{"title":"Fall 2023","description":"\u003cp\u003eWhen sorted by Catalogue #, items will display as follows. You can also sort alphabetically or by price. \u003c\/p\u003e\n\u003cp\u003eComposers: Items 1 - 71\u003cbr\u003eInstrumentalists: Items 72 - 123\u003cbr\u003eConductors: Items 124 - 129\u003cbr\u003eOpera: Items 130 - 141\u003cbr\u003eJazz \u0026amp; Song: Items 142 - 155\u003cbr\u003eDance: Items 156- 161\u003cbr\u003eFilm \u0026amp; Theatre: Items 162- 172\u003cbr\u003eLiterature \u0026amp; Art: Items 173 - 195\u003cbr\u003eHistory \u0026amp; Culture: Items 196 - 200\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"712-matisse-henri-ballet-russe-de-monte-carlo-ballet-russe-de-monte-carlo-1939-1940-season-souvenir-program","title":"[Matisse, Henri. (1869-1954)] Ballet Russe de Monte Carlo. Ballet Russe de Monte Carlo 1939-1940 Season. Souvenir Program.","description":"\u003cp\u003eFolio, 66 pages (12\" x 9-1\/2\") Stapled wraps. Illustrated cover by Henri Matisse. Profusely illustrated with photos and theater works (Picasso, Dali, Berman, Tchelitcheff).  Program opens with photo of director Leonide Massine. First page of text describes the extraordinary conditions that led to the company coming to America: \"With European capitols now closed to the ballet because of the war, the sponsors of the Ballet Russe de Monte Carlo sense the imperative need to preserve this form of art as a cultural heritage for future generations.\" Beautiful full-page photos of Alexandra Danilova, Alicia Markova, Mia Slavenska. Much of the program is taken up by synopses of the ballets--an amazing lineup of composers, artists and choreographers. There are 3 pages of sketches by Dali for Wagner's \"Bacchanale\" and \"Devil's Holiday,\" along with a great photo of the artist studying a figurine. A 4-page color insert printed on heavy stock features designs and costumes by Tchelitcheff, Dali (double-page spread) and Picasso; further photos show costumes for \"Bacchanale\" and Matisse working on a set. Lots and lots of photos of dancers, and a wonderful photo on the last page of 5 ballerinas backstage arranging their hair. Binding is tight, slight edgewear to back cover, creases to corners, small area of water damage to top edge. A remarkable production attesting to the company's determination to stay alive during the war.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093108314271,"sku":"712","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/28Matisse_2C_Henri._29_Ballet_Russe_de_Monte_Carlo._C2_A0Souvenir_Program_712a_281_29.jpg?v=1722185986"},{"product_id":"1522-berio-luciano-1925-2003-signed-photograph","title":"Berio, Luciano. (1925-2003) Signed Photograph","description":"\u003cp\u003eSigned photograph of the important Italian composer, inside a program of the \"34. Internationales Beethovenfest. Bonn, 1992.\" 5.75 x 8.5 inches (17 x 12 cm). Very fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093132726431,"sku":"1522","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Berio_2C_Luciano_SP_1522a.jpg?v=1722186134"},{"product_id":"3088-verdi-giuseppe-1813-1901-early-original-cdv-photograph","title":"Verdi, Giuseppe.  (1813-1901) Early Original CDV Photograph","description":"\u003cp\u003eOriginal carte-de-visite photograph by Disderi of Paris, ca. 1850. 2.5 x 4 inches (6.5 x 10.5 cm). Verdi is shown seated at his desk, looking off to the side. With the photographer's imprint at bottom and on verso, a few scattered light marks, overall very fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093181452447,"sku":"3088","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Verdi_2C_Giuseppe_photograph_3088a.jpg?v=1722186436"},{"product_id":"4934-moiseiwitsch-benno-1890-1963-signed-program","title":"Moiseiwitsch, Benno. (1890  - 1963) Signed Program","description":"\u003cp\u003eSigned all-Chopin recital program from the superb Ukrainian pianist, a student of Leschetizky whom Rachmaninoff considered to be his \"spiritual heir.\"  Cambridge Theatre, London, 21 November, 1943.  Orange paper, some creases, else fine. When folded: 8 x 5 inches (20.35 x 13cm.).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093240893599,"sku":"4934","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Moiseiwitsch_2C_Benno_Signed_Program_4934786.jpg?v=1722186797"},{"product_id":"4929-verdi-giuseppe-1813-1901-original-cdv-photograph","title":"Verdi, Giuseppe.  (1813-1901) Original CDV Photograph","description":"\u003cp\u003eSepia carte-de-visite photograph by Reutlinger of Paris, ca. 1860. Verdi is shown head and shoulders, looking slightly to his left. 2.5 x 4 inches (6 x 10 cm) and in very fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093240926367,"sku":"4929","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Verdi_2C_Giuseppe_photograph_4929a.jpg?v=1722186797"},{"product_id":"5386-kreisler-fritz-1875-1962-large-original-photograph","title":"Kreisler, Fritz. (1875–1962) Large Original Photograph","description":"\u003cp\u003eA beautiful original portrait photograph of the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century.  11 x 14 inches (28 x 35.5 cm), signed in pencil by the photographer, \"M (T?)ossuth.\" Slight wear to corners and edges, otherwise fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093256163487,"sku":"5386","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Kreisler_2C_Fritz_Large_Original_Photograph_5386.jpg?v=1722186890"},{"product_id":"6341-porter-cole-1891-1964-original-1949-photograph-with-fred-astaire","title":"Porter, Cole. (1891–1964) Original 1949 Photograph with Fred Astaire","description":"\u003cp\u003eVintage original photograph of Porter seated next to the Astaires at an opening night performance. 8 x 10 inches (20.6 x 25.3 cm), stamped 1949 to verso, press clipping and stamps on the verso,  a few black editor's marks in the margins, else fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093289521311,"sku":"6341","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Porter_2C_Astaires_photograph_6341a.jpg?v=1722187082"},{"product_id":"6807-kreisler-fritz-1875-1962-signed-photograph","title":"Kreisler, Fritz. (1875–1962) Signed Photograph","description":"\u003cp\u003eA beautiful original A. Dupont photograph of the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century. Kreisler has boldly signed and inscribed on the mount beneath the image. From an album compiled by Julia Wilmotte Henshaw (1869 - 1937), English-Canadian botanist and journalist. 10 x 13 inches (25 x 33 cm). Linen tape along upper edge, else in very fine condition\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093304660127,"sku":"6807","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Kreisler_2C_Fritz_Signed_Photograph_6807.jpg?v=1722187172"},{"product_id":"6961-ravel-maurice-1875-1937-enesco-george-1881-1955-rampal-jean-pierre-1922-2000-jourdan-morhange-helene-1888-1961-etc-1947-festival-ravel-handbill","title":"[Ravel, Maurice. (1875-1937)] Enesco, George. (1881-1955) \u0026 Rampal, Jean-Pierre. (1922–2000) \u0026 Jourdan-Morhange, Hélène. (1888–1961) etc.  1947 \"Festival Ravel\" Handbill","description":"\u003cp\u003e1947 single sheet handbill advertising the \"Festival Ravel\" at the Salle Gaveau on the 10th anniversary of the composer's death (and done \"for the benefit of the Conservatory canteen!) and featuring an extraordinary lineup of performers. 5.25 x 8.15 inches (13 x 20 cm) and with a typed program on the verso for a \"Classe de Perfectionnement\" by Marguerite Long.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093310165151,"sku":"6961","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ravel_2C_Maurice_2522Festival_Ravel_2522_Handbill_6961a.jpg?v=1722187208"},{"product_id":"7082-strauss-richard-1864-1949-postcard-photograph","title":"Strauss, Richard. (1864–1949) Postcard Photograph","description":"Vintage unsigned original Tschiedel-Setzer sepia postcard bust portrait photograph of the great composer. 3.5 x 5.25 inches (9 x 14 cm). Composer's name in pencil to the lower edge, stylistically matching the typography of the photographer's imprint and possibly in their hand. Photographer's stamp to verso. In very fine condition.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cp style=\"\"\u003eIn April 1920, twenty-year-old Marie Karoline Tschiedel took up a position as assistant to the artist in the celebrated Austrian Franz Xaver Setzer photography studio. She had also studied at the KuK Graphische Lehr- und Versuchsanstalt and specialized in the fields of portrait photography and negative retouching.\u003cspan style=\"font-size: 10.5px;\"\u003e \u003c\/span\u003eShe became the technical director of the studio in 1934 and increasingly assumed overall responsibility for the studio. When Franz Xaver Setzer died in January 1939 as a result of a serious illness, she took over the studio from his heirs and continued it under the name Tschiedel-Setzer until 1980.\u003c\/p\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093313802399,"sku":"7082","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Strauss_2C_Richard_photograph_7082.jpg?v=1722187229"},{"product_id":"7460-sibelius-jean-1865-1957-original-photograph","title":"Sibelius, Jean. (1865-1957) Original Photograph","description":"\u003cp\u003eStriking 1955 Associated press wire photograph of the great Finnish composer late in life.  A hard vertical crease through the image and some black in-painting, crazing to surface.  