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Beethoven, Ludwig van. (1770–1827) Sinfonia Eroica, Op. 55.
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Beethoven, Ludwig van. (1770–1827) Sinfonia Eroica, Op. 55.

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Gelinek, [L'Abbé] Joseph. (1758-1825) Fantasie ou Variations sur la Danse Russe Dumka pour la Piano-Forte...
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Gelinek, [L'Abbé] Joseph. (1758-1825) Fantasie ou Variations sur la Danse Russe Dumka pour la Piano-Forte...

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[String Quartets] Bach, Boccherini, Pleyel, Haydn etc. Rare Collection of 39 18th Century String Quartets
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[String Quartets] Bach, Boccherini, Pleyel, Haydn etc. Rare Collection of 39 18th Century String Quartets

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Vanhal, Johann Baptist. (1739-1813) & Cramer, Wilhelm. (1746-1799) & Gehot, Joseph. (1756-1795) Collection of Trios, including all parts.
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Vanhal, Johann Baptist. (1739-1813) & Cramer, Wilhelm. (1746-1799) & Gehot, Joseph. (1756-1795) Collection of Trios, including all parts.

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Haydn, Joseph. (1732–1809) The Spirit Song
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Haydn, Joseph. (1732–1809) The Spirit Song

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[Music] Five-Foot Long Printed Music!
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[Music] Five-Foot Long Printed Music!

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Pleyel, Camille. (1788-1855) Rondo Alla Polacca on the favorite Duet Amor Possente Nome (from Rossinis Opera Armida) for the Piano Forte.
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Pleyel, Camille. (1788-1855) Rondo Alla Polacca on the favorite Duet Amor Possente Nome (from Rossinis Opera Armida) for the Piano Forte.

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Schumann, Robert. (1810–1856) Phantasiestücke für Pianoforte, Violine & Violoncell componirt und Frau Sophie Petersen geb. Petit in Altona/ zugeeignet [...] op. 88.
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Schumann, Robert. (1810–1856) Phantasiestücke für Pianoforte, Violine & Violoncell componirt und Frau Sophie Petersen geb. Petit in Altona/ zugeeignet [...] op. 88.

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Bach, J.S. (1685–1750) [Schumann, Robert. (1810–1856)] Sechs Sonaten fur Die Violine mit hinzugefugler Begleitung des Pianoforte, No. V in C dur.
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Bach, J.S. (1685–1750) [Schumann, Robert. (1810–1856)] Sechs Sonaten fur Die Violine mit hinzugefugler Begleitung des Pianoforte, No. V in C dur.

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Chopin, Frédéric. (1810–1849) Polonaise brillante, précédée d'une introduction : pour piano et violoncelle, œuv. 3
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Chopin, Frédéric. (1810–1849) Polonaise brillante, précédée d'une introduction : pour piano et violoncelle, œuv. 3

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[Viardot, Pauline. (1821–1910)] Costa, Michael. (1808–1884) Eli, an Oratorio. Inscribed by the Composer to Pauline Viardot.
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[Viardot, Pauline. (1821–1910)] Costa, Michael. (1808–1884) Eli, an Oratorio. Inscribed by the Composer to Pauline Viardot.

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Smith, John Christopher. (1712-1795) Suites de Pieces pour le Clavecin.
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Smith, John Christopher. (1712-1795) Suites de Pieces pour le Clavecin.

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[Debussy, Claude. (1862-1918)] Armistead, Horace. (1898-1980) Original Costume Sketch from Metropolitan Opera "Pelleas et Melisande."
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[Debussy, Claude. (1862-1918)] Armistead, Horace. (1898-1980) Original Costume Sketch from Metropolitan Opera "Pelleas et Melisande."

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Handel, George Frederic. (1685-1759) The Messiah: An Oratorio. For the Voice, Harpsichord, and Vioiln; with the Choruses in Score.
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Handel, George Frederic. (1685-1759) The Messiah: An Oratorio. For the Voice, Harpsichord, and Vioiln; with the Choruses in Score.

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Hovaness, Alan. (1911-2000) Boreas and Mr. Wildcat: Fantasy for Orchestra, Op. 2A
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Hovaness, Alan. (1911-2000) Boreas and Mr. Wildcat: Fantasy for Orchestra, Op. 2A

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Geminiani, Francesco. (1687-1762) The Entire New and Compleat Tutor for the Violin, containing the easiest and best methods for learners to obtain a proficiency and some useful directions, lessons, graces, to which is added a favoured collection of airs,
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Geminiani, Francesco. (1687-1762) The Entire New and Compleat Tutor for the Violin, containing the easiest and best methods for learners to obtain a proficiency and some useful directions, lessons, graces, to which is added a favoured collection of airs,

Schubertiade Music and Arts

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