{"title":"Fall 2025","description":"\u003cp\u003eWhen sorted by Catalogue #, items will display as follows. You can also sort alphabetically or by price.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComposers: Items 1 - 65\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInstrumentalists: Items 66 - 93\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConductors: Items 94 - 98\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOpera: Items 99 - 112\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJazz \u0026amp; Song: Items 113 - 129\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDance: Items 130 - 140\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilm \u0026amp; Theatre: Items 141 - 174\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiterature \u0026amp; Art: Items 175 - 229\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHistory \u0026amp; Culture: Items 230 - 237\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"2394-szigeti-joseph-signed-program-and-recital-concert-flyer","title":"Szigeti, Joseph. (1892–1973) Signed Program and Recital Concert Flyer","description":"\u003cp\u003eAutographed single sheet 1942 recital program from an appearance with Andor Foldes performing works by Mozart, Bach, Franck, Ravel and others. 5.5 x 8.5 inches (14 x 21.5 cm). Horizontal crease not affecting signature. Together with a pictorial 9 x 12.5 inch flyer (16 x 23 cm), folded to 6.25 x 9 inches (15.9 x 22.9 cm), announcing the concert, Both in good condition, with mounting remnants to verso.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093160087711,"sku":"2394","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Szigeti_2C_Joseph_SProgram_2394c.jpg?v=1722186303"},{"product_id":"6034-heifetz-jascha-original-1938-photograph-picking-apples","title":"Heifetz, Jascha. (1901–1987) Original 1938 Photograph picking Apples!","description":"\u003cp\u003eUnusual original 1938 photograph of the violinist standing on a ladder and picking apples with his children. Stamps and clipping to verso, else fine. 7 x 9 inches (17 x 23 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093279461535,"sku":"6034","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Heifetz_2C_Jascha_OP_picking_apples_6043.jpg?v=1722187024"},{"product_id":"6510-scotti-antonio-large-signed-photograph-as-scarpia-inscribed-to-lily-pons","title":"Scotti, Antonio. (1866–1936) Large Signed Photograph as Scarpia, inscribed to Lily Pons","description":"\u003cp\u003eA fantastic example of this famous photograph of the Met's principal Italian baritone in his most celebrated role, inscribed to the great soprano, Lily Pons. The striking oval photograph measures 33 x 23 cm (image) and is in fine condition. Scotti has inscribed the image in white ink: \"A Mon chere amie \/ Lily Pons \/ Affectueusement \/ A. Scotti \/ N.Y. 5 Mar, 1933.\" In it's original frame, 14.5 x 11.5 inches (37 x 29 cm overall). \u003cbr\u003e\u003cbr\u003eScotti's 1,213 Met performances between 1899 and 1933 included an astounding 217 Toscas. Though it does not fully come across from his only commercial recording from the opera - Scarpia's Act II address to Tosca (\"Già, mi dicon venal\") - Scotti was widely celebrated for the powerful intensity he brought to the role, one he performed opposite more than a dozen Toscas, beginning with the opera's U.S. premiere in 1901. \u003cbr\u003e\u003cbr\u003eIn the week prior to the present inscription, Scotti had attended the Met's 25th Anniversary Celebration for Gatti-Casazza, at which Pons had performed (2\/26\/33). One month prior, Scotti himself had sung his last performance at the Met (\"L'Oracolo\" on 1\/20\/33).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093294796959,"sku":"6510","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Scotti_Tosca_sp_to_Pons6510a_2ecb9cd1-ffca-4eb4-8a58-76f292dbf375.jpg?v=1744913482"},{"product_id":"7064-liszt-franz-fantin-latour-henry-glorification-du-franz-liszt","title":"[Liszt, Franz. (1811–1886)] [Fantin-Latour, Henry. (1836–1904)] Glorification du Franz Liszt","description":"\u003cp\u003eLarge original allegorical drawing on canvas attributed to the circle of Fantin-Latour, ca. 1890. An angel places a laurel wreath on a bust of Franz Liszt surrounded by figures playing the piano, violin and lyre. A few areas of expert restoration and beautifully framed under UV-plexiglass. Frame measures 30 x 21 inches (76 x 53 cm). \u003cbr\u003e\u003cbr\u003e\"He was imbued with the spirit of Romanticism...Music provided a reservoir of ideas in which Fantin-Latour's escapism could find imaginative expression; he discovered the dreaming idealistic side of life that he did not find in contemporary society.\" (Jane Turner, \"Grove Dictionary of Art: Late 19th Century, \" p. 170)\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093313114271,"sku":"7064","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Liszt_Fantin-Latour_update7064a.jpg?v=1741208158"},{"product_id":"7150-violin-music-iconography-der-schulmeister","title":"[Violin] [Music Iconography] Der Schulmeister","description":"\u003cp\u003e\u003cem\u003eJugend hat keine Tugend\u003c\/em\u003e. Late 19th century handcolored print of a frustrated schoolmaster hopping on one foot while playing the violin in an unruly classroom. Measures 17.25 x 13.5 inches (44 x 34 cm) framed to 20.5 x 16.5 inches (52 x 42 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093315932319,"sku":"7150","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/MusicIconDerSchulmeisterPrint7150a.jpg?v=1735918249"},{"product_id":"7626-casals-pablo-original-photograph-conducting-el-pessebre","title":"Casals, Pablo. (1876–1973) Original Photograph conducting El Pessebre","description":"\u003cp\u003eVintage three-frame 1962 wire photograph of Casals conducting his \"El Pessebre\" oratorio in San Francisco. Fine. 8 x 10 inch (20 x 25 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093330874527,"sku":"7626","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Casals_2C_Pablo_photo_conducting_7626.jpg?v=1722187339"},{"product_id":"7910-menuhin-yehudi-childhood-photograph-with-violin","title":"Menuhin, Yehudi. (1916–1999) Childhood Photograph with Violin","description":"\u003cp\u003eOriginal doubleweight Lumiere NY photograph of the great violinist at age twelve. Stamps to verso, light wear around the edges, else fine condition. 8 x 10 inches (20 x 25 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093340442783,"sku":"7910","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Menuhin_2C_Yehudi_Childhood_Photograph_with_Violin_7910.jpg?v=1722187397"},{"product_id":"8360-busch-adolf-serkin-rudolph-original-photograph","title":"Busch, Adolf. (1891 - 1952) \u0026 Serkin, Rudolph. (1903-1991) Original Photograph","description":"\u003cp\u003eVintage photograph of the legendary violin and piano duo, shown examining a score together. A later printing, probably ca. 1960. 4.5 x 4 inches (10.5 x 11.5 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093354959007,"sku":"8360","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Busch_2C_Adolf_2C_Serkin_2C_Rudolph_OP_8360.jpg?v=1722187489"},{"product_id":"8760-stern-isaac-istomin-eugene-rose-leonard-original-photograph","title":"Stern, Isaac. (1920-2001) \u0026 Istomin, Eugene. (1925 - 2003) \u0026 Rose, Leonard. (1918-1984) Original Photograph","description":"\u003cp\u003eVintage 1968 press photograph of the celebrated Istomin-Stern-Rose trio in a home rehearsal setting. In fine condition. 9.5 x 7.25 inches (24 x 18 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093367935135,"sku":"8760","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Stern_2C_Isaac_Istomin_2C_Eugene_Rose_2C_Leonard_8760.jpg?v=1722187570"},{"product_id":"8892-prihoda-vasa-portrait-photograph","title":"Prihoda, Vasa. (1900-1960) Portrait Photograph","description":"\u003cp\u003eVintage promotional photograph of the magnificent violinist, the leading Czech virtuoso fiddler after Kubelik. Stamps and clippings to verso, else fine. 8 x 10 inch (20.5 x 25 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093371605151,"sku":"8892","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Prihoda_2C_Vasa_Portrait_photo_8892.jpg?v=1722187598"},{"product_id":"9266-joachim-joseph-schmutzer-ferdinand-original-portrait-etching","title":"[Joachim, Joseph. (1831-1907]) Schmutzer, Ferdinand. (1870 - 1928) Original Portrait Etching","description":"\u003cp\u003eUndoubtedly the most famous of all lifetime portraits of the great violinist, who is shown here seated in the context of the Joachim Quartet.  Executed by the Austrian artist c. 1904, signed \"F. Schmutzer\" in pencil at the lower right.  Etching on paper, plate size 8.5 x 8.9 inches. Wide margins, over 1.5 inches, framed to 12.5 x 15.25 inches overall. A richly ink impression of this scarce print, which was reproduced in the New York Times in their 2007 story commemorating the 100-year anniversary of Joachim's death.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093384089759,"sku":"9266","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/JoachimSchmutzerOriginalPortraitEtching9266a_61003290-de3d-43a3-bbdc-6c80a05cff99.jpg?v=1744912808"},{"product_id":"10236-marx-harpo-signed-self-portrait-drawing-on-his-recording-of-stardust","title":"Marx, Harpo. (1888 - 1964) Signed Self-Portrait Drawing on his recording of \"Stardust.\"","description":"\u003cp\u003eLarge original autograph and drawing in Harpo's hand in yellow crayon over the face of his actual LP recording of \"Stardust,\" RCA Victor #P-320. The other side includes his \"Tea for Two\" rendition. Sadly cracked in several places, but all the pieces have been neatly fit together and mounted to a rigid backing and framed. From a remarkable collection of in-person obtained autographs in this same LP format. 13 x 13 inches (33 x 33 cm).