8 x 9 inches (20.5 x 22 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093325697183,"sku":"7460","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sibelius_2C_Jean_photograph_7460a.jpg?v=1722187305"},{"product_id":"7548-kaufman-louis-1905-1994-vintage-photograph","title":"Kaufman, Louis. (1905 - 1994) Vintage Photograph","description":"Vintage J. Abresch of NY 8 x 10 inch publicity photograph, stamped 1945 to verso and with an affixed clipping promoting an upcoming NY Town Hall appearance. With some toning to upper edge and small areas of in-painting from publication, else fine. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe American violinist was possibly the most recorded musical artist of the 20th century. He played the soundtrack on as many as 500 movies and over 100 musical recordings. He is also credited with reviving the music of Antonio Vivaldi with his recording of The Four Seasons in 1947, which won the Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and in 2003 was selected for the Library of Congress’s National Recording Registry.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093328384159,"sku":"7548","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Kaufman._Louis_photo_7548.jpg?v=1722187323"},{"product_id":"7621-porter-cole-1891-1964-original-portrait-photograph","title":"Porter, Cole. (1891–1964) Original Portrait Photograph","description":"\u003cp\u003eOriginal 8 x 10 inch (20.5 x 25.5 cm) doubleweight Hal Phyfe photograph of Porter, with the photographer's raised stamp lower left. A few pencil marks in margins, stamped on the verso and overall very good.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093330710687,"sku":"7621","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Porter_2C_Cole_photograph_7621a.jpg?v=1722187339"},{"product_id":"7640-sibelius-jean-1865-1957-original-photograph","title":"Sibelius, Jean. (1865-1957) Original Photograph","description":"\u003cp\u003eVintage press photograph of the great Finnish composer at work. 5 x 7 inches (17.7 x 12.6 cm), some press clipping on verso, overall fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093331234975,"sku":"7640","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sibelius_2C_Jean_photograph_7640.jpg?v=1722187340"},{"product_id":"7730-sibelius-jean-original-photograph","title":"Sibelius, Jean. (1865-1957) Original Photograph","description":"\u003cp\u003eImposing vintage 1938 bust photograph of the great Finnish composer, with an amusing press clipping to verso describing him around the time of his 72nd birthday as \"hale and industrious and a smoker of strong black cigars.\" 7 x 9 inches (18.1 x 22.5 cm), some creases and small stains, else in fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093334479007,"sku":"7730","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sibelius_2C_Jean_photograph_7730a.jpg?v=1722187362"},{"product_id":"8219-schoenberg-arnold-1874-1951-1944-wire-photograph","title":"Schoenberg, Arnold. (1874-1951) 1944 Wire Photograph","description":"\u003cp\u003eOriginal press wire photograph of the influential composer, shown examining a score in this image taken the week he retired from teaching at UCLA.  8 x 10 inches (20.5 x 25.8 cm), creases, some markings and stamps on the verso and around the edges, overall very good condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093350273183,"sku":"8219","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Schoenberg_2C_Arnold_photograph_8219a.jpg?v=1722187458"},{"product_id":"8352-boulez-pierre-1925-2016-new-york-philharmonic-signed-1971-newsweek-cover","title":"Boulez, Pierre. (1925–2016) [New York Philharmonic] Signed 1971 Newsweek Cover","description":"Signed October 11, 1971 Newsweek cover (\"New Maestro, New Beat: New York Philharmonic's Pierre Boulez\") from the important French composer and conductor, one of the major innovators and forces in 20th century music. \u003cdiv style=\"\"\u003eIn good condition with an affixed original mailing label and sold together with the collector's original letter and a reply from the NY Phil enclosing the signed magazine.  8 x 11 inches (21 x 28 cm). \u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093354893471,"sku":"8352","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Boulez_2C_Pierre_Signed_Newseek_Cover_8352a.jpg?v=1722187490"},{"product_id":"8413-enesco-georges-1881-1955-signed-photograph-with-cortot","title":"Enesco, Georges. (1881-1955) Signed Photograph with Cortot","description":"A superb original 7 x 9 inch (17.6 x 22.7 cm) doubleweight photograph by Joaillier of Paris, showing the great violinist\/composer playing with his frequent collaborator, pianist Alfred Cortot. A stunning image, boldly signed and dated \"Georges Enesco, 1932.\" Light crease through lower portion and upper left corner, else fine. A particularly fine and unusual example. \u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eYou will forgive us this opportunity to recount one of our favorite musical stories concerning these towering two musicians. \u003cspan style=\"\"\u003eViolinist Georges Enesco was saddled with a poor pupil who eventually wanted to give a recital. Enesco agreed to accompany him on the piano but realized at the last minute that he needed a page turner. He prevailed on Alfred Cortot, who was sitting in the audience. A review the next morning read: \u003c\/span\u003e“There was a most remarkable concert last night at the Salle Pleyel. The man who should have been playing the violin was playing the piano, the man who should have been playing the piano was turning the pages, and the man who should have been turning the pages was playing the violin.”\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093356630175,"sku":"8413","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Enesco_2C_Georges_SP_with_Cortot_8413a.jpg?v=1722187499"},{"product_id":"8929-still-william-grant-1895-1978-kaufman-louis-1905-1994-vintage-photograph-studying-the-score-of-stills-1943-suite-for-violin-and-piano","title":"Still, William Grant. (1895–1978) \u0026 Kaufman, Louis. (1905–1994) Vintage Photograph studying the score of Still's 1943 Suite for Violin and Piano","description":"Vintage 1944 photograph of the American violinist with the (per news stub on verso) \"noted Negro composer\" as they \"study the score of Still's new Suite for Violin ad Piano, which Kaufman and pianist Vladimir Padwa will play at the Jordan Hall recital, for its world premiere.\" 8 x 10 inch (20.5 x 25 cm). Mounting remnants and wear to edges and verso, news stub on verso, else fine.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eIn 1943, William Grant Still wrote his \u003ci\u003eSuite for Violin and Piano\u003c\/i\u003e, which took as its inspiration three sculptures: Richmond Barthé’s \u003ci\u003eAfrican Dancer\u003c\/i\u003e, Sargent Johnson’s \u003ci\u003eMother and Child\u003c\/i\u003e, and Augusta Savage’s \u003ci\u003eGamin\u003c\/i\u003e. Each of these works was created in the 1930s and each artist was associated with the Harlem Renaissance. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe American violinist Louis Kaufman was possibly the most recorded musical artist of the 20th century. He played the soundtrack on as many as 500 movies and over 100 musical recordings. He is also credited with reviving the music of Antonio Vivaldi with his recording of The Four Seasons in 1947, which won the Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and in 2003 was selected for the Library of Congress’s National Recording Registry.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093373309087,"sku":"8929","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Still_2C_Kaufman_photograph_8929a.jpg?v=1722187606"},{"product_id":"9026-boulez-pierre-1925-2016-signed-photograph-to-la-phil-principal-violist","title":"Boulez, Pierre. (1925–2016) Signed Photograph to LA Phil Principal Violist","description":"\u003cp\u003e8 x 10 inch (20.6 x 24 cm) photograph of important French composer and conductor, signed and inscribed to the former principal violist of the L.A. Philharmonic, Jan Hlinka: \"For Jan Hlinka with warmest regards and fondest feelings. \/ P. Boulez \/ Feb. 1975.\"  Mounted to rigid backing, small tear to left margin, some blocks of toning, else fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093376684191,"sku":"9026","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Boulez_2C_Pierre_SP_9026a.jpg?v=1722187627"},{"product_id":"9214-stockhausen-karlheinz-1928-2007-1972-photograph-playing-guitar","title":"Stockhausen, Karlheinz.  (1928 - 2007) 1972 Photograph Playing Guitar","description":"\u003cp\u003eVintage 1972 Keystone press photograph of an unidentified musician in the English Garden in Munich, from an event at which we understand\u003cspan\u003e Karl-Heinz Bottner and Michael Vetter played guitar, with Stockhausen was on sound projection, but we remain uncertain of who precisely is shown here. \u003c\/span\u003e6.25 x 8 inches (16.3 x 21.4 cm). \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eVerso press text reads: \"In connection with the Olympic Cultural Programme in Munich, Stockhausen's \"Starsound Parkmusic for five groups\" was played in the English Garden in Munich. Five music groups, spread over the English Garden at distances of 80 to 100 meters, sang and played the piece, \"Staroonstellations\"(e.g. \"Big Dippers\"). Stockhausen's composition, which had its premiere in the Berlin Tiergarten last June, lasted three hours and, according to the Maestro, could only be performed at night in Keystone West Germany.\" Dated 08-08-1972.