Softcover. Small 4to. 67 pp. One of 650 copies. Text by Elmslie and drawings by Brainard. A reprint of a work originally published by Black Sparrow in 1968. Fine.
Kenward Elmslie's poetry and prose is often combined with the graphical work of other artists. A collection of his writing, Motor Disturbance (1971), won the Frank O'Hara Award for Poetry in 1971. He was awarded the National Endowment of the Arts Award for Power Plant Sestina (1967) and the Ford Foundation Grant. In 1973 Elmslie began work as editor and publisher of Z Magazine and Z Press, working to promote the work of other New York School artists such as John Ashbery, Ron Padgett, James Schuyler, and perhaps most extensively, Joe Brainard. Elmslie s work with graphic artists such as Brainard combined poetry with art to emphasize their interconnectedness; his work in theatre demonstrates his commitment to art as a whole, not only to one medium.
Softcover. Small 4to. 67 pp. One of 650 copies. Text by Elmslie and drawings by Brainard. A reprint of a work originally published by Black Sparrow in 1968. Fine.
Kenward Elmslie's poetry and prose is often combined with the graphical work of other artists. A collection of his writing, Motor Disturbance (1971), won the Frank O'Hara Award for Poetry in 1971. He was awarded the National Endowment of the Arts Award for Power Plant Sestina (1967) and the Ford Foundation Grant. In 1973 Elmslie began work as editor and publisher of Z Magazine and Z Press, working to promote the work of other New York School artists such as John Ashbery, Ron Padgett, James Schuyler, and perhaps most extensively, Joe Brainard. Elmslie s work with graphic artists such as Brainard combined poetry with art to emphasize their interconnectedness; his work in theatre demonstrates his commitment to art as a whole, not only to one medium.