\u003cbr\u003e\u003cbr\u003eThe second-born of the Marx Brothers, Harpo was a unique comic performer whose style was influenced by clown and pantomime traditions of a previous era. He was well known by his trademark big, poofy, curly hair, his top hat, and a horn and although he never talked during performances (although he often blew a horn or whistled to communicate), he frequently used props (such as a walking stick with a built-in bulb horn), and he played the harp. Many film buffs argue that the lovable mute was in fact the funniest of the Marx Brothers without ever saying a word. Harpo officially became a mime after a theater critic supposedly noted that he was brilliant…until his character spoke. Harpo never uttered another sound.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093415481503,"sku":"10236","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Marx_HarpoSignedSelf-PortraitDrawingrecord10236a_d01a3a70-0a6c-41b9-918d-35c37369717a.jpg?v=1744913733"},{"product_id":"10354-sarasate-pablo-de-early-cdv-photograph-with-violin","title":"Sarasate, Pablo de. (1844–1908) Early CDV Photograph with Violin","description":"\u003cp\u003eUnusual early original CDV photograph of the great violinist-composer, ca. 1870. By Hanfstaengl, Stuttgart. Stamps and mounting stains and surface losses on verso, some staining along the right area of the image, else fine. 3.5 x 2.4 inches (10 x 6 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093419348127,"sku":"10354","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sarasate_2C_Pablo_de_Early_CDV_Photograph_10354.jpg?v=1722187903"},{"product_id":"10667-perlman-itzhak-signed-photograph-at-age-22","title":"Perlman, Itzhak. (b. 1945) Signed Photograph at age 22","description":"\u003cp\u003eOriginal photograph of the marvelous young fiddler, shown here at age 22, signed and inscribed in red ink to the impresario Moe Septee and dated 1967. Mounted to rigid backing, otherwise in fine condition.  8 x 10 inch (20 x 25 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093428818079,"sku":"10667","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Perlman_2C_Itzhak_SP_10667.jpg?v=1722187966"},{"product_id":"11250-ricci-ruggiero-pair-of-original-photographs-with-his-guarneri","title":"Ricci, Ruggiero. (1918–2012) Pair of Original Photographs with his Guarneri","description":"\u003cp\u003eOriginal 1962 and 1965 press photographs of the superb fiddler, specialist in the 19th century bravura repertory. He is shown brushing dust from his 1724 Guarnerius and, in the other, playing it in front of a framed portrait of himself as a child. 8 x 10 inches (20 x 25 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093448052895,"sku":"11250","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ricci_2C_Ruggiero_Pair_OP_with_Guarneri_11250c.png?v=1759515753"},{"product_id":"11570-casals-pablo-schweitzer-albert-tortelier-paul-original-1951-photograph","title":"Casals, Pablo. (1876–1973) \u0026 Schweitzer, Albert. (1875–1965) \u0026 Tortelier, Paul. (1914 - 1990) Original 1951 Photograph","description":"\u003cp\u003eVintage 1951 \"Tele-Photo\" photograph of the great cellists together with Albert Schweitzer at the 1951 Zurich \"Cello-Matinee.\" Stamps on the verso, small chips and creases around edges. 8 x 10 inches (20 x 25 cm). Unusual!\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093458604191,"sku":"11570","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Casals_Schweitzer_photo_11570a.jpg?v=1722188156"},{"product_id":"12149-toscanini-arturo-wooden-conductor-s-baton-ex-toscanini","title":"Toscanini, Arturo. (1867–1957) Wooden Conductor's Baton, Ex-Toscanini","description":"\u003cp\u003eA fine long wooden conductor's baton used by the legendary conductor. Inscribed \"Toscanini\" at the base and sold with a letter of provenance stating that the baton was acquired from the family of Joseph Roda (1894 - 1963), noted Chicago violinist and author of the seminal luthier reference book \"Bows for Musical Instruments of the Violin Family.\" Roda was a member of the Chicago Symphony from 1936 to 1956 and in 1941 Toscanini lead the orchestra in a special concert to aid the orchestra's pension fund. It is likely the baton dates from that occasion. \u003cbr\u003e\u003cbr\u003eThe twentieth century saw no more exciting conductor than Arturo Toscanini, whose electric performances from the turn of the century to the 1950s have been dazzlingly documented on record and on film. La Scala, Milan, The Metropolitan Opera, New York, the Bayreuth and Salzburg Festivals, the New York Philharmonic, the Palestine Orchestra and the NBC Symphony Orchestra were all transformed by his involvement with them. His range of repertoire and his engagement with the contemporary composers from Verdi to Barber are of enormous significance. Among the many world premieres he conducted were Puccini’s La Bohème, La Fanciulla del West and Turandot; Leoncavallo’s Pagliacci, and Barber’s Adagio for Strings, all staples of the repertoire.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093476724895,"sku":"12149","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Toscanini_Baton_12149_02_281_29.jpg?v=1759604776"},{"product_id":"12661-eisenstein-sergei-amour-erotic-drawing-1942","title":"Eisenstein, Sergei. (1898–1948) \"Amour!!!?\" - Erotic Drawing, 1942","description":"\u003cp\u003eOriginal drawing on paper in red and black pencil and crayon, titled in French \"Amour!!!?\", numbered 4 and signed by the artist and dated 29.12.42. 326 x 220 mm. Framed to 13.75 x 16.75 inches. The work depicts two female figures, one facing right and looking at a mirror while wearing a mask of a bearded man with a large nose around her waist, her companion wearing fanciful striped stocking and kicking up her leg and she gleefully uses the nose of the mask affixed to her friend in order to pleasure herself.  Previously from the collection of Jean-Claude Marcadé and Galia Ackerman, authors of the reference book on Eisenstein's erotic drawings \"Dessins Secrets\" (Le Seuil, 1999), in which are illustrated selected related works from the same series accomplished on the 29th through 31st of December, 1942 on pages 98 - 110.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe pioneering Soviet Russian film director and film theorist, Sergei Eisenstein, is often considered to be the \"Father of Montage\" and is widely acknowledged as a seminal modern artist. He is noted in particular for his silent films Strike (1924), Battleship Potemkin (1925) and October (1927), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). A prolific writer of aesthetic and sexual theory, he was also the author of an extraordinary oeuvre of erotic drawings which have remained less known, despite a series of exhibitions and monographs devoted to them over the last 20 years, focused primarily on the collection of the Russian State Archive and examples discovered in Mexican private collections. Both celebrated and disparaged as a successful practitioner of propaganda that served the Stalinist state, Eisenstein himself was at the same time absorbed with European Decadence both as an artistic school and aesthetic sensibility. He even declared: “Had it not been for Leonardo, Marx, Lenin, Freud and the movies, I would in all probability have been another Oscar Wilde.’’\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093492846751,"sku":"12661","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Eisenstein_Erotic_Drawing_Amour_12661c_ccde183f-d120-4bb8-a9ce-458c22d12348.jpg?v=1760726177"},{"product_id":"15659-entartete-kunst-kaiser-fritz-fuhrer-durch-die-austellung-entartete-kunst-zusammengestellt-von-der-reichspropagandaleitung-amtsleitung-kulture","title":"[Entartete Kunst] Kaiser, Fritz. Fuhrer durch die Austellung Entartete Kunst . . . zusammengestellt von der Reichspropagandaleitung, Amtsleitung Kulture.","description":"8vo, 32 pp., original stapled pictorial wrappers separated from the block, some soiling and light creasing, spine about 2\/3 split. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe original catalogue for the famous exhibition of \"degenerate art\" mounted by the German Reich. In 1937, Germany's Nazi government staged an exhibition in Munich entitled \"Entartete Kunst\"—the official designation given to all \"modern art\" which was not classicist or realist in nature. The exhibition was not merely designed to illustrate what the Nazis deemed \"bad art,\" but had a political purpose. \"Modern art\" was deemed to be part of the overall assault on \"German art\" and culture by a Bolshevist-and largely Jewish-movement of \"artists\" who were working in tandem with the Communist movement to destroy German, and Western, civilization. Germany's art museums were scoured for such works, and were declared forfeit to the state. When the exhibition finally closed, this guide book, written by Fritz Kaiser, an official in the Reich Propaganda Ministry, was issued as a souvenir.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093592002719,"sku":"15659","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Entartete_Kunst_15659_1-rotated-90.jpg?v=1722189051"},{"product_id":"15888-gilot-francoise-untitled-1946","title":"Gilot, Françoise. (1921 - 2023) Untitled (Vase with Flowers), 1946","description":"\u003cdiv\u003e\n\u003cdiv\u003eMixed media (chalk, wax, oil) on paper. Signed at the lower right. Dated at the lower left: October 6, [19]46. Mounted in a passepartout. One long tear with repair at the upper edge; nail holes at the corners; some foxing and light crackling. Sheet size 20 x 26 inches; 65.5 x 50.5 cm. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFrench artist of the post-World War II School of Paris, Françoise Gilot is perhaps most famous as a muse and lover to Pablo Picassofrom 1944 to 1953, and the mother of his children, Claude Picasso and Paloma Picasso. .While her story may be inextricably linked to 20th century art’s most towering figure, Gilot’s remarkable life and vast oeuvre deserves recognition on its own merits. In a career spanning over seven decades, Gilot’s distinct language of form and color reveals an enduring preoccupation with both the personal and universal forces of nature, time, space and mythology.