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[Brainard, Joe. (1941-1994)] Lewallen, Constance M. (1939-2022) [Bidart, Frank. (b. 1939)]. "Joe Brainard a Retrospective"; "With Essays by John Ashbery and Carter Ratcliff". New York: University of California, Berkeley Art Museum & Granary Books New York. 2001.

Softcover. 4to. 156 pp. Fine. From the library of the important American poet Frank Bidart, who received the 2018 Pulitzer Prize for Poetry, the Griffin Poetry Prize Lifetime Recognition Award, and the 2017 National Book Award for Poetry for his book Half-light: Collected Poems. His signature of ownership is on the ffe.

Perhaps Bidart's most celebrated poem, "The Second Hour of the Night," is partly based on his relationship with Brainard. "The relationship was," as Bidart has said, both "more than friendship and less than a romance." His "In Memory of Joe Brainard" is a profound elegy for his friend who died of AIDS-induced pneumonia in 1994. 

Over a period of four decades--from the early 1960s until his death in 1994--artist, writer, and designer Joe Brainard contributed greatly to the arts in a number of media. From his early paintings and assemblages, which built upon the work of Jasper Johns and Joseph Cornell, to his set designs for LeRoi Jone's The Dutchman and Frank O'Hara's The General Returns from One Place to Another; from his comic book collaborations with various poets, C Comics and C Comics 2, to his later drawing, collage, painting, and assemblage work, Brainard exemplified the link between avant-garde art, writing, and theater that defined the New York School. In addition to a checklist and bibliographies of work by and about Brainard, this exhibition catalogue includes the artist's published and unpublished writings, as well as interviews and letters. Also included are essays by John Ashbery, Carter Ratcliff, and Constance Lewallen, who chronicles Joe Brainard's formative years in Oklahoma and move to New York City, his involvement with Pop Art, assemblage and painting, and his literary and artistic associations. 

[Brainard, Joe. (1941-1994)] Lewallen, Constance M. (1939-2022) [Bidart, Frank. (b. 1939)] "Joe Brainard a Retrospective"; "With Essays by John Ashbery and Carter Ratcliff"

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[Brainard, Joe. (1941-1994)] Lewallen, Constance M. (1939-2022) [Bidart, Frank. (b. 1939)]. "Joe Brainard a Retrospective"; "With Essays by John Ashbery and Carter Ratcliff". New York: University of California, Berkeley Art Museum & Granary Books New York. 2001.

Softcover. 4to. 156 pp. Fine. From the library of the important American poet Frank Bidart, who received the 2018 Pulitzer Prize for Poetry, the Griffin Poetry Prize Lifetime Recognition Award, and the 2017 National Book Award for Poetry for his book Half-light: Collected Poems. His signature of ownership is on the ffe.

Perhaps Bidart's most celebrated poem, "The Second Hour of the Night," is partly based on his relationship with Brainard. "The relationship was," as Bidart has said, both "more than friendship and less than a romance." His "In Memory of Joe Brainard" is a profound elegy for his friend who died of AIDS-induced pneumonia in 1994. 

Over a period of four decades--from the early 1960s until his death in 1994--artist, writer, and designer Joe Brainard contributed greatly to the arts in a number of media. From his early paintings and assemblages, which built upon the work of Jasper Johns and Joseph Cornell, to his set designs for LeRoi Jone's The Dutchman and Frank O'Hara's The General Returns from One Place to Another; from his comic book collaborations with various poets, C Comics and C Comics 2, to his later drawing, collage, painting, and assemblage work, Brainard exemplified the link between avant-garde art, writing, and theater that defined the New York School. In addition to a checklist and bibliographies of work by and about Brainard, this exhibition catalogue includes the artist's published and unpublished writings, as well as interviews and letters. Also included are essays by John Ashbery, Carter Ratcliff, and Constance Lewallen, who chronicles Joe Brainard's formative years in Oklahoma and move to New York City, his involvement with Pop Art, assemblage and painting, and his literary and artistic associations.