Printed Music > Archive
Bach, J.S. (1685–1750) [Schumann, Robert. (1810–1856)] Sechs Sonaten fur Die Violine mit hinzugefugler Begleitung des Pianoforte, No. V in C dur.
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Chopin, Frédéric. (1810–1849) Polonaise brillante, précédée d'une introduction : pour piano et violoncelle, œuv. 3
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[Viardot, Pauline. (1821–1910)] Costa, Michael. (1808–1884) Eli, an Oratorio. Inscribed by the Composer to Pauline Viardot.
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Smith, John Christopher. (1712-1795) Suites de Pieces pour le Clavecin.
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[Debussy, Claude. (1862-1918)] Armistead, Horace. (1898-1980) Original Costume Sketch from Metropolitan Opera "Pelleas et Melisande."
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Handel, George Frederic. (1685-1759) The Messiah: An Oratorio. For the Voice, Harpsichord, and Vioiln; with the Choruses in Score.
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Hovaness, Alan. (1911-2000) Boreas and Mr. Wildcat: Fantasy for Orchestra, Op. 2A
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Geminiani, Francesco. (1687-1762) The Entire New and Compleat Tutor for the Violin, containing the easiest and best methods for learners to obtain a proficiency and some useful directions, lessons, graces, to which is added a favoured collection of airs,
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[Callas, Maria. (1923–1977)] Collection of Opera Libretti from the Personal Library of Maria Callas
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Mendelssohn-Bartholdy, Felix. (1809–1847) 2ieme Grand Trio dedie a L. Spohr. Op. 66. First Edition.
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Dukas, Paul. (1865-1935) L'Apprenti Sorcier: Scherzo d'Apres une Ballade de Goethe
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Beethoven, Ludwig van. (1770–1827) Bagatelles pour Piano...Op. 33
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Rachmaninoff, Sergei. (1873–1943) Sonate pour Piano et Violoncelle, Op. 19
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Verdi, Giuseppe. (1813–1901) I Lombardi Alla Prima Crociata. Dramma lirico in quattro Atti.
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Kastner, Georges. (1810-1867) Les Voix de Paris. Essai d'une histoire litteraire et musicale des cris populaires de la capitale depuis le moyen age jusqu'a nos jours. Precede de considerations sur l'origine et le caractere du cri en general et suivi de le
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Brahms, Johannes. (1833–1897) Trio(A-moll) fur Pianoforte, Clarinette (oder Bratsche) und Violoncell...OP. 114.
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