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093382418591,"sku":"9214","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Stockhausen_2C_Karlheinz_photograph_9214a.jpg?v=1722187666"},{"product_id":"9325-society-of-women-musicians-davies-fanny-1861-1934-1925-society-of-women-musicians-recital-program","title":"[Society of Women Musicians] [Davies, Fanny. (1861 - 1934)] 1925 \"Society of Women Musicians\" Recital Program","description":"Single sheet program from a performance featuring Miss Fanny Davies and Mme. Jeanne Jouve in a pianoforte recital at 74 Grosvenor Street, in London, on March 20th, 1925. 8 x 10 inches (20 x 25 cm).\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe recital was held under the auspices of the Society Of Women Musicians, with speeches by Miss Marion Scott, founder of the Society Of Women Musicians, and Miss Katherine Eggar, Hon, Secretary, with responses by Mr. J. Mewburn Levien, Mr. William Wallace, and Mr. A. T. Cummings of the Royal Philharmonice Society. Selections of the program are listed on recto. \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eSold together with another Society Of Women Musicians programme, typewritten on thin carbon paper. This programme is dated, May 28th, 1921, and featuring The Spencer Dyke String Quartet. Some creases to both, condition generally fine.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe great English pianist Fanny Davies was a student of Clara Schumann.  She was particularly admired in Beethoven, Schumann, and Brahms, but was also one of the first to perform Debussy and Scriabin in London.  \u003cspan style=\"\"\u003eA prominent feminist, Davies was also president of the Society for Women Musicians\u003c\/span\u003e\u003cspan style=\"\"\u003e, the ensemble an early force in promoting visibility to composers \u003c\/span\u003eunjustly neglected\u003cspan style=\"\"\u003e, whether for geographical, social or gender reasons.\u003c\/span\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093385957535,"sku":"9325","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Society_of_Women_Musicians_2C_1925_Program_9325b.jpg?v=1722187688"},{"product_id":"9336-balanchine-george-1904-1983-nycb-signed-program-photographs","title":"Balanchine, George. (1904–1983) \u0026 NYCB Signed Program Photographs","description":"Remarkable New York City Ballet deluxe souvenir program from the 1955 Holland Festival, boldly signed by Balanchine on his full-page photograph, and by dancers Patricia Wilde, Melissa Hayden, Nicholas Magallanes, and Herbert Bliss on or opposite their respective photographs. Together with a loose program sheet from the festival, featuring performances of \u003ci style=\"\"\u003eSerenade, Scotch Symphony, L'Apres Midi D'Un Faune, \u003c\/i\u003eand\u003ci style=\"\"\u003e Pied Piper.  \u003c\/i\u003eCovers creased, pages rather rippled especially along the upper edge from moisture damage, not affecting the signatures.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093386383519,"sku":"9336","price":375.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Balanchine_2C_George_26_NYCB_Signed_Program_Photographs_9336a.jpg?v=1722187690"},{"product_id":"9613-cage-john-1912-1992-paik-nam-june-1932-2006-signed-photograph-playing-card","title":"Cage, John. (1912–1992) [Paik, Nam June. (1932–2006)] Signed Photograph Playing Card","description":"A highly unusual signed photograph on the reverse of a 5 of Diamonds playing card. 2.24 x 3.5 inches (7.7 x 8.7 cm). A witty and clever item from the composer who experimented with the nature of sound and composition through chance procedures, including the arrival at sound and duration parameters through coin tosses and the use of playing cards. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFrom Nam June Paik's 1975 set of 52 screenprints on playing cards, from an edition of 250.  Nam June Paik counted the avant-garde composer as a major influence, collaborator and friend and created a film tribute to him in 1973.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093395099807,"sku":"9613","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cage_2C_John_SP_playing_card_9613a.jpg?v=1722187746"},{"product_id":"10134-porter-cole-1891-1964-hart-moss-1904-1961-original-photograph-1935","title":"Porter, Cole. (1891–1964) \u0026 Hart, Moss. (1904–1961) Original Photograph, 1935.","description":"Rare intimate photograph of the great composer\/lyricist seated at the piano with the important playwright\/director.  4.7 x 3.6 inches mounted to a slightly larger sheet, overall 5.5 x 7.92 inches (9.5 x 12 cm). Small creases, else fine. \u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eFrom around the period of their only collaboration, on \"Jubilee\" which opened at The Broadway Theatre on October 12, 1935 and ran for 169 performances. It starred Mary Boand as Queen of England and the 14-year old Montgomery Clift as Prince Peter.\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093412008095,"sku":"10134","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Porter_2C_Hart_photograph_10134.jpg?v=1722187854"},{"product_id":"10194-gershwin-george-1898-1937-gershwin-ira-1896-1983-publishers-check-to-george-gershwin-signed-by-ira","title":"[Gershwin, George. (1898–1937)] Gershwin, Ira. (1896–1983) Publisher's Check to George Gershwin, signed by Ira","description":"\u003cp\u003eOriginal check from the Harms Music Publisher for $100.00 dated August 29th, 1924 and addressed in ink to George Gershwin, signed on the back on his behalf \"George Gershwin\" by Ira who also signs \"I.B. Gershwin.\"  Together with a 8 x 10 inch (20 x 25 cm) photograph of George Gershwin composing at the piano in 1935, printed ca. 1980.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093413777567,"sku":"10194","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/28Gershwin_2C_George_29_Gershwin_2C_Ira._C2_A0Publisher_27s_Check_to_George_Gershwin_2C_signed_by_Ira.10194b.jpg?v=1722187866"},{"product_id":"10463-raff-joachim-1822-1882-carte-de-visite-portrait-photograph","title":"Raff, Joachim. (1822 - 1882) Carte de Visite Portrait Photograph","description":"\u003cp\u003eOriginal Model \u0026amp; Jacob of Weisbaden CDV photograph of the German-Swiss composer, teacher and pianist.  2.5 x 4.25 inches (6.13 x 10.5 cm). A few stray ink marks, overall fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093422919839,"sku":"10463","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Raff_2C_Joachim_photograph_10463a.jpg?v=1722187924"},{"product_id":"10497-pouishnoff-leff-nicolas-1891-1959-signed-photograph","title":"Pouishnoff, Leff Nicolas. (1891-1959) Signed Photograph","description":"\u003cp\u003eSigned oblong doubleweight photograph of the great Ukrainian pianist. 8.25 x 6.25 inches (21 x 16 cm.). Fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093423378591,"sku":"10497","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Pouishnoff_2C_Leff_Nicolas_Signed_Photograph_10497.jpg?v=1722187928"},{"product_id":"10779-kreisler-fritz-1875-1962-caprice-viennois-signed","title":"Kreisler, Fritz. (1875–1962) Caprice Viennois - SIGNED","description":"Signed sheet music from the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century.  Kreisler’s graceful and ever-popular \u003ci\u003eCaprice Viennois\u003c\/i\u003e, arranged here for piano solo, boldly inscribed and signed “Fritz Kreisler” across the front cover of the music, followed by the year 1938.  Upright folio. 9 1\/8 x 12 inches (23 x 30.5 cm). 7 pp. [PN] 18712-5. Light toning, overall fine. Signed sheet music of Kreisler is considerably less common than signed photographs. This is only one of a few examples we've encountered. \u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eNo less of a figure than the late \u003c\/span\u003eJoseph Silverstein\u003cspan style=\"\"\u003e, the longtime concertmaster of the Boston Symphony Orchestra, declared that the \u003c\/span\u003e\u003cem style=\"\"\u003eCaprice Viennois\u003c\/em\u003e\u003cspan style=\"\"\u003e was the hardest of all of Fritz Kreisler’s “bonbons” to play, for the seemingly-effortless music is devilishly difficult to pull off! As Blair Johnston (All Music Guide) goes on to note, “The piece is a caprice in the real sense of the word, shifting musical perspective at a moments notice to afford violinists the opportunity to indulge in some new trick — like the false harmonics and the strangely aristocratic downward \u003c\/span\u003e\u003cem style=\"\"\u003eglissando\u003c\/em\u003e\u003cspan style=\"\"\u003e of the opening quasi-cadenza passage, or to invite the listeners to join in enjoying a warm melody… all the while bursting forward and holding back, rhapsodically and mock-improvisationally (or, with the liberties that Kreisler himself invariably took with his music, truly improvisationally), with that amazing rhythmic elasticity that Kreisler alone was really able to bring to his music.”\u003c\/span\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093432684703,"sku":"10779","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/10779_Kreisler_Caprise_Viennoise_2.jpg?v=1722187987"},{"product_id":"10943-wagner-richard-gaul-gustav-cabinet-card-portrait-conducting-tristan","title":"[Wagner, Richard. (1813–1883)] Gaul, Gustav. (1836–1888) Cabinet Card Portrait Conducting Tristan","description":"\u003cp\u003eSuperb printed caricature by Gustav Gaul, in cabinet card format issued by the Viennese firm V.A. Heck. The caption identifies the scene as \"Richard Wagner bei der Probe im Wiener Musikverein, 27 February 1875.