\u003c\/p\u003e\n\u003cp\u003eMentored by the surrealist Endre Rozsda, she had her first major exhibition in Paris in 1943 and that same year, Gilot, then 21, met the 61-year-old Picasso, beginning a decade-long relationship. During this time, Gilot exerted a profound influence on Picasso’s work, with his biographer John Richardson acknowledging that “[he] took from her rather more than she took from him.” In 1964, eleven years after the relationship’s dissolution, Gilot published\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLife with Picasso\u003c\/i\u003e, a complicated portrait of life in the orbit of genius, which sold over one million copies in its first year. In 1969, Gilot met Dr. Jonas Salk, renowned for discovering the polio vaccine, and the two were soon married. They remained together until his death in 1995. During this period, Gilot maintained studios in La Jolla, New York and Paris. Her style evolved toward a greater interest in highly saturated color and formal composition, and she began experimenting with lithographs and aquatints.\u003c\/p\u003e\n\u003cp\u003eIn 2010, Gilot was made an Officer of the Legion d’Honneur, the French government’s highest honor for the arts. In August 2018, Gilot released a facsimile edition of three sketchbooks documenting her travels throughout Venice, India and Senegal. Gilot’s work is included in the permanent collections of the Museum of Modern Art, New York; the Women’s Museum, Washington D.C.; the Musée Picasso, Antibes; the Musée Tel Aviv, Israel; and the Bibliothèque Nationale and Musée d’Art Moderne in Paris. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093599604895,"sku":"15888","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Francoise_Gilot_Still_Life_15888b.png?v=1722189101"},{"product_id":"16751-warhol-andy-marilyn-monroe-signed-tate-gallery-exhibition-booklet-1971","title":"Warhol, Andy. (1928–1987) \"Marilyn Monroe\" - Signed Tate Gallery Exhibition Booklet, 1971","description":"\u003cp\u003e1971 Tate Gallery exhibition booklet, signed on the cover by the American artist and the founder of pop art, over the cover image of his \"Marilyn Monroe.\" \u003cspan\u003eColor and black-and-white photographs. Square 8vo (8 ¼ x 8 ¼”). 100pp. Index printed on magenta paper. With three original gallery ticket stubs laid inside. Matted and framed under UV Plexi to 17 x 17 inches (43 cm x 42 cm) overall. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMarilyn Monroe was a legend when she committed suicide in August of 1962, but in retrospect her life seems a gradual martyrdom to the media and to her public. After her death, Warhol based many works on the same photograph of her, a publicity still for the 1953 movie \u003cem\u003eNiagara\u003c\/em\u003e. He would paint the canvas with a single color—turquoise, green, blue, lemon yellow—then silkscreen Monroe's face on top, sometimes alone, sometimes doubled, sometimes multiplied in a grid. In reduplicating this photograph of a heroine shared by millions, Warhol denied the sense of the uniqueness of the artist's personality that had been implicit in the gestural painting of the 1950s. He also used a commercial technique— silkscreening—that gives the picture a crisp, artificial look; even as Warhol canonizes Monroe, he reveals her public image as a carefully structured illusion.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093627883679,"sku":"16751","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Warhol_Sig_Tate_Booklet_16751.jpg?v=1722189290"},{"product_id":"18882-steinberg-saul-original-drawing-on-western-union-telegram-ca-1946","title":"Steinberg, Saul. (1914-1999) Original Drawing on Western Union Telegram, ca. 1946","description":"Fanciful drawing of an abstracted woman surrounded by freeform swirls and shapes reminiscent of treble clefs and seemingly coming together as a secondary figure, accomplished on a blank Western Union telegram form ca. 1946.  In fine condition.  \u003cspan style=\"\"\u003e8 x 5.5\u003c\/span\u003e\u003cspan style=\"\"\u003e inches (20.3 x 14 cm.).  \u003c\/span\u003eUnsigned. From the collection of the eminent Lithuanian-American violinist and conductor Alexander Schneider, best known as second violinist of the Budapest String Quartet from 1932 to 1944 and from 1955 to 1967.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003eThe Romanian American cartoonist and illustrator Saul Steinberg was famed worldwide for giving graphic definition to the postwar age, and had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in \u003cem style=\"\"\u003eThe New Yorker\u003c\/em\u003e for nearly six decades (including his \u003ci style=\"\"\u003eView of the World from 9th Avenue, \u003c\/i\u003ewhich graced the cover of the March 29, 1976 edition of the magazine), he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums. He described himself as \"a writer who draws\" and defined drawing as \"a way of reasoning on paper.\" \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\"Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life. Sometimes with affection, sometimes with irony, but always with virtuoso mastery, he peeled back the carefully wrought masks of 20th-century civilization. Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art, however, resists conventional critical categories. “I don’t quite belong to the art, cartoon or magazine world, so the art world doesn’t quite know where to place me,” he said. He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.\" (Saul Steinberg Foundation)\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eDescribed as \"one of the most unquenchably energetic figures in the public musical life of the USA,\" (New Grove), among many accomplishments, Alexander Schneider was a member of the legendary Budapest String Quartet and a guest conductor of major orchestras around the world. A recipient of the Kennedy Center Honors, he was the founding Artistic Director of the annual New York String Orchestra Seminar, one of the country's most acclaimed professional training programs for young musicians at Carnegie Hall, which is a major beneficiary of grants from the Alexander Schneider Foundation. \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eThese two dynamic forces in art and in music in the second half of the 20th century happened to be life-long friends, part of a closely-knit circle of some of the world's leading artists, musicians, photographers and actors, who often gathered at Schneider's loft building on Manhattan's east side. \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093697548447,"sku":"18882","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Steinberg_Saul_Western_Union_Telegram_Drawing_18882.png?v=1722189761"},{"product_id":"18905-hockney-david-i-just-feel-sad-ca-1980","title":"Hockney, David. (b. 1937) \"I Just Feel Sad,\" ca. 1980","description":"\u003cdiv style=\"\"\u003eOriginal pen and ink drawing by the British artist depicting the words \"I just feel sad\" on four fallen leaves.  On wove paper, ca. 1980.  Moderate toning along the bottom edge, with some stains throughout, else fine.  Measures 8 x 10 inches (20.4 x 25.5 centimeters).\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cdiv class=\"lot-detail_description expandable-init\" style=\"\"\u003e\u003cspan style=\"\"\u003eProvenance: Christopher Hanley Scott (1945–2002), partner to Henry Geldzahler (1935–1994); private collection, New York.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\n\u003cdiv class=\"lot-detail_additional--desc expandable-init\" style=\"\"\u003e\u003cspan style=\"\"\u003eHockney met Henry Geldzahler, a curator at the Metropolitan Museum, at Andy Warhol's New York apartment in the 1960's.  Hockney and Geldzahler became close friends and travel companions, sharing a sense of humor, interests, and many similar life experiences.  Through their friendship, Geldzahler and his partner Christopher became the subjects of numerous works by Hockney.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ca class=\"expand-bar\" style=\"\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ca class=\"expand-bar\" style=\"\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ca class=\"expand-bar\" style=\"\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093698400415,"sku":"18905","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Hockney_David_I_Just_Feel_Sad_18905.jpg?v=1722189764"},{"product_id":"19184-liszt-franz-liszt-in-his-room-original-held-photograph-inscribed-by-pauline-apel","title":"Liszt, Franz. (1811–1886) \"Liszt in His Room\" – Original Held Photograph, inscribed by Pauline Apel","description":"\u003cdiv\u003eOriginal Louis Held photograph showing the great composer in his study at Weimar, and inscribed to the lower mount by Pauline Apel, his longtime housekeeper.  Apel has written, translated from the German, \"Fr. Liszt in his room, Weimar, Liszt House \/ 75 Years \/ Pauline Apel, 30-year maidservant of Liszt\".  Photographer's blind stamp at lower left. Moderate silvering in dark areas, else in very fine condition.  Photograph 6.5 x 9 inches (16.5 x 22.9 cm.); mounted to 11.5 x 13.75 inches (29.2 x  35cm.) overall. We have offered a number of smaller format examples of this celebrated photograph, likewise inscribed by Appel. This, however, is the largest format example of this image we have ever encountered. \u003cbr\u003e\u003cbr\u003eWhen Liszt's residence, the Hofgartnerai in Weimar, became a museum approximately one year after his death, his longtime housekeeper, Pauline Apel, continued to live there and became the official tourist guide. She remained there in this capacity until her in death in 1926 at the age of eighty-eight, after which the job was passed to her daughter.\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093707411615,"sku":"19184","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/19184_Liszt_in_His_Room.png?v=1722189826"},{"product_id":"19699-spanish-flu-candid-photograph-of-students-wearing-masks-inscribed-the-flew-university-of-missouri-1918","title":"[Spanish Flu] Candid Photograph of Students Wearing Masks, inscribed “The Flew,” University of Missouri, 1918","description":"Candid 1918 photograph of five students at the University of Missouri wearing masks during the Spanish Flu pandemic.  Mounted to an unevenly clipped album leaf, with \"The Flew\" handwritten in white ink along the upper margin of the mount.  Image collage to recto of mount.  In very fine condition.  Photograph measures 4.25 x 2.5 inches (11 x 6.8 cm.).