Amato, Pasquale. (1878-1942). Signed Mishkin Photograph in "Pagliacci". Original signed photograph of the Italian baritone who made his career in the United States, shown in his role as Tonio in Pagliacci. Photographed by Mishkin of New York. Corners have been neatly diagonally trimmed; otherwise in fine condition. 7.5 x 9.5 inches (18.9 x 24.3 cm).
"Amato’s voice was of splendid quality and extensive range, with brilliant resonance in the upper register. During his New York years he became an exceptionally reliable and complete artist, with impeccable enunciation, classical purity of style, and strong dramatic powers. These and other qualities, including pathos and humor, are best shown in a long series of admirable recordings made for Victor (1911–15), among which the Pagliacci Prologue, Figaro’s “Largo al factotum,” and several duets with Caruso, Gadski, and Hempel may be called exemplary." (Desmond Shawe-Taylor, The Grove Dictionary of American Music, 2nd edition).
"Amato’s voice was of splendid quality and extensive range, with brilliant resonance in the upper register. During his New York years he became an exceptionally reliable and complete artist, with impeccable enunciation, classical purity of style, and strong dramatic powers. These and other qualities, including pathos and humor, are best shown in a long series of admirable recordings made for Victor (1911–15), among which the Pagliacci Prologue, Figaro’s “Largo al factotum,” and several duets with Caruso, Gadski, and Hempel may be called exemplary." (Desmond Shawe-Taylor, The Grove Dictionary of American Music, 2nd edition).
Amato, Pasquale. (1878-1942). Signed Mishkin Photograph in "Pagliacci". Original signed photograph of the Italian baritone who made his career in the United States, shown in his role as Tonio in Pagliacci. Photographed by Mishkin of New York. Corners have been neatly diagonally trimmed; otherwise in fine condition. 7.5 x 9.5 inches (18.9 x 24.3 cm).
"Amato’s voice was of splendid quality and extensive range, with brilliant resonance in the upper register. During his New York years he became an exceptionally reliable and complete artist, with impeccable enunciation, classical purity of style, and strong dramatic powers. These and other qualities, including pathos and humor, are best shown in a long series of admirable recordings made for Victor (1911–15), among which the Pagliacci Prologue, Figaro’s “Largo al factotum,” and several duets with Caruso, Gadski, and Hempel may be called exemplary." (Desmond Shawe-Taylor, The Grove Dictionary of American Music, 2nd edition).
"Amato’s voice was of splendid quality and extensive range, with brilliant resonance in the upper register. During his New York years he became an exceptionally reliable and complete artist, with impeccable enunciation, classical purity of style, and strong dramatic powers. These and other qualities, including pathos and humor, are best shown in a long series of admirable recordings made for Victor (1911–15), among which the Pagliacci Prologue, Figaro’s “Largo al factotum,” and several duets with Caruso, Gadski, and Hempel may be called exemplary." (Desmond Shawe-Taylor, The Grove Dictionary of American Music, 2nd edition).