\" 4.5 x 6.5 inches (11.3 x 17 cm), small chips to upper and lower right corners, otherwise good condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093438025887,"sku":"10943","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Wagner_2C_Gaul_caricature_10943a.jpg?v=1722188021"},{"product_id":"10963-schoenberg-arnold-1874-1951-original-1933-photograph-on-the-eve-of-his-departure-for-the-united-states","title":"Schoenberg, Arnold. (1874-1951) Original 1933 Photograph \"On the Eve of His Departure for the United States\"","description":"Original photograph of the influential composer, shown at the home of Mr. and Mrs. Eric Allatini in Paris on the eve of his departure to the United States to take up his teaching position at the Malkin Conservatory in Boston. He is seen here, left to right, with: Rudi Goehr, Schoenberg's youngest pupil; Mrs. Allatini, founder of the Foyer Henri Heine for Jewish Intellectuals Relief in Paris; Frau Kolisch, Mother of Frau Schoenberg; Frau Schoenberg; the composer and Monsieur Allatini.  In fine condition. Stamped Oct 31, 1933 on the verso. 9.5 x 7.25 inch (17.25 x 23.5 cm). \u003cbr style=\"\"\u003e\u003cbr\u003e\u003cdiv\u003eSchoenberg arrived in Boston in early November 1934 to teach at the Malkin Conservatory.  His decision to leave Europe, with political developments there already having cost him his job, was painful, but ameliorated by the offer to teach at a small, high level conservatory in Boston being organized by cellist Joseph Malkin and including also on the faculty, Egon Petri and Nicholas Slonimsky.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093438812319,"sku":"10963","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Screen_Shot_2023-09-17_at_11.45.51_AM.png?v=1722188029"},{"product_id":"10973-kreisler-fritz-1875-1962-caprice-viennois-signed","title":"Kreisler, Fritz. (1875–1962) Caprice Viennois - SIGNED","description":"Signed sheet music from the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century.  Kreisler’s graceful \u003ci\u003eCaprice Viennois,\u003c\/i\u003e parts for violin and piano, boldly signed “Fritz Kreisler \/ 1935” across the front wrappers.  Wrappers shipped around the edges, both parts in very good condition. Upright folio. 9 1\/8 x 12 inches (23 x 30.5 cm). 7 pp; 3pp. [PN] 29033. Light toning, outer wrappers with tears around edges and spine, else fine. Signed sheet music of Kreisler is considerably less common than signed photographs. This is only one of a few examples we've encountered. \u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eNo less of a figure than the late Joseph Silverstein, the longtime concertmaster of the Boston Symphony Orchestra, declared that the \u003cem style=\"\"\u003eCaprice Viennois\u003c\/em\u003e was the hardest of all of Fritz Kreisler’s “bonbons” to play, for the seemingly-effortless music is devilishly difficult to pull off! As Blair Johnston (All Music Guide) goes on to note, “The piece is a caprice in the real sense of the word, shifting musical perspective at a moments notice to afford violinists the opportunity to indulge in some new trick — like the false harmonics and the strangely aristocratic downward \u003cem style=\"\"\u003eglissando\u003c\/em\u003e of the opening quasi-cadenza passage, or to invite the listeners to join in enjoying a warm melody… all the while bursting forward and holding back, rhapsodically and mock-improvisationally (or, with the liberties that Kreisler himself invariably took with his music, truly improvisationally), with that amazing rhythmic elasticity that Kreisler alone was really able to bring to his music.”\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093439303839,"sku":"10973","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/10973_Kreisler_Caprise_Viennoise_1.jpg?v=1722188032"},{"product_id":"11057-cowell-henry-1897-1965-five-signed-copyright-registration-documents","title":"Cowell, Henry. (1897 - 1965) Five Signed Copyright Registration Documents","description":"\u003cp\u003eGroup of five partly-printed documents, each signed “Henry Cowell,\" by the the pioneering American composer, theorist, pianist, publisher and impressario. Each 2 pages [back to back], 4 to 10-15\/16 in. x 8-7\/16 inches (27.6 x 21.5cm) [New York City], undated.  ASCAP-ACA Survey Forms, completely filled in by Cowell in ink, registering his compositions \"Three Ostinati with Chorales,\" \"Wind Quintet,\" \"Bit,\" \"Prelude and Air,\" and \"Seven Associated Movements\" with pertinent information about copyrights, publishers, running time, etc.  His signature appears in pencil at the conclusion of each document.  In very fine condition.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093441466527,"sku":"11057","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cowell_2C_Henry._._C2_A0Five_Signed_Copyright_Registration_Documents._11057e.png?v=1722188047"},{"product_id":"11825-schoenberg-arnold-1874-1951-arnold-schonberg-abend-wien-april-1-1919-concert-program","title":"[Schoenberg, Arnold. (1874-1951)] Arnold Schönberg-Abend. Wien, April 1, 1919. [Concert Program]","description":"Octavo, 5.75 x 8.5 inches (21.5 x 14.4 cm). Unbound. 2 bifolia. [i] (program of \"Arnold Schönberg-Abend\"), [i] (catalogue: \"Arnold Schönberg's Lieder in der Universal-Edition), [iii]-[v] (song texts), [vi] (announcement of \"Statuarisches Konzert\" on April 7, to be conducted by Franz Schreker), [vii] advertisement of Universal-Edition for Ferdinand Rebay, Löns-Lieder), [viii] (calendar of Konzertbüro der Wiener Konzerthausgesellschaft). Several manuscript annotations in pencil to song texts, in an unknown hand. Browned.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe program includes performances of Schoenberg's Chamber Symphony, op. 9, and songs from opp. 3 and 6. Performers include pianists Ernst Bachrich (1892-1942; Holocaust victim) and Eduard Steuermann (1892-1964), violinist Josef Geringer (1892-1979), horn player (later bandleader) Silvester Schieder (1884-1955), and singers Hedy Iracema-Brügelmann (1881-1941) and Arthur Fleischer (1889-1948).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe first page dates the \"Arnold Schönberg-Abend\" to Tuesday, April 1, 1919, 5:30 PM, at the \"Mittlerer Saal;\" the calendar to the final page, however, announces the concert for March 26; two other events are scheduled for April 1, but none for \"Mittlerer Saal.\" \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWith further advertisement pages, including the \"Statuarisches Konzert\" of the Philharmonischer Chor, with orchestra, billing two works: Gesang der Idonen by Walter Gmeindl (1890-1968) and Symphony in D [op. 27] for soloists, chorus, and orchestra by Johanna Müller-Hermann (1878-1941). The latter performance was a world premiere.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093466271903,"sku":"11825","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Schoenberg_2C_Arnold_Concert_Program_11825a.jpg?v=1722188209"},{"product_id":"12166-haskill-clara-autograph-letter-regarding-tour-with-karajan","title":"Haskill, Clara. (1895 - 1960) Autograph Letter regarding tour with Karajan","description":"\u003cp\u003e2 pages.  Paris, 9. February 1956. Two-sided letter to the Freiburg concert organizer Eberhard Albert requesting delivery of criticism of a recent concert. \"This tour with Karajan and the Philharmonic Orchestra is memorable me and I do not doubt that everywhere, like for me, the audience was aware, of experiencing something unique.\" [\" Diese Tournée mit Karajan und das Philharmoni Orchester wird mir unvergesslich bleiben und ich zweifle nicht dass überall, wie für mich, das Publikum sich bewusst war, etwas einmaliges zu erleben.\"] Together with the envelope, also signed.  Very fine.  Letters from the great pianist are uncommon - this is a particularly fascinating example.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093477544095,"sku":"12166","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Haskil_2C_Clara_ALS_12166.jpg?v=1722188282"},{"product_id":"12444-nielsen-carl-telmanyi-emil-praeludio-e-presto-autograph-musical-manuscript","title":"[Nielsen, Carl. (1865-1931)] Telmányi, Emil. (1892-1988) Praeludio e Presto - Autograph Musical Manuscript","description":"\u003cdiv style=\"\"\u003eAutograph musical score for the important Danish composer's \u003ci style=\"\"\u003ePraeludio e Presto\u003c\/i\u003e for solo violin, apparently in the hand of Nielsen's son-in-law and the dedicatee of the work, Hungarian violinist Emil Telmányi. Dated March 28, 1928. Neatly copied with performance notes in Danish, German, and English, this copy may have been intended for a publisher. Written in ink, with corrections in pencil throughout, including performance notes (and one version of the title) struck though on the first page, added dynamics, and changed fingerings. Folio. 9 pp, pages loosely sewn with a split to the spine crease, with toning and a slight folding crease, but overall highly legible and in fine condition.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cbr style=\"\"\u003eProvenance: Descendants of the Hungarian violinist Emil Telmányi (1892-1988).\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eTelmányi was a family member and close friend of Nielsen, having married his daughter Anne Marie in 1918, and a proponent of his works, leaving several authoritative recordings. The \u003ci style=\"\"\u003ePraeludio e Presto \u003c\/i\u003ewas written for him in 1923, as the final piece for a recital on a London tour with Nielsen. Nielsen took Bach's sonatas and partitas for violin as his inspiration for the virtuosic piece. He had finished the piece shortly before Telmányi's departure for London, but Telmányi told the composer that he was not satisfied with one of the variations. Nielsen then wrote a new, and extremely demanding, variation after they had already arrived in London. Telmányi remembered in his memoirs: \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\"So - thought Carl Nielsen - if you think it's too easy, you'll get what you want. And then he composed a variation in sixty-fourth notes, a ‘Presto' as confoundedly difficult as the worst Paganini caprice. I was well and truly punished, since it was not finished before we left for London. We lived in a hotel on Russell Square, a quiet place where I was the only person to break the silence with my perpetual practicing. Carl Nielsen sat in his room and sweated with inspiration to get the diabolical variation finished... The piece was an amazing success with the audience. I was called out a whole six times, something quite unheard-of in the conservative English musical world after a modern, highly personal solo violin piece. At the last call the composer had to take a bow too, and I think he was happy...