\u003cdiv style=\"\"\u003e\n\u003cbr style=\"\"\u003e\u003cdiv style=\"\"\u003eThe devastation wrought by the Spanish Flu, known now as the H1N1 virus, resulted in nearly 50 million deaths across the globe; a number equivalent to roughly 225-455 million people today.  As the virus pervaded the American population, \u003cspan style=\"\"\u003eThe Red Cross spread the slogan \"wear a mask, save your life,\" and nurses began to make them for the public.  Even s\u003c\/span\u003e\u003cspan style=\"\"\u003eongs were written about mask wearing, one notable tune featured the lyrics: \"Obey the laws, and wear the gauze. Protect your jaws from septic paws.\"  \u003c\/span\u003e\u003cspan style=\"\"\u003eThere were only a small number of specialist mask manufacturers completely unable to meet the surge in demand as the virus spread.\u003c\/span\u003e  Home-made solutions became abundant, with the majority of masks fashioned from two layers of gauze.  In parts of America, churches, community groups, and Red Cross chapters came together, acquiring as much gauze as they could find, and held mass mask-making sessions.  The notion of 'mask-wearing' stirred controversy and debate around the overall effectiveness and protection masks could offer.  'Mask politics' erupted nationwide; with a growing death toll and desperate attempts to maintain the spread of the Spanish Flu, those who failed to wear a mask in public were threatened with fines or imprisonment in areas where mask wearing was required by law. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093724516511,"sku":"19699","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/19699_The_Flew_OP.jpg?v=1722189925"},{"product_id":"19747-cabinet-card-photography-cabinet-and-cdv-photograph-collection-in-beautiful-velvet-album","title":"[Cabinet Card Photography] Cabinet and CDV Photograph Collection in Beautiful Velvet Album","description":"\u003cp\u003eA beautiful album of 21 unidentified portrait cabinet photographs, mostly family photographs from Anvers, Flanders and Liege but also \u003cmeta charset=\"utf-8\"\u003eincluding two especially striking portraits in Turkish dress, both inscribed on the versos, a few which may be unidentified figures of note, as well as 4 additional unidentified cdvs. Scattered foxing, one with a crack, overall fine. The collection contained in an sumptuous if somewhat stained purple velvet album with ornate clasp mechanism. Approx. 12 x 9 x 3 inches overall. \u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093726285983,"sku":"19747","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/CabinetandCDVPhotographCollectioninBeautifulVelvetAlbum19747a.jpg?v=1754675131"},{"product_id":"19746-bernhardt-sarah-original-cabinet-photograph","title":"Bernhardt, Sarah. (1844–1923) Original Cabinet Photograph","description":"\u003cp\u003eOriginal Reutlinger of Paris cabinet photograph of the French actress, shown in profile resting her head on her hand, clad in enviously sumptuous attire. 4.25 x 6.4 inches; 10.8 x 16.5 cm. Scattered light staining, small lifting to mount lower left, else fine. \u003cspan style=\"background-color: rgb(243, 243, 21);\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093726482591,"sku":"19746","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Bernhardt_SarahCabinetPhotograph19746a.jpg?v=1754672960"},{"product_id":"19948-kern-jerome-hirsch-louis-they-didn-t-believe-me-signed-sheet-music-from-actors-fund-benefit-1916","title":"Kern, Jerome. (1885–1945) [Hirsch, Louis. (1887–1924)] \"They Didn't Believe Me\" - Signed Sheet Music from Actors Fund Benefit, 1916","description":"\u003cdiv\u003e\u003cspan data-darkreader-inline-bgcolor=\"\" style=\"--darkreader-inline-bgcolor: #181a1b; background-color: white;\"\u003eSheet music for the hit song \"They Didn't Believe Me\" from the 1914 musical \u003ci\u003eThe Girl from Utah\u003c\/i\u003e, signed above title by composer Jerome Kern, who has inscribed \"To Louis A Hirsch from \/ his sincerely \/ Jerome D. Kern.\"  A handwritten note in an unknown hand identifies the source of the signature as \"Hippodrome \/ Actors Fund Benefit \/ Mar. 26\/16.\"  The inscription is to composer Louis Hirsch, one of the founders of ASCAP and composer of a number of early Broadway hits for Al Jolson and the Shuberts.  Wear to spine and edges where evidently disbound from a larger volume, pages reinforced along inner joint, else in fine condition.  6pp. 10.5 x 13 inches (26.7 x 33 cm.).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-darkreader-inline-bgcolor=\"\" style=\"--darkreader-inline-bgcolor: #bdbd0a; background-color: rgb(243, 243, 21);\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-darkreader-inline-bgcolor=\"\" style=\"--darkreader-inline-bgcolor: #181a1b; background-color: white;\"\u003eFounded in 1882, The Actors Fund is an organization dedicated to serving all professionals in film, theater, television, music, opera, radio, and dance.  Throughout their history, they have hosted auctions as a source of funds.  It is likely that the present item was sold at the very auction mentioned.\u003c\/span\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093732872351,"sku":"19948","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Kern_Jerome_Signed_Sheet_Music_19948a.jpg?v=1759177513"},{"product_id":"20246-toscanini-arturo-bernstein-leonard-stern-isaac-collection-of-ephemera-related-to-toscanini-s-death-including-an-in-memoriam-program-insert-and-newspaper-article","title":"[Toscanini, Arturo. (1867–1957)] [Bernstein, Leonard. (1918–1990) \u0026 Stern, Isaac. (1920–2001)] Collection of Ephemera Related to Toscanini's Death, including an In Memoriam Program Insert and Newspaper Article.","description":"\u003cp\u003eCollection of four documents related to the great conductor's death, including a program from a performance of the Philharmonic-Symphony Society of New York together with an \u003cem\u003eIn Memoriam\u003c\/em\u003e insert, a newspaper article from the \u003ci\u003eThe New York Times\u003c\/i\u003e, and a color illustration of Toscanini clipped from an unknown publication.\u003c\/p\u003e\n\u003cdiv\u003eThe program, from a performance on Sunday, January 20, 1957 conducted by Leonard Bernstein and featuring Isaac Stern as soloist, lists pieces by Vivaldi, Prokofiev, and Sibelius.  In fine condition.  6 x 9 inches (15.2 x 22.9 cm.).  An accompanying insert reads:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"In Memoriam \/ Arturo Toscanini \/ 1867–1957 \/ The death of the beloved Maestro within a few months of his ninetieth birthday brings a host of memories to all musical people.  For those of the younger generation it might be said of him as Boïto said of Verdi, \"We had all basked in the sun of his Olympian old age.\"  For those somewhat older, the memories will begin in a flag-draped Carnegie Hall when, on January 14, 1926, he returned to America at the invitation of the Philharmonic Society to begin an association that endured for the ten most active years of his career.  During later years he appeared on several special occasions, the last being at a Pension Fund Concert in January 1945 when he repeated the program of Haydn, Respighi, Sibelius, Weber and Wagner that introduced him twenty years before.  Few musicians at any time have been granted so long, so prominent, so productive a career as his.  The Philharmonic-Symphony Orchestra is proud to have played a part in the fulfillment of some of his aspirations, and, through its personnel, to have shared the riches of this great spirit with its audience. \/ The 'Funeral March' from Beethoven's 'Eroica' Symphony will be performed in memory of Arturo Toscanini at the beginning of this program. \/ On the program of Sunday, January 20, the 'Funeral March' will replace the Vivaldi Concerto.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSome notes regarding the details of Toscanini's death have been written in pencil to verso.  In very fine condition.  Insert measures 7.25 x 4.5 inches (18.4 x 11.4 cm.).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe newspaper article, clipped from the Friday, January 18, 1957 edition of the \u003ci\u003eTimes\u003c\/i\u003e, reads in part \"TOSCANINI DEATH IS MOURNED HERE \/ Floral Tributes Are Massed at the Conductor's Bier—Body Lies in State Today...Attired in his conductor's rehearsal jacket, a short black silk one with velvet cuffs and high closed velvet collar, Toscanini lay in a bronze-finished copper coffin lined in gray velvet.\"  Inch-long split along horizontal fold, irregularly trimmed, else in fine condition.  Approx. 7 x 11 inches (17.8 x 27.9 cm.).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe color illustration, clipped from an unknown publication, shows Toscanini with baton in hand, standing in front of a statue with a lyre.  A printed caption to the lower margin reads \"Born to the baton... \/ Arturo Toscanini \/ Another portrait for the Magnavox series of famous musicians painted by Boris Chaliapin.\" Irregularly trimmed with slight tear to lower right corner, else in fine condition.  9.25 x 8.5 inches (23.5 x 21.6 cm.).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093742833823,"sku":"20246","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Toscanini_Arturo_In_Memoriam_20246a.jpg?v=1722190054"},{"product_id":"20267-garden-mary-signed-photograph","title":"Garden, Mary. (1874–1967) Signed Photograph","description":"\u003cdiv\u003eSigned Fernand de Gueldre of Chicago doubleweight photograph of the legendary Golden Age soprano, who has inscribed\u003cmeta charset=\"utf-8\"\u003e to the wife of Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan Opera and Chicago Lyric Opera, \"To Mrs. Lydia B. Drumheller \/ affectionate greetings Mary Garden\" to the upper and lower margins.  Light wear to corners, else in very fine condition.  8 x 10 inches (20.3 x 25.4 cm.).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093743325343,"sku":"20267","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Garden_Mary_Signed_Photograph_20267.jpg?v=1722190050"},{"product_id":"20265-bori-lucrezia-signed-photograph-to-met-chicago-rehearsal-pianist","title":"Bori, Lucrezia. (1887–1960) Signed Photograph to Met\/Chicago Rehearsal Pianist","description":"\u003cdiv\u003eSigned doubleweight Mishkin of New York doubleweight photograph of the legendary lyric soprano, who has boldly inscribed to Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan Opera and Chicago Lyric Opera, \"A Charlie... cordialmente \/ Lucrezia Bori\" in black ink.  