of the accordion pages. Title translates roughly to: \"Pictures of One Hundred Seals.\" 54 pp. Brown silk boards, with some light rubbing, in fine condition overall. 4.25 x 6.25 inches (11 x 15.8 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093576208543,"sku":"15234","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Chinese_Seals_15234_2.jpg?v=1722188953"},{"product_id":"15232-chinese-art-book-of-chinese-prints","title":"[Chinese Art] Book of Chinese Prints","description":"\u003cp\u003eCollection of Chinese woodblock prints depicting nature scenes, groups of people, and several pages of text, in grey and black ink. 62 pp. Softcover. Overall toning and external wear; in very good condition. 7 x 10.25 inches (17.8 x 26.2 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093576241311,"sku":"15232","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Chinese_Engravings_15232_2.jpg?v=1722188952"},{"product_id":"15231-chinese-art-chang-yueh-cheng-catalog-of-chinese-name-seals","title":"[Chinese Art] Chang Yüeh-ch'êng. Catalog of Chinese Name Seals","description":"\u003cp\u003eCatalog of Chinese name seals by artist Chang Yüeh-ch'êng. With a foreword in English by the American scholar John Calvin Ferguson, dated April 1935. Approx. 130 pp. Softcover, loosely stitched. Fading and wear to the wrappers, but overall in very good condition. 8.75 x 13 inches (22.3 x 33.5 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093576274079,"sku":"15231","price":500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Chinese_Seal_Catalog_15231_3.jpg?v=1722188951"},{"product_id":"15249-callas-maria-1923-1977-signed-postcard-photograph-as-norma","title":"Callas, Maria. (1923–1977) Signed Postcard Photograph as Norma","description":"\u003cdiv\u003eBeautiful Consoli postcard photograph of the great soprano as Norma in the famed 1950 Catania production, signed and inscribed boldly across the foot of the image in blue ink. In very fine condition. 6 x 4 inches (15 x 10.6 cm).\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093578207391,"sku":"15249","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Callas_Maria_SP_15249.jpg?v=1722188952"},{"product_id":"15245-dean-james-1931-1955-stevens-george-1904-1975-taylor-elizabeth-1932-2011-hudson-rock-1925-1985-giant-original-oversized-film-premiere-ticket","title":"[Dean, James. (1931-1955)] [Stevens, George. (1904-1975)] [Taylor, Elizabeth. (1932-2011)] [Hudson, Rock. (1925-1985)] \"Giant\" - Original Oversized Film Premiere Ticket","description":"Original oversized ticket to the 1956 premiere of the epic Western \"Giant,\" directed by George Stevens and starring Elizabeth Taylor, Rock Hudson, and James Dean. The ticket displays its original price of $100 ($97.50 of which was a donation to the Muscular Dystrophy Associations of America.) The verso of the ticket displays the seat number. Card stock with a few light chips to the edges; overall in fine condition. 11 x 6 inches (27.7 x 15.2 cm).\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003ci\u003eGiant\u003c\/i\u003e is a 1956 American epic Western drama film, directed by George Stevens from a screenplay adapted by Fred Guiol and Ivan Moffat from Edna Ferber's 1952 novel. It was the last of James Dean's three films as a leading actor, and earned him his second and last Academy Award nomination – he was killed in a car accident before the film was released. \u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093578305695,"sku":"15245","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Dean_James_Giant_Ticket_15245_001.jpg?v=1722188954"},{"product_id":"15244-varese-edgar-1883-1965-cage-john-1912-1992-a-sunday-afternoon-of-contemporary-music-1958-concert-poster","title":"[Varèse, Edgar. (1883–1965) \u0026 Cage, John. (1912–1992)] \"A Sunday Afternoon of Contemporary Music\" - 1958 Concert Poster","description":"Original concert poster from an important early performance of works - in particular, \u003ci\u003eelectronic \u003c\/i\u003emusic works -  by Edgar (here \"Edgard\") Varèse, John Cage, Richard Maxfield, Morton Feldman, and others. Featuring pianist David Tudor and cellist David Soyer, the concert took place at the Village Gate on April 26, [1958] and included the American premiere of Varèse's \u003ci\u003ePoème Electronique \u003c\/i\u003e(the world premiere had taken place at the 1958 Brussels World Fair.) Also premiered were Richard Maxfield's \u003ci\u003eElectronic Score from \"Stacked Deck,\"\u003c\/i\u003e Morton Feldman's \u003ci\u003eComposition for Piano\u003c\/i\u003e, and Walter Guttman's \u003ci\u003eComputor \u003c\/i\u003e[sic]\u003ci\u003e Music. \u003c\/i\u003eOld folds with some light edge wear, two tape ghosts to edges, otherwise in very good condition. 12 x 9 inches (30.5 x 22.8 cm).","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093578436767,"sku":"15244","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Varese_Cage_Poster_15244.jpg?v=1722188955"}],"url":"https:\/\/www.schubertiademusic.com\/collections\/winter-2018.oembed?page=10","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}