\"\u003c\/div\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e“One of the most important and free-spirited of the generation of composers who straddle the 19th and 20th centuries, his music covers a wide range of styles, from Brahmsian Romanticism at the outset to a high-principled, personal brand of neo-classicism in his last years. He composed in virtually all the main genres of the time, but he is best known for his six symphonies, which significantly contributed to the renewal of the genre in the 20th century. In Denmark he has been equally revered for his large output of popular strophic songs, which helped to redefine the national song tradition. His activities as conductor, teacher and writer made him the most prominent and influential Danish musician of his time, and although international recognition was sporadic in his lifetime, it has grown steadily since the 1950s, especially in Britain and the USA.” – Grove Online","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093485867167,"sku":"12444","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Nielsen_Carl_Temanyi_Praeludio_MS_12444_285_29.jpg?v=1722188339"},{"product_id":"12545-beatles-starr-ringo-b-1940-carved-wooden-footstool-from-the-collection-of-ringo-starr-ca-1970","title":"[Beatles] Starr, Ringo. (b. 1940)  Carved wooden footstool, ca. 1970 - FROM THE COLLECTION OF RINGO STARR","description":"\u003cp\u003eCarved footstool with green upholstery and feet, from the collection of former Beatle, Ringo Starr. Carved wood, 16 x 15 inches.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093488914591,"sku":"12545","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/12545a.jpg?v=1722188363"},{"product_id":"13583-matisse-henri-visiting-card","title":"Matisse, Henri. (1869-1954) Visiting Card","description":"Original printed visiting card from the great French artist, giving his address at 19 Quai Saint-Michel, Paris. One crease at the corner and slightly smudged; overall in very good condition. 4 x 2.5 inches (10 x 6 cm).\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eMatisse painted many views of Notre-Dame from his studio at 19 Quai Saint-Michel. Ragnar Hoppe reported Matisse saying in 1919 that \"this little apartment here is inconvenient, but I've lived here for many years, I've grown attached to it, and I can't be without the view.\" (Jack Flam: \u003ci\u003eMatisse on Art \u003c\/i\u003e(Berkeley: University of California Press, 1995), p. 74.)\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093522501791,"sku":"13583","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Matisse_Visiting_Card_13583_001.jpg?v=1722188586"},{"product_id":"14987-fitzgerald-ella-1917-1996-picasso-pablo-1881-1973-ella-rare-picasso-poster","title":"Fitzgerald, Ella. (1917–1996) \u0026 Picasso, Pablo. (1881–1973) \"Ella\" - Rare Picasso Poster","description":"\u003cdiv style=\"\"\u003eRare original poster from Ella Fitzgerald's 1986 Westwood Playhouse concert performances featuring Joe Pass \u0026amp; the Paul Smith Trio, featuring a printed 1970 sketch of the singer by Pablo Picasso. Signed in the stone: \"Pour Ella Fitzgerald \/ son ami Picasso \/ le 28.5.1970.\"From the edition of 100. Mounted on cardboard. Slight toning around the edges. 23 x 34 inches.  Attractively framed 24 x 37 inches (93 x 61 cm)\u003c\/div\u003e\u003cbr style=\"\"\u003eThe striking drawing of Ella Fitzgerald -- with curly hair, large breasts, and waves of music coming from her mouth -- was created by Picasso at the request of his friend, American jazz impresario Norman Granz. Later, the image and inscription were reproduced on lithographed posters announcing her 1986 West Los Angeles engagement with Joe Pass and the Paul Smith Trio, at the Westwood Playhouse.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eAlthough Picasso seems to capture the essence of Ella in the sketch, they never met and apparently had a mutual lack of interest in the other. According to Picasso biographer John Richardson, the painter \"liked jazz, or more accurately, he liked the idea of jazz.\" Granz's biographer Tad Hershorn writes that Picasso likely only had a \"broad sense\" of Granz's work as a promoter.  “Someone who shared this indifference to celebrity was Ella Fitzgerald, who turned aside an invitation to meet Picasso at teatime when she had a day off in Juan-les-Pins.  ‘I’m busy.  I’m darning my stockings, and I have some other things I’m sewing, so I can’t go.’ 'That's great,' Picasso said, roaring with laughter when Granz told him. 'Now I really want to meet her!' Granz added that Picasso had never seen so much as a photograph of Fitzgerald when he did a well-known sketch of her on a blank page of an art catalog on March 28, 1970, which Granz soon gave her.  ‘He had no idea what she looked like,’ Granz said.  ‘But in his own genius way, the picture was perfect.’\" (Tad Hershorn: \u003ci style=\"\"\u003eNorman Granz: The Man Who Used Jazz for Justice\u003c\/i\u003e, 2011.)\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eRobert Hilburn reviewed the 1986 concert in the LA Times: \"...The show's second half, however, was even more of a revelation as Fitzgerald, dueting with guitarist Joe Pass, moved closer to her jazz roots on several free-flowing scat numbers that were as lively and invigorating as anything you'd expect from the hottest new kid on the block. She ended with a scorching blues excursion, backed vigorously by both Pass (who opened the second half with a 20-minute solo stint) and the trio.\"\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093568475295,"sku":"14987","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Fitzgerald_2C_Ella_and_Picasso_2C_Pablo_E2_80_9CElla_E2_80_9D_-_Rare_Picasso_Poster_14987a.jpg?v=1722188900"},{"product_id":"18394-ballets-russes-de-brunoff-maurice-de-brunoff-jacques-diaghilev-apollinaire-cocteu-bakst-etc-collection-des-plus-beaux-numeros-de-comoedia-illustre-1909-1921","title":"[Ballets Russes] [de Brunoff, Maurice. \u0026 de Brunoff, Jacques] DIAGHILEV, APOLLINAIRE, COCTEU, BAKST, etc. Collection des plus beaux numéros de Comoedia Illustré...1909-1921.","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cem\u003eCollection des plus beaux numéros de Comoedia Illustré et des programmes consacrés aux ballets \u0026amp; galas russes...1909-1921.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA beautiful bound volume of special issues and supplements to the Parisian theatrical periodical \u003ci\u003eComoedia Illustré \u003c\/i\u003echronicling the 1909–1921 seasons of the \u003cem\u003eBallets Russes\u003c\/em\u003e, with many photographs and full-color illustrations relating to the legendary ballet company. A selection of souvenir programs (published as supplements to the magazine) and extracts from the magazine are arranged in chronological order; interspersed leaves with texts by V. Svetloff (Russian critic and biographer of Anna Pavlova) give further details of each year's productions. Magnificently bound in full navy blue morocco with pictorial inlay (from \u003ci\u003eThe Firebird\u003c\/i\u003e) by Natalia Goncharova and accompanying slipcase. Graphically interesting endpapers covered in the names of important Ballets Russes figures. Most pages unnumbered; over 200 pp. total. Overall in very fine condition. 10.25 x 13.5 inches (26 x 34 cm).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHighlights include the May 1917 \"Théâtre du Chatelet\" separate publication devoted to the groundbreaking ballet \u003ci\u003eParade,\u003c\/i\u003e including Apollinaire's famous foreword, coining the word \"surrealism,\" and the two color illustrations by Picasso. The many color illustrations throughout highlight the artistic contributions of Léon Bakst (1866-1924), Nicholas Roerich (1874-1947), Valentine Hugo, née Gross (1887-1968), André Derain (1880-1954), Alexandre Benois (1870-1960), Mikhail Larionov (1881-1964), José Maria Sert (1874-1945) and Pablo Picasso (1881-1973) to the long history of the Ballets Russes. Particularly striking are the many full-page color costume designs by Bakst. The dancers featured in the illustrations and photographs include the great Russian stars Vaslav Nijinksy (1889-1950), Tamara Karsavina (1885-1978), Michel Fokine (1880-1942) and his wife Vera Fokina, and Ida Rubinstein (1883-1960), among others.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContents:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e9 pages on the Saison Russe 1909, Opera et Ballet, including a cover illustration of a costume design by Leon Bakst; Cover of Comoedia Illustré no. 18 (June 15, 1910) with portrait of Catherine Gheltzer; Comoedia Illustré special number, supplement to no. 18, with cover design of a dancer with a sword by Leon Bakst. 