Lower left corner perished, image unaffected, else in very fine condition.  8 x 10 inches (20.3 x 25.4 cm.).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093743358111,"sku":"20265","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Bori_Lucrezia_Signed_Photograph_20265.jpg?v=1722190049"},{"product_id":"20271-easton-florence-signed-photograph-to-met-chicago-rehearsal-pianist","title":"Easton, Florence. (1882–1955) Signed Photograph to Met\/Chicago Rehearsal Pianist","description":"\u003cdiv\u003eSigned doubleweight linen-textured photograph of the popular British dramatic soprano, who has inscribed to Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan Opera and Chicago Lyric Opera, \"To 'Charlie' \/ in friendly remembrance \/ Florence Easton.\"  Very fine condition.  8 x 10 inches (20.3 x 25.4 cm.).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093743489183,"sku":"20271","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Easton_Florence_SIgned_Photograph_20271.jpg?v=1722190052"},{"product_id":"20288-mojica-jose-signed-portrait-to-met-chicago-rehearsal-pianist","title":"Mojica, José. (1895–1974) Signed Portrait to MET\/Chicago Rehearsal Pianist","description":"\u003cdiv\u003eEvocative signed doubleweight photographic print of a Carl Bohnen illustration of the Mexican tenor and film actor who retired from show business to become a Franciscan friar.  Mojica has inscribed to Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan and Chicago Lyric Opera, \"To my friend Charlie \/ Drumheller with my \/ sincere affection \/ José Mojica \/ 1926\" in blue ink.  Photocraft photographer's stamp to verso together with stamps from the Chicago Civic Opera Company.  Light rippling to edges, else in fine condition.  8 x 10 inches (20.3 x 25.4 cm.).\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093743915167,"sku":"20288","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Mojica_Jose_Signed_Photograph_20288a.jpg?v=1722190058"},{"product_id":"20287-telva-marion-signed-photograph-to-met-chicago-rehearsal-pianist","title":"Telva, Marion. (1897–1962) Signed Photograph to MET\/Chicago Rehearsal Pianist","description":"\u003cdiv\u003eSigned circular Mishkin of New York photograph of the American mezzo-soprano, a leading member of the Metropolitan Opera company throughout the 1920's who has inscribed to Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan and Chicago Lyric Opera, \"To Charlie in remembrance \/ of our pleasant times at \/ Ravinia 1923.  Sincerely, \/ Marion Telva\" below a circular portrait.  Small tear to lower right corner and light spotting to margins, overall in very fine condition.  8 x 10 inches (20.3 x 25.4 cm.).\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"First opened on August 15, 1904, Ravinia remains the oldest and most programmatically diverse music festival in North America, attracting about 600,000 guests to over 120 events each year...From 1919 through 1931, Ravinia was known as the 'summer opera capital of the world,' welcoming to its stage the most-celebrated singers from Europe who sailed to America to perform at the Met and were in no hurry to make that arduous return voyage...Ravinia continues to attract headline-making artists from all genres of music.\" (\"History of Ravinia,\" www.ravinia.org)\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093743947935,"sku":"20287","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Telva_Marion_Signed_Photograph_20287.jpg?v=1722190057"},{"product_id":"20286-martin-riccardo-signed-photograph-in-aida-to-met-chicago-rehearsal-pianist","title":"Martin, Riccardo. (1874–1952) Signed Photograph in \"Aida\" to MET\/Chicago Rehearsal Pianist","description":"\u003cdiv\u003eSigned photograph of the American tenor, who has inscribed  to Charles Drumheller, tenor and longtime rehearsal pianist at the Metropolitan and Chicago Lyric Opera, \"To Charlie \/ from his friend \/ Riccardo Martin \/ 1919\" to the lower portion of the image.  Martin is shown in costume as Radamès for a production of \u003ci\u003eAida\u003c\/i\u003e. Light toning throughout, else in fine condition.  6 x 8 inches (15.2 x 20.3 cm.).\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093744177311,"sku":"20286","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Martin_Riccardo_Signed_Photograph_20286.jpg?v=1722190058"},{"product_id":"20811-beethoven-ludwig-van-razumovsky-count-andreas-count-razumovsky-ca-1790","title":"[Beethoven, Ludwig van. (1770–1827)]  [Razumovsky, Count Andreas. (1752–1836)] Count Razumovsky, ca. 1790","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAn important original portrait painting, ca. 1790s, of the Russian ambassador in Vienna, Count Andreas Kyrillovitch Rasoumowsky [Razumovsky], who among the influential patrons who supported the genius of Ludwig van Beethoven, stands out as a significant figure. His patronage not only provided Beethoven with the financial means and artistic encouragement necessary for his creative endeavors but also played a crucial role in the composition of some of the composer’s most profound works. His name will always survive in connection with the three \"Rasoumowsky Quartets,” Opus 59, but it is no exaggeration to say that relationship between Count Razumovsky and Beethoven exemplifies the importance of patronage in the development of Classical music as a genre. Portraits of Razumovsky are very rare; the Glinka Museum in Moscow knows of only four portraits, not including this one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe painting measures 45\" high x 36\" wide; 52\" high x 43\" wide in the frame; the frame itself is a fine antique, most probably from the start of the 18th century. The painting is in very good condition; at some point it was professionally restored with some evidence of touching up and cleaning apparent. Provenance: Acquired in Europe ca. 1920 by Rudolph Wurlitzer (1873-1948) [Wurlitzer Collection of Rare Violins]; sold by Wurlitzer-Bruck Music Antiquarians, 1992; Private Collection; Schubertiade Music \u0026amp; Arts. Exhibited: \u003ci\u003eA Beethoven Festival: Art in the Time of Beethoven\u003c\/i\u003e, The Nelson-Atkins Museum of Art, Kansas City, MO, April 29–June 4, 1978.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHere the Count is depicted in a regal pose, sword at his side, with one hand on his waist, the other gesturing over a table with a violin, an open musical score (the notes are rendered artistically and not of an identifiable composition), and stacks of books, including one referring to the history of Egypt, a known interest of Razumovsky. He was also an ardent collector of the sculptures of Casanova, and it is presumed that the sculpture seen in the background over his right shoulder in this painting, is in reference to this. On his left hand, the Count wears a Neapolitan intaglio (cameo) ring, the symbol on which appears to represent the goddess of Reason, apparently a pun on the stem of the family name \"Razun\" which means \"reason\" in the old Russian language. A small child, apparently his daughter, may be seen with a small dog in the lower right corner of the canvas, another small dog in the lower left foreground. The crest which appears on the helmet of the child has not been deciphered, except to establish that it is \u003ci\u003enot\u003c\/i\u003e that of Razumovsky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe artist was Italian and his name is only partly legible on the back of the canvas: Vincenzo Mandoni (-oli? ori?). Benezit records a Giuseppe Mandoli, active in the 18th century in Luca and Modena, and who might possibly be a relation, but no other close name matches are there or elsewhere recorded in our searches. Most of the other writing cannot be positively deciphered, but for the conclusion which apparently gives the death date of the artist: \"morto il 25 gennaio del 1805\". It is presumed that it was painted in Naples during the late 18th century when Razumovsky was posted there as Ambassador from Russia. Though he was actually ambassador to Venice and \u003ci\u003ethen\u003c\/i\u003e to Naples, the style of the work seems more stylistically related to suggest Naples. By 1794, Razumovsky had left Italy to be ambassador in Vienna (Thayer says 1792; Robbins Landon says 1794), so while this is in any event clearly a portrait of a young man (born 1752), it must have been painted before that date at the very latest.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhile there are some short accounts,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ethere has never been a full biography of Razumovsky, perhaps because his palace burned down and there are simply not enough primary documents from which to stitch together a more vivid portrait.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAndreas Razumovsky was the son of Kyrill Resum, a peasant of Lemeschi, a village of the Ukraine, who, with his elder brother, was made a Count (Graf) by the Empress Elizabeth of Russia. Andreas was born October 22, 1752, served in the English and Russian navies, rose to the rank of Admiral, and was Russian Ambassador at Venice, Naples, Copenhagen, Stockholm and Vienna.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAt Vienna he married in 1788, Elisabeth, Countess of Thun, one of the \"Three Graces\", elder sister of the Princess Carl Lichnowsky, and on March 25, 1792, had his audience from the Emperor of Austria as Russian Ambassador, a post which he held with short intervals for more then twenty years. He was a thorough musician, an excellent player of Haydn's Quartets, in which he took second violin, not improbably studying then under Haydn himself. That, with his connection with Lichnowsky, he must have known Beethoven is obvious, but no direct trace of the acquaintance\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eis found until May 26, 1806 (six weeks after the withdrawal of \"Fidelio\").