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Hockney, David. (b. 1937). Walking Man, 1964.

Lithograph by the British artist depicting a figure with humorously exaggerated legs.  Signed "DH" in plate, and "David Hockney" in pencil to the lower right.  Published by Galerie Krugier & Cie, Geneva, for Suites 8, a portfolio marking the exhibition Rencontres; Jeune Peinture et Sculpture Internationales.  One of 200 copies hand signed, of the total edition of 1500. Central vertical portfolio crease (as issued), spots of toning to upper edge and corner from prior mounting and a few small moisture stains, else fine. 19.25 x 12.75 inches (49 x 32 cm.).

A marvelously expressive work, and a fine example of Hockney's Pop Art style of the 1960s, which is perhaps the most innovative period of his work. This lithograph was probably printed by Gallay in Geneva, but the 7 original lithographs in the portfolio were printed at ateliers in Paris, Zurich, and Geneva, and it is not explicitly stated which was printed where. It is unclear whether Hockney realized when he made the lithograph that the finished prints would have a vertical central fold; if he did, he decided cheekily to position his walking figure right in the centre of the sheet. Another cheeky element to this work is that Hockney must have known that Galerie Krugier also represented Alberto Giacometti, so this walking man is in part a witty tribute to that fellow artist. 

Hockney, David. (b. 1937) Walking Man, 1964

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Hockney, David. (b. 1937). Walking Man, 1964.

Lithograph by the British artist depicting a figure with humorously exaggerated legs.  Signed "DH" in plate, and "David Hockney" in pencil to the lower right.  Published by Galerie Krugier & Cie, Geneva, for Suites 8, a portfolio marking the exhibition Rencontres; Jeune Peinture et Sculpture Internationales.  One of 200 copies hand signed, of the total edition of 1500. Central vertical portfolio crease (as issued), spots of toning to upper edge and corner from prior mounting and a few small moisture stains, else fine. 19.25 x 12.75 inches (49 x 32 cm.).

A marvelously expressive work, and a fine example of Hockney's Pop Art style of the 1960s, which is perhaps the most innovative period of his work. This lithograph was probably printed by Gallay in Geneva, but the 7 original lithographs in the portfolio were printed at ateliers in Paris, Zurich, and Geneva, and it is not explicitly stated which was printed where. It is unclear whether Hockney realized when he made the lithograph that the finished prints would have a vertical central fold; if he did, he decided cheekily to position his walking figure right in the centre of the sheet. Another cheeky element to this work is that Hockney must have known that Galerie Krugier also represented Alberto Giacometti, so this walking man is in part a witty tribute to that fellow artist.