14 pp., including two full-page color illustrations by Bakst (these two pages with partial losses and repairs to edges); 1 page clipped and mounted set design for Scherazade with hand-painted title; Programme Officiel des Ballets Russes, Théâtre du Châtelet, Juin 1911, with gold-embellished translucent paper slipcovers. Cover design of Nijinksy in \"La Péri\" by Leon Bakst, and eight further images by Bakst, including costume designs for \"Narcisse\" and \"Dieu bleu,\" and a 2-page spread stage design for \"Narcisse.\" Full-page portrait photographs of Nijinsky, Karsavina, Fokine and Fokina, Rosay, Natalia Trouhanowa, Sophie Fédorova, and other dancers in \"Scheherezade\" and \"Carnaval.\" 30 pp.; 10 pages from an issue of Comoedia Illustré, including a 4-page color spread on Nijinsky and Karsavina, with drawings by Jean Cocteau; 10 pages on \"Petrouchka,\" including two color set designs by A. Benois, and full-page photographs of Karsavina, Fokine and Fokina; Comoedia Illustré 1911 special number on \"Le Martyre de Saint Sébastien,\" with a cover illustration by Leon Bakst showing Ida Rubinstein as the martyred saint, and also including a two-page gold and color spread of costume designs. 11 pp.; Comoedia Illustré 1912 special number for the 7th Season, with cover illustration from \"Le Dieu Bleu\" by Bakst, and also including further costume designs and scenic designs for \"Daphnis et Chloé\" and \"Le Dieu Bleu\" by Bakst. 14 pp.; 5 further pages on \"Le Dieu Bleu.\"; Clipped cover from Comoedia Illustré no. 17 (June 1, 1912) with illustration of Karsavina and Bolm in \"Thamar.\"; 4 further pages on \"Thamar,\" and \"Petrouchka\"; Two covers mounted verso-to-verso from Comoedia Illustré special issue no. 16 (May 15, 1912) with illustration by Bakst of Nijinsky in \"L'Après-Midi d'un Faune\" on one cover, and a photograph of a relief sculpture on the other cover. Followed by 8 further pages on \"L'Après-Midi d'un Faune\" with Greek vase-style pink and black borders, and photographs of Nijinksy and several female dancers; 10 pages on \"Daphnis and Chloé\" with photographs and text; Special issue on \"Hélène de Sparte,\" including cover design by Leon Bakst, showing Ida Rubinstein as Hélène, and five further costume and scenic designs by Bakst. 15 pp. Followed by 6 further pages on \"Hélène de Sparte.\"; 4 pages on Oscar Wilde's \"Salomé\"; Full-page mounted illustration of Schollar, Nijinsky, and Karsavina in \"Jeux,\" by Valentine Gross, followed by 1 page on \"Boris Godounoff\" with scenic illustration by Bakst and one page of costume designs by Bakst for \"Boris Godounoff,\" 4 pages on \"Jeux\" with photographs and illustrations by Valentine Gross, 3 pages on \"Sacre du Printemps\" and \"Kowanchina\" with scenic drawings by Roerich and Fédorowski; 16 pages on \"Jeux,\" \"Daphnis et Chloé,\" and \"Sacre du Printemps,\" including a 2-page spread on \"Peintres Decoratifs Russes,\" with tipped-in or mounted color illustrations by Bakst and Fédorowsky, a 2-page spread of drawings of Nijinsky and Karsavina by Valentine Gross, and a 2-page spread of costume designs by Soudeïkine and a full-page curtain design by Soudeïkine; Clipped cover from Comoedia Illustré no. 18 (June 20, 1913), with illustration of Ida Rubinstein in couture by Worth. Followed by 16 pages on \"La Pisanelle,\" including a 2-page color set design and further illustrations by Bakst and Gross; 28 pages on the Ballets Russes season of 1914, including a full-page illustration of Mme. Kousnetzoff as the wife of Putiphar and several more costume designs for \"La Légende de Joseph\" by Bakst, and a 2-page spread of costume designs for \"Rossignol\" by Alexandre Benois; 4 pages on \"Le Coq d'Or\" with drawings by Nathalie Gontcharova and Valentine Gross; Complete Ballets Russes special issue for the performances of May 25 and 26, 1917, constituting the \"THÉATRE DU CHATELET\" SEPARATE PUBLICATION MAINLY DEVOTED TO JEAN COCTEAU'S GROUNDBREAKING BALLET \"PARADE\", INCLUDING APOLLINAIRE'S FAMOUS FOREWORD (COINING \"SURREALISM\") AND THE TWO FAMOUS COLOR ILLUSTRATIONS BY PICASSO on the front and back covers, and including a portrait of Leonide Massine by Leon Bakst, a portrait of Stravinsky by Picasso, and a portrait of Picasso by Bakst. 24 pp; 4 pages on the Ballets Russes season of January-February 1920, followed by a clipped cover from the Comoedia Illustré special issue with costume designs for \"Tricorne\" by Picasso, and the complete program for the 1919-1920 season, including drawings by Picasso, set and costume designs by André Derain, a mounted color set design by Picasso, and costume designs by Bakst. 32 pp; Complete special issue for the \"Ballets Russes à l'Opéra,\" May-June 1920, with cover design of costumes for \"L'Astuce feminine\" and further costume and scenic designs by José-Maria Sert. 9 pp; 22 pages on the Ballets Russes season of 1921, including a short program and pages from an issue of Comoedia Illustré, with drawings of Stravinsky by Picasso and of Prokofiev by Matisse, a 2-page spread of costume and scenic designs for \"Le Bouffon\" by Larionow, and a 3-page spread of photographs and analysis of \u003cem\u003eSacre du Printemps\u003c\/em\u003e; 1 page clipped and mounted color set design for \u003cem\u003eL'Apres Midi \u003c\/em\u003eby Bakst. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"showMoreLessContentElement\"\u003eThis very rare limited edition was compiled by the program publishers of the Ballets Russes themselves, Maurice and Jacques de Brunoff. All the programs are the original printings, collected and bound with a selection of extracts from the magazines, together with the souvenir programs (published as supplements), arranged in chronological order. Among the most important of all the publications present is the magnificent May 1917 \"Théatre du Chatelet\" publication (mainly devoted to the ballet \"Parade\"), which constitutes one of the most important publications in the history of modern art. It is here, in his presentation-article to \"Parade,\" that Apollinaire coins the term \"surrealism\" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. The ballet \"Parade\" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is especially famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the \"Parade\" program, which depicts the \"Costume de Chinois du ballet \"Parade\"\/ aquarelle de Picasso\", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself). This program epitomizes the importance and influence of the \"Comoedia Illustré.\" \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"showMoreLessContentElement\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"showMoreLessContentElement\"\u003e\"This stage, theatre and ballet monthly was published in Paris between 1908 and 1921, although suspended publication (except for special issues or supplements) between September 1914 and October 1919. At the beginning of 1922, 'Comoedia illustré' merged with 'Le Théâtre' [published 1898-1921] and became\u003cspan class=\"showMoreLessContentElement\"\u003e 'Le Théâtre et comoedia illustré' [published 1922-1926]). 'Le comoedia' often devoted whole special issues to the annual Paris season of Serge Diaghilev's Ballets Russes and Ida Rubinstein's Galas Russes. Special supplements of the magazine were often published as programmes to new performances. These special issues and supplements were usually lavishly illustrated, usually in full colour, with the costume and set designs, and to portraits of the leading dancers and singers in the operas and ballets. Leading designers at different times included Natalia Goncharova, Mikhael Larionov, Léon Bakst (who was particularly prolific), Pablo Picasso, Henri Matisse, Léonide Massine, José Maria Sert, André Derain, and other avant-garde artists.\" (Harvard Theatre Collection)\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093681262751,"sku":"18394","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ballets_Russes_Comoedia_Illustre_18394A.png?v=1722189661"},{"product_id":"18615-berio-luciano-1925-2003-autograph-musical-manuscript","title":"Berio, Luciano. (1925–2003) Autograph Musical Manuscript","description":"\u003cdiv style=\"\"\u003eUnidentified autograph musical manuscript from the important twentieth-century composer, including corrections and deletions.  4 pp. with autograph pagination (1 to 4), in fine condition, 9.25 x 13 inches (23.5 x 33 cm). Twenty-four-staff printed music paper stamped \"1118 EXTRA\". No date, no signature.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eContinuous excerpt (14 measures) from full score draft of an unidentified work for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3(?) horns, 2 trumpets, 1 trombone, harp, timpani, 4-part mixed choir and strings. The key is D major, the implied time signature 4\/4. The Latin text underlay, \"Gaudete et exultate quoniam\" (\"Rejoice and be glad, for...\") is from Matthew 5:12 (the Sermon on the Mount). In pencil; some marks to foot in ink.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093688373407,"sku":"18615","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Berio_Autograph_Music_18615.jpg?v=1722189702"},{"product_id":"18736-metropolitan-opera-house-two-box-chairs","title":"[Metropolitan Opera House] Two Box Chairs","description":"Pair of box chairs from the old Metropolitan Opera House, with red jacquard damask cushions and gold-painted wooden frames.  Surface wear to frames, else fine.  Cushions approx. 15 inches (38.1 cm.) square, back height 35 inches (88.9 cm.).  NB: additional shipping fees will be invoiced separately.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\"The old Met\" opened in 1883 at 1411 Broadway in Manhattan, serving as the primary residence for the Metropolitan Opera until its closure in 1966, when the company moved to the Metropolitan Opera House at Lincoln Center.  