\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn 1809 the Count formed his famous quartet party: Schuppanzigh, first violin; Weiss, viola; Lincke, Violoncello; and himself (Rasoumowsky, second violin - which for may years met in the evenings and performed, among other compositions, Beethoven's pieces \"hot from the fire\", under his own immediate instructions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn April, 1809 appeared the C Minor and Pastoral Symphonies (Nos. 5 and 6), with a dedication on the Parts to Prince Lebkowitz and \"son excellence Monsieur le Conte de Rasumoffsky\".\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn the autumn of 1814, came the Vienna Congress and as the Empress of Russia was in Vienna at the time, the Ambassador’s palace was naturally the scene of special festivities. It was not, however, there that Beethoven was presented to the Empress, but at the Archduke Rudolph’s. The Count's hospitalities were immense and vast as was his palace, a separate wooden annex had to be constructed capable of dining seven hundred persons. On June 3, 1815, six days before the signature of the final act of Congress, the Count was made Prince (Fürst) and on the 31st of the following December the dining hall just mentioned was burned down. The Emperor of Russia gave 400,000 silver rubles (forty thousand pounds) towards the rebuilding, but the misfortune appears to have been too much for the Prince. He soon sold the property, pensioned his quartet and disappears from musical history. The quartet kept together for many years after this date, Sina playing second violin. Beethoven mentions them apropos of the Galitzin Quartets in the letter to his nephew, about 1825.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093760725151,"sku":"20811","price":75000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Beethoven_Razumovsky_Original_Oil_Painting_UPDATE_20811f.jpg?v=1746820191"},{"product_id":"20831-dumas-alexandre-petit-pierre-original-photograph","title":"Dumas, Alexandre. (1802–1870) [Petit, Pierre. (1832–1909)] Original Photograph","description":"\u003cdiv\u003eOriginal silver gelatin portrait photograph of the distinguished French novelist, author of such historical classics as \u003ci\u003eThe Count of Monte Cristo, The Three Musketeers, \u003c\/i\u003eand \u003ci\u003eThe Man in the Iron Mask.\u003c\/i\u003e Photographed by Pierre Petit, Paris, ca. 1865, printed somewhat later. Unsigned. Sight 8.25 x 10 inches (20.9 x 25.4 cm.); matted to an overall size of 14.25 x 16.25 inches (36.2 x 41.3 cm.).  Silvering throughout, mild marks to upper left and right, tipped to rigid backing (easily removed) and overall in fine condition. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003ePierre Petit began his experimental career as a photographer making daguerreotypes. A pioneer in photography, he was one of the first to successfully use electric light in his portraits. Some of Petit's additional \"firsts\" include his attempts at underwater photography and printing photographs on fabric.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA prolific portraitist, Petit's straightforward style and willingness to photograph on location, as opposed to working strictly out of a studio, made him a photographer of choice for a growing list of patrons. In 1861, Petit included a series of portraits of writers in the publication \u003c\/span\u003e\u003ci\u003eGalerie des illustrations contemporaines\u003c\/i\u003e\u003cspan\u003e that he used to advertise his services.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093761577119,"sku":"20831","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Petit_Pierre_Dumas_Alexandre_Original_Photograph_20831a.jpg?v=1722190171"},{"product_id":"20840-chevreul-michel-eugene-nadar-paul-original-photograph","title":"Chevreul, Michel Eugène. (1786–1889) [Nadar, Paul. (1856 - 1939)] Original Photograph","description":"\u003cdiv\u003eOriginal photograph of the important French chemist whose work influenced several areas in science, medicine, and art, and evidently related to the important 1886 photographic series by Paul Nadar \"L'entretien de M.Nadar avec M.Chevreul.\" This unsigned gelatin silver print printed somewhat later. Prominent silvering, crease to lower right corner, else fine. Photograph 4 x 5.75 inches (10.2 x 14.6 cm.); matted to an overall size of 13.6 x 16 inches (34.5 x 40.6 cm.).\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"block justify\"\u003e\n\u003cspan class=\"head\"\u003eLiterature\u003c\/span\u003e: Néagu p.163-164; \u003cspan class=\"head\"\u003eNotes\u003c\/span\u003e: Chicago, The Art Institute 1977-1978, No.78 [Néagu p.163-164]. \u003c\/div\u003e\n\u003cdiv class=\"block justify\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"block justify\"\u003eOn September 5, 1886 \u003cem\u003eLe Journal Illustré \u003c\/em\u003ein Paris published on pp. 284-88 \"L'Art de vivre cent ans. Trois entretiens avec Monsieur Chevreul.\" This appeared in Vol. 23, No. 36 of the periodical.  Besides the portrait of Chevreul on the cover, the article included half-tone reproductions of a series of twelve unposed photographs taken on August 18, 1886 by photographer Paul Nadar of his father, the photographer and aeronaut Félix Nadar, interviewing the chemist and sceptic Michel Eugène Chevreul on Chevreul's 100th birthday. This was the first ever photographic interview, sometimes called the first media interview. \u003cmeta charset=\"utf-8\"\u003eIn front of the camera, Nadar and Chevreul discussed photography, color theory, Molière and Pasteur, the scientific method, the crazy ideas of balloonists, and – of course – how to live for 100 years. It was a lively and interesting conversation between two legends of the 19th century: one born before the French revolution; the other destined to see the marvels of the airplane and motion pictures.  \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eChevreul's theories of color \"provided the scientific basis for Impressionist and Neo-Impressionist painting\" (Itten, Johannes, \u003ci\u003eThe Art of Color)\u003c\/i\u003e, and his 1839 publication \u003ci\u003eThe Principles of Harmony and Contrast of Colors\u003c\/i\u003e is one of the earliest systematic studies of color theory and perception. He is one of the 72 French scientists, mathematicians, and engineers whose names are inscribed on the Eiffel Tower; of those 72, Chevreul was one of only two who were still alive when Gustave Eiffel planted the French Tricolor on the top of the tower on 31 March 1889.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003ePierre Petit began his experimental career as a photographer making daguerreotypes. A pioneer in photography, he was one of the first to successfully use electric light in his portraits. Some of Petit's additional \"firsts\" include his attempts at underwater photography and printing photographs on fabric. \u003c\/span\u003e\u003cspan\u003eA prolific portraitist, Petit's straightforward style and willingness to photograph on location, as opposed to working strictly out of a studio, made him a photographer of choice for a growing list of patrons. In 1861, Petit included a series of portraits of writers in the publication \u003c\/span\u003e\u003ci\u003eGalerie des illustrations contemporaines\u003c\/i\u003e\u003cspan\u003e that he used to advertise his services.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093761904799,"sku":"20840","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Chevreul_Maurice_Original_Photograph_20840a.jpg?v=1722190173"},{"product_id":"20941-carter-jimmy-carter-rosalynn-newman-phyllis-green-adolph-everything-to-gain-signed-and-inscribed-to-adolph-green-and-phyllis-newman","title":"Carter, Jimmy. (1924-2025) \u0026 Carter, Rosalynn. (b. 1927)  [Newman, Phyllis. (1933-2015)] [Green, Adolph. (1914-2002)] \"Everything to Gain\" – Signed and Inscribed to Adolph Green and Phyllis Newman","description":"\u003cdiv\u003e8vo. 198 pp. xvii. Hardcover in dustjacket, inscribed by Jimmy and Rosalynn Carter to the playwright and actress, \"To Phyllis \u0026amp; Adolph \/ J Carter \/ Rosalynn Carter\" in black felt tip to the front free endpaper. Undated. In very fine condition, an interesting association copy. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eProvenance: From the Estate of Phyllis Newman and Adolph Green, the playwright, performer and lyricist who in a six-decade collaboration with Betty Comden, was co-author of such hit Broadway musicals as \"On the Town\" and \"Bells Are Ringing,\" and the screenplays for \"Singin' in the Rain\" and \"The Band Wagon.\"  \u003cmeta charset=\"utf-8\"\u003eTwo years following their marriage, in 1962, actress and singer Phyllis Newman won her first Tony Award as best featured actress in a musical for \"Subways Are for Sleeping,\" whose book and lyrics were written by Green and Comden.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093765017759,"sku":"20941","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/CarterJimmyRosalynnEverythingtoGainSignedandInscribedtoAdolphGreenNewman20941a.jpg?v=1756154796"},{"product_id":"21443-cohan-jeremiah-cohan-george-m-autograph-autobiographical-letter-signed","title":"Cohan, Jeremiah. (1848 - 1917)[Cohan, George. M. (1878–1942)] Autograph Autobiographical  Letter Signed","description":"\u003cdiv\u003eInteresting autograph letter signed from the father of the American composer, entertainer and dramatist, who has penned on both sides of his personal letterhead. 2 pp. [N.P., N.D.]. Addressed to \"Billy S. Gaines! - My Dear Billie [?]\", Cohan writes \"The first songs + dances I did was \"Sally Maria Kaly Anna Jane\" - my own and \"She's handsome as a rose.\" The Dublin Dancing Master was a sort of monologue with dancing and singing. Subject - an Irish dancing master putting his imaginary pupils through different kinds of dancing stunts. I changed the Master later to \"The dancing Philosopher\" in 69 [1896?] which with Chas. Mac Evans...elaborating the patter and the varied dances - It was a great hit for 20 years. Trust you are well - Best wishes etc. \/ Jere J. Cohan.