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Perabo, Ernst. (1845-1920). Destiny. A Poem. Musical Setting... Op. 18.

Unbound upright folio. Two bifolia of unusually strong paper. [Boston?]: Ernst Perabo, 1891. Title, fol. 1v and 2r blank, 2 pp., fol. 2v and 3 blank.  Decorative title as an epitaph; two angels to head, with dedication below, "To my Mother, Now in Heaven." Excerpt from Beethoven's Fifth Symphony—transition from scherzo to finale—in a circle around the titling, with what must be the life dates of the composer's mother ("Oct. 12, 1815" and "September 22, 1885") to the beginning and end of the passage. First four measures of the symphony's finale connecting the circle on top. 14 x 10.75 inches (35.5 x 27 cm). Paper rippled; upper corners bumped with slight loss.


The song, in C major, is short and rather austere ("Quasi recitativo"). The text remains uncredited, but is the final eight lines of the poem "A Recall" by English poet Dora Greenwell (1821-1882), as published in the weekly The Quiver: An Illustrated Magazine for Sunday and General Reading (London, Paris and New York: Cassell, Petter and Galpin) on Saturday, March 23, 1872, p. 398: "Life giveth unto each his space / A span of earth, an arch of sky..." The first six lines of this excerpt also appear, without credits, in the highly popular anthology The Album Writer's Friend (New York 1881) compiled by J.S. Ogilvie (1843-1910), but the final two lines, present in the music, are missing there. German translation as second underlay, credited to "Mrs. S.L."

First (and only) edition. A very fine, graphically attractive American imprint. WorldCat lists two copies, at the Boston Public Library and at the Bavarian State Library in Munich.

Born in Germany, Perabo moved to New York City with his parents at age seven. He returned to Germany to study with Carl Reinecke and Ignaz Moscheles in Leipzig before establishing himself in Boston. There he led a career as a pianist, composer, and music teacher. He is best remembered for having taught Amy Beach from 1876 to 1882. He published numerous arrangements for piano of music by other composers but left relatively few compositions of his own.


Perabo, Ernst. (1845-1920) Destiny. A Poem. Musical Setting... Op. 18

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Perabo, Ernst. (1845-1920). Destiny. A Poem. Musical Setting... Op. 18.

Unbound upright folio. Two bifolia of unusually strong paper. [Boston?]: Ernst Perabo, 1891. Title, fol. 1v and 2r blank, 2 pp., fol. 2v and 3 blank.  Decorative title as an epitaph; two angels to head, with dedication below, "To my Mother, Now in Heaven." Excerpt from Beethoven's Fifth Symphony—transition from scherzo to finale—in a circle around the titling, with what must be the life dates of the composer's mother ("Oct. 12, 1815" and "September 22, 1885") to the beginning and end of the passage. First four measures of the symphony's finale connecting the circle on top. 14 x 10.75 inches (35.5 x 27 cm). Paper rippled; upper corners bumped with slight loss.


The song, in C major, is short and rather austere ("Quasi recitativo"). The text remains uncredited, but is the final eight lines of the poem "A Recall" by English poet Dora Greenwell (1821-1882), as published in the weekly The Quiver: An Illustrated Magazine for Sunday and General Reading (London, Paris and New York: Cassell, Petter and Galpin) on Saturday, March 23, 1872, p. 398: "Life giveth unto each his space / A span of earth, an arch of sky..." The first six lines of this excerpt also appear, without credits, in the highly popular anthology The Album Writer's Friend (New York 1881) compiled by J.S. Ogilvie (1843-1910), but the final two lines, present in the music, are missing there. German translation as second underlay, credited to "Mrs. S.L."

First (and only) edition. A very fine, graphically attractive American imprint. WorldCat lists two copies, at the Boston Public Library and at the Bavarian State Library in Munich.

Born in Germany, Perabo moved to New York City with his parents at age seven. He returned to Germany to study with Carl Reinecke and Ignaz Moscheles in Leipzig before establishing himself in Boston. There he led a career as a pianist, composer, and music teacher. He is best remembered for having taught Amy Beach from 1876 to 1882. He published numerous arrangements for piano of music by other composers but left relatively few compositions of his own.