Despite attempts to grant the building landmark status, it was demolished in 1967 to make way for an office tower.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093692797087,"sku":"18736","price":1000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Metropolitan_Opera_House_Box_Chairs_18736b.jpg?v=1722189731"},{"product_id":"18886-steinberg-saul-1914-1999-budapest-string-quartet-schneider-alexander-1908-1993-untitled-american-citizenship-certificate-for-alexander-schneider-original-drawing","title":"Steinberg, Saul. (1914-1999) [Budapest String Quartet] [Schneider, Alexander. (1908–1993)] Untitled (American Citizenship Certificate for Alexander Schneider) - ORIGINAL DRAWING","description":"Original artwork certificate for the great violinist written in intentionally unintelligible script and\u003cspan style=\"\"\u003e dated 'Febr. 2 1947', the only \u003c\/span\u003edecipherable \u003cspan style=\"\"\u003eother text being the name \"Alexander Schneider\" and the artist's signature \"Steinberg.\" \u003c\/span\u003e\u003cspan style=\"\"\u003eInk, colored pencil, watercolor and postage stamp on paper. \u003c\/span\u003e\u003cspan style=\"\"\u003e10 x \u003c\/span\u003e\u003cspan style=\"\"\u003e13\u003c\/span\u003e\u003cspan style=\"\"\u003e inches (25.4 x 32.7 cm.). \u003c\/span\u003eFrom the collection of the eminent Lithuanian-American violinist and conductor Alexander Schneider, best known as second violinist of the Budapest String Quartet from 1932 to 1944 and from 1955 to 1967.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eAn extraordinary example of the artist's celebrated abstract handwriting style. \"\u003c\/span\u003e\u003cspan style=\"\"\u003eIn the mid-1940s, he had begun to evolve an elegant, but purposely unreadable, calligraphy with which he manufactured false documents—fake certificates, diplomas, passports, and licenses—whose illegibility deprives officialdom of its self-proclaimed authority . By the 1950s, the “handwriting” had matured into such eye-fooling illusiveness that viewers labored to decipher it (they still do). Some of these documents he gave to friends, others he exhibited in gallery shows. But with their added stamps, seals, and pseudo-photographs, they also echo Steinberg’s fraught effort to acquire the visas and permissions that enabled him to escape Fascist Italy and, ultimately, enter the United States.\" (Saul Steinberg Foundation)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cdiv style=\"\"\u003eThe present work also features a number of rubber stamps, a characteristic Steinbergian device, which had had entered the vocabulary of his art around 1951, when he began to contextualize drawings with the addition of ready-made stationer’s stamps. By the mid-1960s, he had graduated to using stamps made from his own designs, sometimes applying them to compositions in other media or overtaking an entire sheet, the stamps serving to \"parody the political and social world.\" (Quoted by Eli Waldron,\u003cem style=\"\"\u003e Publishers Weekly\u003c\/em\u003e, July 5, 1973)\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eThe Romanian American cartoonist and illustrator Saul Steinberg was famed worldwide for giving graphic definition to the postwar age, and had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in \u003cem style=\"\"\u003eThe New Yorker\u003c\/em\u003e for nearly six decades (including his \u003ci style=\"\"\u003eView of the World from 9th Avenue, \u003c\/i\u003ewhich graced the cover of the March 29, 1976 edition of the magazine), he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums. He described himself as \"a writer who draws\" and defined drawing as \"a way of reasoning on paper.\" \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\"Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life. Sometimes with affection, sometimes with irony, but always with virtuoso mastery, he peeled back the carefully wrought masks of 20th-century civilization. Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art, however, resists conventional critical categories. “I don’t quite belong to the art, cartoon or magazine world, so the art world doesn’t quite know where to place me,” he said. He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.\" (Saul Steinberg Foundation)\u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eDescribed as \"one of the most unquenchably energetic figures in the public musical life of the USA,\" (New Grove), among many accomplishments, Alexander Schneider was a member of the legendary Budapest String Quartet and a guest conductor of major orchestras around the world. A recipient of the Kennedy Center Honors, he was the founding Artistic Director of the annual New York String Orchestra Seminar, one of the country's most acclaimed professional training programs for young musicians at Carnegie Hall, which is a major beneficiary of grants from the Alexander Schneider Foundation. \u003c\/div\u003e\n\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"\"\u003eThese two dynamic forces in art and in music in the second half of the 20th century happened to be life-long friends, part of a closely-knit circle of some of the world's leading artists, musicians, photographers and actors, who often gathered at Schneider's loft building on Manhattan's east side. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093697515679,"sku":"18886","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Steinberg_Saul_Original_Drawing_18886b.jpg?v=1722189760"},{"product_id":"19307-heifetz-jascha-1901-1987-original-signed-hurrell-photograph","title":"Heifetz, Jascha. (1901–1987) Original Signed Hurrell Photograph","description":"A very fine large original signed and numbered photograph, an iconic image of the great violinist.  Silver gelatin emulsion photograph from Hurrell Portfolio III, 1979, signed \"Hurrell\" in lower left corner and numbered 34\/50. Matted and framed; measures 43 x 55.25 x 1.5 inches; within mat 36 x 48 inches. Frame with a few small cracks to one corner, otherwise in very fine condition. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGeorge Hurrell is credited with creating the glamour image of Hollywood through his lush and beautifully illuminated portraits of film and music stars. He set the new Hollywood standard for all that followed.  In 1979-1982 he released three portfolios in limited editions, for which all printing and quality was supervised by Hurrell and each print was signed and numbered in pen by him.  The present rare photograph is from one such portfolio.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093711442079,"sku":"19307","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Heifetz_2C_Jasha_Original_Signed_Hurrell_Photograph_19307a.jpg?v=1722189856"},{"product_id":"19347-huston-walter-1884-1950-the-outlaw-signed-press-photograph","title":"Huston, Walter. (1884–1950) \"The Outlaw\" – Signed Press Photograph","description":"Signed promotional photograph of the Canadian-born American actor as shown in the 1943 western film \"The Outlaw.\" Huston is shown in a pensive pose, adorned in his character's costume. Signed \"Walter Huston\" to the upper left corner in blue ink. Moderate toning throughout, with a large area over-painted to obscure the name of the original inscribee, else fine. 8 x 10 inches (20.3 x 25.4 cm.).\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe 1943 American Western film \u003ci style=\"\"\u003eThe Outlaw\u003c\/i\u003e was directed by Howard Hughes and starred Jack Buetel, Jane Russell, Thomas Mitchell, and Walter Huston. Hughes also produced the film, while Howard Hawks served as an uncredited co-director. The film is notable as Russell's breakthrough role, and she became regarded as a sex symbol and a Hollywood icon.\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093712785567,"sku":"19347","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/19347_Huston_SP.jpg?v=1722189861"},{"product_id":"19649-beethoven-ludwig-van-1770-1827-1812-life-mask","title":"Beethoven, Ludwig van. (1770–1827) 1812 Life Mask","description":"\u003cp\u003eA striking late 19th century plaster cast replica made from the life mask originally taken by the sculptor Franz Klein (1779 - after 1836) in 1812.\u003c\/p\u003e\n\u003cdiv\u003eThe mask is complete and with the original shape, unlike some modern copies made with modified extended neck.   Waxed with light fawn colored tinting, verso flat back centering an integral steel suspension loop above incised inscription, \"COPY FROM \/ LIFE MASK \/ OF BEETHOVEN \/ BY FRANZ KLEIN \/ 1812.\"  Normal surface buildup, dust, some tiny surface nicks scattered about,  overall fine.  7 x 9.75 inches (17.8 x 24.7 cm.).\u003cbr\u003e\u003cbr\u003eIn 1812, the piano maker Johann Andreas Streicher commissioned for his private concert hall on the Ungargasse a bust of his friend Beethoven from the Viennese anatomical sculptor Franz Klein.  The forty-one-year-old Beethoven gave Klein permission to mold his face, but \"Klein encountered some resistance from his famous subject, who was sure the wet gypsum with which his whole face had been plastered would suffocate him.  The first attempt ended in failure, but the result of the second attempt is a priceless legacy.  Physical comparison with the verbal portraits of Beethoven is, thanks to this uncannily accurate artifact, made possible.  The squarish head is not really unusually large (as remembered by Schindler and the Bonn baker, for example); the vertical stretch from chin to hairline measures just short of eight inches (19.75 centimeters).  