\" The letter continues to verso with a lengthy postscript signed \"J.J.C.,\" \"Thanks for the clippings...Healy and Cohan's...played Robert's Opera House in the fall of 1872, I think. Myself and John E. Healy of N. Haven were partners - I also played in 18[9]10 (there) with McGill and...Minor of Ireland as \"Dublin Dan\" Think the...was Allen...was succeeded by John M. Burke. Glad you like the book!\"  In fine condition. 8.5 x 11 inches (21.6 x 28 cm.).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAn important letter about the early career of the influential entertainer. The letter is undated.  At one point he evidently transposes digits of the year 1896 and at another, writes 1810 when he obviously means 1910.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBefore Jere Cohan became the vaudeville family act \"The Four Cohans\" and the father of George M. Cohan, he was Jeremiah Keohane, drummer boy in the Civil War. For the first ten years of his storied career, George was the least popular of the \u003cem\u003eFour Cohans, \u003c\/em\u003ea vaudeville troupe headed up by his father Jerry, who had been in minstrelsy as early as 1867 doing Irish sketches and was sometimes himself referred to as the \"Dublin Dancing Master.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"The Cohan Mirth Makers, or whatever Jerry might name his company, presented an act that expanded to a full evening, when the bookings called for it, and they hired a few extra acts and musicians. When it was only the four of them with a piano player and George on violin, they shortened the act to about 20 minutes. Nellie and Jerry were the backbone of the sketches, Josie had a dance solo, and Jerry took a solo turn as \"The Dancing Philosopher.\" Georgie attempted baton twirling, juggling and delivering a recitation, but he was little more than a filter to allow the others to make costume changes. He was, however, learning a lot about show business, both ends of it: how to make money and what entertained audiences.\"  (Frank Cullen, \"George M. and the Four Cohans,\" in \"Vaudeville Old \u0026amp; New,\" p. 243 - 244)\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093781565599,"sku":"21443","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cohan_George_Autograph_Letter_Signed_21443a.png?v=1722190315"},{"product_id":"21454-phillipe-i-duke-of-orleans-shadow-box-portrait-with-hair","title":"Phillipe I, Duke of Orléans. (1640–1701) Shadow Box Portrait with Hair!","description":"\u003cp\u003eUnusual 19th century portrait of the Duke of Orléans, the youngest son of King Louis XIII and younger brother of the \"Sun King\", Louis XIV. Set within a shadow box, the portrait invokes elements of dimensionality with thick, stylized hair atop his head, and clothing constructed from satin and lace materials. Signed lower right.  In fine condition. Framed to an overall size of 15.5 x 17.75 inches (39.3 x 45.1 cm.).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093782089887,"sku":"21454","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Duke_of_Orleans_Shadow_Box_Portrait_21454a.png?v=1722190318"},{"product_id":"21548-klein-steven-prancer","title":"Klein, Steven. (b. 1965) Prancer","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"space-top space-bottom\"\u003e\n\u003cdiv class=\"block justify\"\u003e\n\u003cspan class=\"head\"\u003e\u003cspan data-v-57805d23=\"\"\u003eC-print mounted to aluminum. 2007.  \u003c\/span\u003e\u003cspan data-v-57805d23=\"\"\u003e\u003cspan data-v-57805d23=\"\"\u003e39 h × 29 w in (99 × 74 cm). \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eFramed behind acrylic measuring 46 x 36 inches.  Condition: Unmarked. Work is in very good overall condition with some attenuation to colors commensurate with chromogenic process. Work presents well. \u003c\/div\u003e\n\u003cdiv class=\"block justify\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"block justify\"\u003e\n\u003cdiv class=\"block\"\u003e\n\u003cspan class=\"head\"\u003eExhibition\u003c\/span\u003e: Steven Klein, 24 August - 18 September 2007, Vered Gallery, East Hampton; \u003cspan class=\"head\"\u003eProvenance\u003c\/span\u003e: Vered Gallery, East Hampton | Private Collection.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093785202847,"sku":"21548","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Steven_Klein_Prancer_21548a.png?v=1722190341"},{"product_id":"21923-trevor-roper-hugh-cameron-norman-stevens-r-h-hitler-s-table-talk","title":"Trevor-Roper, Hugh. (1914-2003) \u0026 Cameron, Norman. (1905-1953) \u0026 Stevens, R. H. (1893-1967) Hitler's Table Talk","description":"\u003cdiv\u003e8to.  746 pp.  Hardcover, dust jacket not included. S\u003cspan\u003eeries of Hitler's monologues transcribed during World War II from the years 1941-1944. His words were recorded at the request of Martin Bormann, a Nazi party official, presumably with the plan of publishing them once the war had ended. Spine detached from back joint, otherwise a good copy of this scarce volume. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eProvenance: From the Estate of Phyllis Newman and Adolph Green, the playwright, performer and lyricist who in a six-decade collaboration with Betty Comden, was co-author of such hit Broadway musicals as \"On the Town\" and \"Bells Are Ringing,\" and the screenplays for \"Singin' in the Rain\" and \"The Band Wagon.\"  \u003cmeta charset=\"utf-8\"\u003eTwo years following their marriage, in 1962, actress and singer Phyllis Newman won her first Tony Award as best featured actress in a musical for \"Subways Are for Sleeping,\" whose book and lyrics were written by Green and Comden.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093796540575,"sku":"21923","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Trevor-Roper_Hugh_Cameron_StevensHitler_sTableTalk21923c.jpg?v=1759678150"},{"product_id":"21920-faber-john-newman-phyllis-green-adolph-great-moments-in-news-photography-signed-and-inscribed-to-adolph-green-and-phyllis-newman","title":"Faber, John. (1918-1993)  [Newman, Phyllis. (1933-2019)] [Green, Adolph. (1914-2002)] \"Great Moments in News Photography\" – Signed and Inscribed to Adolph Green and Phyllis Newman","description":"\u003cdiv\u003eHardcover. 4to. 127 pp. Signed and inscribed blue ink to the front free endpaper by author to the playwright and actress, \"Adolph and Phyllis Green: With appreciation for your consideration and that you find this book a constant reminder of the wonderful business of news photography. \" Some fading on spine, light yellowing throughout, overall fine.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eProvenance: From the Estate of Phyllis Newman and Adolph Green, the playwright, performer and lyricist who in a six-decade collaboration with Betty Comden, was co-author of such hit Broadway musicals as \"On the Town\" and \"Bells Are Ringing,\" and the screenplays for \"Singin' in the Rain\" and \"The Band Wagon.\"  \u003cmeta charset=\"utf-8\"\u003eTwo years following their marriage, in 1962, actress and singer Phyllis Newman won her first Tony Award as best featured actress in a musical for \"Subways Are for Sleeping,\" whose book and lyrics were written by Green and Comden.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"A native of Brooklyn, N.Y., Faber developed an interest in photography while a student at the University of Alabama. Faber joined the Army Air Corps in 1941 producing training films [to] improve aerial reconnaissance photography. After World War II, he became photography director at the Birmingham (Ala.) News, [later working] for Eastman Kodak Co. His 1960 book, \"Great News Photos and the Stories Behind Them,\" was nominated for a Pulitzer Prize in 1979. Faber won numerous honors, including the Joseph A. Sprague Memorial Award, the highest award granted by the National Press Photographers Association.\" (The Roanoke Times)\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093796638879,"sku":"21920","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Faber_NewmanGreen_GreatMomentsinNewsPhotographySigned21920c.jpg?v=1759677876"},{"product_id":"21927-greene-milton-greene-amy-greene-joshua-newman-phyllis-but-that-s-another-story-signed-and-inscribed-to-phyllis-newman","title":"[Greene, Milton. (1922-1985)] Greene, Amy. (b. 1929) \u0026 Greene, Joshua (b. 1964) [Newman, Phyllis. (1933-2019)] \"But That's Another Story\" – Signed and Inscribed to Phyllis Newman","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLarge 4to.  267 pp.  Pictorial hardcover. Authored by Milton H. Greene's ex-wife and son, \"But That's Another Story: A Photographic Retrospective of Milton H. Greene\" \u003cspan\u003ereproduces photographs in incredible clarity by the American fashion and celebrity photographer and film and television producer, best known for his photo shoots of cultural icons such as \u003c\/span\u003e\u003cspan\u003eMarilyn Monroe, Alfred Hitchcock, and others. Inscribed to the half title by Joshua Greene, \"Phyllis, the best thing about doing this with mom was reconnecting with you and my early years. Thanks. Much love. Joshua.\" Together with a t\u003c\/span\u003e\u003cspan\u003eyped letter which begins \" Dear Phyllis, Well it's done!...The retrospective of Milton's life told by you, a dear friend, Amy, Anthony and myself is in your hands.\" \u003cmeta charset=\"utf-8\"\u003eSlight sun fading along spine and extremities, else fine.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eAdolph Green, the playwright, performer and lyricist who in a six-decade collaboration with Betty Comden, was co-author of such hit Broadway musicals as \"On the Town\" and \"Bells Are Ringing,\" and the screenplays for \"Singin' in the Rain\" and \"The Band Wagon.\" Two years following their marriage, in 1962, actress and singer Phyllis Newman won her first Tony Award as best featured actress in a musical for \"Subways Are for Sleeping,\" whose book and lyrics were written by Green and Comden.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eProvenance: From the Estate of Adolph Green and Phyllis Newman.