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Gershwin, George. (1898–1937) Of Thee I Sing - INSCRIBED PRESENTATION COPY WITH AUTOGRAPH MUSICAL QUOTATION TO GEORGE PALAY
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[Seventeenth-Century Music] Caccini, Francesca. (1587-c.1641) & Ferdinando Saracinelli (1583-1640) La Liberazione di Ruggiero dall'Isola d'Alcina. Balletto Rappta in Musica al Ser.mo Ladislao Sigismondo Principe di Polonia e di Suezia Nella Villa Imp.le
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Bach, J.S. (1685-1750) [David, Hans Th. (Ed.)] Die Kunst der Fuge
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Schumann, Robert. (1810–1856) Dichterliebe; Liedercyklus aus dem Buche der Lieder von H. Heine, fu?r eine Singstimme mit Begleitung des Pianoforte. Op. 48. [Heft I & II]
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Wagner, Richard. (1813–1883) Lohengrin: romantische Oper in drei Akten: Klavierauszug zu vier Ha?nden ohne Worte
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[Dance] [Ballets Russes] [Firebird] Stravinsky, Igor. (1882–1971) L'Oiseau de Feu. Conte danse? en 2 tableaux. Piano à 2 mains.
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Mozart, Wolfgang Amadeus. (1756–1791) Cosi fan tutte Dramma giocoso in due Atti... Partitura... Weibertreue oder die Madchen sind von Flandern komische Opera in Zwey Aufzugen. [KV 588]
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Grétry, André Ernest Modeste. (1741-1813) LUCILE. COMEDIE EN UN ACTE.
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Handel, George Frederic. (1685-1759) MESSIAH: A Sacred Oratorio In Score: With all the Additional Alterations Composed in the Year 1741.
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Clementi, Muzio. (1752-1832) Three sonatas for the piano forte, with an accompanyment obligato for a violin. Opera XV. De?die?s a? Mademoiselle Marie Victoire Imbert Colome?s de Lyon.
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Briegel, Wolfgang Carl. (1626 - 1712) Geistliche Gespra?che und Psalmen auff Concerten-Manier, so wol vocaliter, als instrumentaliter, mit sechs Stimmen, nebenst dem Basso continus.
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[Handel, George Frederic. (1685–1759)] Mozart, Wolfgang Amadeus. (1756–1791) Händel's Oratorium Der Messias nach W. A. Mozart's Bearbeitung.
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Mozart, Wolfgang Amadeus. (1756–1791) Concert pour le Pianoforte avec Accompagnement... par W A Mozart No 2.
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Bruch, Max. (1838 – 1920) Serenade ... für Violine und Orchester. Op. 75. - INSCRIBED
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Schubert, Franz. (1797–1828) Grand Rondeau pour le Piano-Forte à quatre mains. Oeuv. 107. [D.951]
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