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA privileged witness to the glamorous spirit of the 1950s and 60s, Milton H. Greene photographed the greatest artists, actors, and personalities of the twentieth century, including Marilyn Monroe, Frank Sinatra, Grace Kelly, Marlene Dietrich, Sammy Davis Jr., Elizabeth Taylor, Cary Grant, Sophia Loren, Groucho Marx, Audrey Hepburn, Judy Garland, Lauren Hutton, Alfred Hitchcock, Sir Laurence Olivier, Ava Gardner, Steve McQueen, Claudia Cardinale, Paul Newman, Lauren Bacall, Dizzy Gillespie, and Catherine Deneuve, amongst countless others. Renowned for his fashion photographs, Greene perfectly captured the fantasy, elegance, and beauty of his models, for which he secured assignments from major national publications and prestigious advertising clients.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eBut That’s Another Story: A Photographic Retrospective of Milton H. Greene\u003c\/b\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereproduces, in their original clarity and integrity, pictures that have been largely unavailable since Greene’s death in 1985. Organized thematically, the book features both the widely published fashion and celebrity series (including the campaign Greene shot for American Airlines in the 1950s), and intimate backstage candids. A whole chapter is dedicated to photos of Marilyn Monroe, where some of her most iconic portraits mix with private moments from her life. Ultimately, Greene’s photography invites us back to an era when film and fashion, art and style were at their highest.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMilton H. Greene\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(1922-1985) photographed for Look, Life, Town \u0026amp; Country, Harper’s Bazaar, Vogue, and others throughout the 1950s and 60s, and won awards from the American Institute of Graphic Arts and the Art Directors Club. In recent years, his work has been exhibited at the International Center of Photography in New York, the Art Institute of Chicago, and the Smithsonian Institute in Washington, D.C., among others. He collaborated with Norman Mailer on Of Women and Their Elegance (Simon and Schuster, 1980), a fictional autobiography of Marilyn Monroe.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eJoshua Greene\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis the president of The Archives, a company he created in 1993 to restore and market a 60,000-image collection created by his father. Before starting The Archives, Joshua Greene was a well-known professional photographer, whose work has been published in Vogue, House \u0026amp; Garden, Elle Decor, Victoria, and House Beautiful, among others. He is also the author of 15 books on food, gardening, and home furnishings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAmy Greene\u003c\/b\u003e, now retired, is a noted figure in the beauty and cosmetics world; she served as a beauty editor at Glamour for 10 years, helped develop the Beauty Checkers line with Henri Bendel, and coauthored the makeup guide The Successful Face with Molly Pomerance (Summit Books, 1985). She and Milton were married for more than 36 years and had two sons, Joshua and Anthony.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTippi Hedren\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis an actress with a career spanning six decades. She is best known for her role as Melanie Daniels in Alfred Hitchcock’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Birds\u003c\/i\u003e, as well as for her extensive efforts in animal rescue at California’s Shambala Preserve, of which she is the founder and president.?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093796835487,"sku":"21927","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/GreeneAmyJoshua_Newman_ButThat_sAnotherStorySignedandInscribed21927c.jpg?v=1754674916"},{"product_id":"21926-dine-jim-apollinaire-guillaume-4-original-drawings-and-3-books","title":"Dine, Jim. (b. 1935) [Apollinaire, Guillaume. (1880-1918)] 4 Original Drawings and 3 Books","description":"\u003cp\u003eA collection of three books and catalogs including artwork by Jim Dine, together with a group of sketches presumed to be by Dine, from the Estate of Phyllis Newman and Adolph Green, the playwright, performer and lyricist who in a six-decade collaboration with Betty Comden, was co-author of such hit Broadway musicals as \"On the Town\" and \"Bells Are Ringing,\" and the screenplays for \"Singin' in the Rain\" and \"The Band Wagon.\"  \u003cmeta charset=\"utf-8\"\u003eTwo years following their marriage, in 1962, actress and singer Phyllis Newman won her first Tony Award as best featured actress in a musical for \"Subways Are for Sleeping,\" whose book and lyrics were written by Green and Comden. The couple were collectors and friends of the artist. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"The Poet Assassinated,\" by Guillaume Apollinaire. Illustrated by Jim Dine, translation by Ron Padgett. Published 1968, first edition by Holt, Rinehart and Winston. 4to.  128 pp.  Hard cover with dust jacket. TOGETHER WITH FIVE INSERTED PAGES WITH PENCIL DRAWINGS. Some toning to the book, overall good condition. The dust jacket reads \"By a fresh device of using illustrations to parallel and comment upon Apolinaire's plot in modern terms, Jim Dine sets off the work's vitality and happy sense of fun.\"\u003c\/p\u003e\n\u003cdiv\u003e\"Jim Dine\" Waddington Galleries catalog. Postcard\/advertisement from London gallery exhibit of recent prints and monotypes by Dine included between paste down end paper and free end paper. Dated 1984. 4to.  27 pp. Green paperback with slight sun fading around spine and extremities. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"The Adventures of Mr and Mrs Jim and Ron.\" Cape Goliard Press\/Grossman Publishers, 1970. New York. First edition. 4to.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJim Dine, (born June 16, 1935, Cincinnati, Ohio, U.S.), is an American painter, graphic artist, sculptor, and poet who emerged during the Pop art period as an innovative creator of works that combine the painted canvas with ordinary objects of daily life. (Britannica) \u003cb\u003e\u003c\/b\u003e\u003cspan style=\"background-color: rgb(243, 243, 21);\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093796966559,"sku":"21926","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Dine_Jim_Apollinaire_OriginalDrawingsandBooks21926a.jpg?v=1756156346"},{"product_id":"21974-waxman-franz-original-photograph","title":"Waxman, Franz. (1906–1967) Original Photograph","description":"\u003cp\u003eVintage photographic portrait of the German-born film composer taking ship and raising his right hand to bid farewell. Caption typed on scrap to verso: \"New York, NY, June 24, 1958 — Franz Waxman, noted composer-conductor and 2-time Oscar winner leaves on the SS AUGUSTUS for Italy where he will do the musical score for the Audrey Hepburn film, 'The Nun's Story'. He will be married to Lella Simone in Venice on August 20th. Waxman has just concluded the 13th consecutive season of the Los Angeles Music Festival which he founded and directed.\" 10 x 8 inches (25.5 x 20.7 cm). Upper right corner bent; otherwise in fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093798146207,"sku":"21974","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Waxman_FranzOP21974.jpg?v=1759431893"},{"product_id":"21972-gershwin-george-kern-jerome-rare-original-photograph","title":"Gershwin, George. (1898–1937) \u0026 Kern, Jerome. (1885–1945) Rare Original Photograph","description":"\u003cp\u003eOriginal photograph of Gershwin and Kern together. Press snippet on verso reports that they had met when they appeared together on the Columbia \"The Inside Story\" broadcast, where Gershwin played part of \"Rhapsody in Blue\" and excerpts from \"Show Boat\" were performed. Handstamps \"SEP 24 1936\" (probable date of photograph) and \"DECEASED\" (added after Gershwin had died). 7.5 x 9.5 inches (26.7 x 19.2 cm). Small area of in-painting for publication, wear to margins, else fine. \u003cmeta charset=\"utf-8\"\u003eA rare image of two of the greatest of all songwriters together.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093798178975,"sku":"21972","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/GershwinKernOP21972.jpg?v=1759431992"},{"product_id":"21970-rozsa-miklos-pennario-leonard-photographic-double-portrait-at-the-piano-ca-1956","title":"Rózsa, Miklós. (1907–1995) \u0026 Pennario, Leonard. (1924–2008) Photographic double portrait at the piano, ca 1956","description":"\u003cp\u003ePress photograph of Pennario seated at the piano with Rózsa standing to his right side, making an annotation to the score on the music stand. Caption typed to verso: \"Miklos Rozsa, two-time Academy Award winner for the musical scores of films 'Spellbound' and 'A Double Life' and who recently composed and conducted the music for M-G-M's 'Diane\" and 'Bhowani Junction', discusses his 'Sonata for Piano' with Leonard Pennario, who will play the sonata in New York's Town Hall Oct. 31.\"10 x 8 inches (25.5 x 20.5 cm). In fine condition.\u003c\/p\u003e\n\u003cdiv\u003eThe two films mentioned in the caption date from 1956, which is consequently the most likely date for this photo. Composed in 1948, Pennario didn't record Rózsa's sonata until 1957. \u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093798211743,"sku":"21970","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Rozsa_Miklos_Pennario_LeonardPhoto21970.jpg?v=1759425275"},{"product_id":"21971-cohan-george-m-portrait-photograph","title":"Cohan, George. M. (1878–1942) Portrait Photograph","description":"\u003cp\u003eDoubleweight semi-profile portrait of the American performer and composer-lyricist, considered the father of American musical comedy. He is shown seated in front of a bookshelf, in a pensive mood, probably in his final years. 10 x 8 inches (25.3 x 20.2 cm). In very good condition.\u003cbr\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093798277279,"sku":"21971","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cohan_George.MPhoto21971.jpg?v=1759425513"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/collections\/Fall_Catalogue_Website_Banner_68c70cb9-65de-4ee0-9381-5438b1af34e1.jpg?v=1759677034","url":"https:\/\/www.schubertiademusic.com\/collections\/fall-2025.oembed?page=13","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}