But the forehead is large: pronounced, powerful, wide, rounded, and prominent without being really high.  In profile view it bulges slightly forward above the furrowed brow.  The nose is indeed flat and broadens out over the lower cartilage.  A marked vertical groove- the philtrum- runs from under the nose to just above the middle of the upper lip.  Seen level at full face the nostril wings flare ever so slightly, inspiring the “lion-muzzle” analogy of certain descriptions.  If the life mask is picked up and observed from below, the orifices of the nostrils are seen to be of uneven circumference, with the left much smaller and a bit higher than the right.  The contracted brow and drooping set of the firmly clamped lips are partially due to the uncomfortable procedure of plaster casting, but do agree with contemporary descriptions of Beethoven’s facial expression when not animated.  Most striking are the scar on the right side of the nose, the deep scar on the right side of the chin, and the pronounced cleft.  When one actually touches the mask this cleft can be felt to throw up a mound of flesh on either side- the “shell-like conformation” mentioned by Schindler.  This strange configuration at the tip of the chin is not the result of a bony chin, but of an overdeveloped mentalis muscle that raises the chin and pushes up the lower lip.  The fidelity of Klein’s life mask extends even to the reproduction of Beethoven’s skin pores and facial scars.  While contemporary accounts uniformly referred to the many blemishes as smallpox scars, there are some lumpy areas around the chin and mouth, on the cheeks, and especially above the nose between the eyebrows not explained by smallpox.... Whatever the medical cause of Beethoven’s pustular facial eruptions—and a secure diagnosis is admittedly difficult—the formidable impression conveyed by Klein’s austere life mask of seriousness and intense concentration (again, due partly to the plastering discomfort) would be seized upon by all later image makers as appropriate to the Beethoven aura.  But the pockmarks—hardly conducive to hero worship—would be left behind.\" (Alessandra Comini, \"The Changing Image of Beethoven,\" p. 33–34)\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093723107487,"sku":"19649","price":800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Beethoven_1812_Life_Mask_19649d_a05f9443-f944-414b-a7ce-6da33e0f5148.jpg?v=1722189920"},{"product_id":"19700-prezio-victor-i-see-said-the-blind-man-1953","title":"Prezio, Victor. (1924–1976) \"I see, said the blind man,\" 1953","description":"\u003cdiv class=\"lot-detail_description expandable-init\" style=\"\"\u003e\n\u003cspan style=\"\"\u003eOriginal illustration for the story of the same title by Robert Bristow, published in \u003ci style=\"\"\u003eMALE\u003c\/i\u003e magazine, March 1953.  \u003c\/span\u003eSigned \"Prezio\" to the lower left corner.  Gouache and glaze on board.  Some stray paint marks along the outer board edges and adhesive remnants on the verso; overall fine.  Drawing 9.5 x 11.5 inches (24.1 x 29.2 cm.), overall 13.25 x 15.6 inches (33.6 x 39.6 cm.).  Provenance: From the artist's estate.\u003c\/div\u003e\u003cdiv class=\"lot-detail_description expandable-init\" style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv class=\"lot-detail_description expandable-init\" style=\"\"\u003e\n\u003cspan style=\"\"\u003eAmerican artist Victor Prezio was p\u003c\/span\u003e\u003cspan style=\"\"\u003eart of the \u003c\/span\u003e\u003cspan style=\"\"\u003e603rd Camouflage Battalion during World War II, \u003c\/span\u003e“The Ghost Army” battalion composed of many people with a background in the arts employed to confuse the enemy by constructing tanks out of cardboard and other forms of subterfuge. He went on to be a prolific illustrator of magazine, pulp and paperback covers and stories in the post-WWII era.  His work for such publishers as Dell, Gold Key, and Warren Publishing throughout the 1950s and 1960s encompassed a range of popular genres from Sci-fi, Sports, Romance, and Western. He died at the all to early age of 52, at the height of his career.\u003c\/div\u003e\u003cdiv class=\"lot-detail_description expandable-init\" style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\u003ca class=\"expand-bar\" style=\"\"\u003e\u003c\/a\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093724483743,"sku":"19700","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/19700_Prezio_Original_Illustration.png?v=1722189925"},{"product_id":"20002-ferrier-kathleen-1912-1953-signed-photograph","title":"Ferrier, Kathleen. (1912–1953) Signed Photograph","description":"\u003cdiv\u003eSigned Fayer of Wien photograph of the great contralto, who has inscribed \"With my best wishes, \/ Very Sincerely Kathleen Ferrier\" in black ink to the lower margin.  Photographer's stamp to verso.  In fine condition, with slight toning to verso.  3.4 x 5.15 inches (8.6 x 13 cm.). Uncommon.\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cspan style=\"\"\u003eBruno Walter wrote of Ferrier “No summit of solemnity was inaccessible to her, and it was particularly music of spiritual meaning that seemed her most personal domain.”\u003cbr style=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093734641823,"sku":"20002","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ferrier_Kathleen_Signed_Photograph_20002.jpg?v=1722189986"},{"product_id":"20135-schoenberg-arnold-1874-1951-mitropoulos-dimitri-1896-1960-gurre-lieder-von-jens-peter-jacobsen-deutsch-von-robert-franz-arnold-fur-soli-chor-und-orchester-conductors-score-from-the-collection-of-mitropoulos","title":"Schoenberg, Arnold. (1874–1951) [Mitropoulos, Dimitri. (1896–1960)] Gurre-Lieder von Jens Peter Jacobsen \/ Deutsch von Robert Franz Arnold \/ für Soli, Chor und Orchester... – Conductor's Score from the Collection of Mitropoulos","description":"\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eOversize \u003c\/span\u003efull score of the Austrian composer's most monumental work.  Large upright folio.  Wrappers present.  Lithographed after plates by F. M. Geidel, Leipzig (see note to final page).  [PN] U.E. 6300.  In German throughout.  Title with instrument list to verso, 3–189, [190] with printer's note pp.  From Mitropoulos's personal collection, with minor notations in pencil to 38 pages throughout, some likely in the hand of the Greek conductor but most in the hand of his protégé James Dixon.  19 x 14.25 inches (48 x 36.4 cm).  Wrappers heavily chipped and worn, with stains (coffee; to upper and also to title) and losses; few gatherings separating at spine with spine mostly lost; printed score mostly fine, apart from edge tears (e.g. to first and last ten leaves) and loss of lower right corner of pp. 25–26 (no loss to music). R\u003cspan style=\"\"\u003eufer (E), pp. 78-79. GA B 16\/1, p. 161. \u003c\/span\u003e\u003cbr style=\"\"\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e\u003cdiv style=\"\"\u003eAs a conductor, Mitropoulos was known \"as an ardent supporter of contemporary music, especially during his tenure in Minneapolis,\" where his conducting programs often included works by the likes of Schoenberg, Berg, and Webern.  Of those, \"Mitropoulos was probably closer to the work of Schoenberg, as he had already conducted \u003ci style=\"\"\u003eVerklärte Nacht\u003c\/i\u003e and \u003ci style=\"\"\u003eGurre-Lieder\u003c\/i\u003e in Athens, in 1926 and 1931 respectively, while retaining a 6-year correspondence with the Austrian composer, counting (at least) 37 letters and telegrams sent between 1945 and 1951...Mitropoulos’ deep respect for Schoenberg’s works and achievements,\" vividly capture in those letters, \"were met with the Austrian composer’s gratitude and admiration for both the way the Greek conductor performed his works and his persistence to promote contemporary music (sometimes under a substantial personal cost).  Despite their extended correspondence, Mitropoulos and Schoenberg never met in person.\" (Giorgios Sakallieros, \"Mitropoulos’ Composing in the 1920s: Into and Out of the Second Viennese School Boundaries,\" dimitrimitropoulos.gr)\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cbr style=\"\"\u003eSchoenberg's\u003ci style=\"\"\u003e Gurre-Lieder\u003c\/i\u003e were first performed in Vienna at the Großer Musikvereins-Saal, in February of 1913.  The work draws on Robert Franz Arnold's German translation of the Danish poet Jens Peter Jacobsen's \u003ci style=\"\"\u003eGurresange\u003c\/i\u003e, and was originally composed for voice and piano in 1900.  \"When he finished the orchestration in 1910\/1911, he considered the piece a document of a style of composition and an intellectual attitude which already seemed alien to him–although that did not detract from the work’s importance:  'It is the key to my entire development.  It shows sides of me which I do not reveal later on, or, from a different approach.  It explains how everything had to happen as it did later on, and that is enormously important for my work–that one can follow the man and his development from that point on.'\" (Agnes Grond, Arnold Schönberg Center).  A facsimile of Schoenberg's autograph score was published by Universal Edition in 1913.  The present edition is the first engraved score, with revisions by the composer.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eDimitri Mitropoulos was Greece’s most prolific conductor and New York Philharmonic Music Director from 1949-1958.  Widely regarded as one of the most significant conductors of the twentieth century, he is best remembered for his significant recorded legacy and for his commitment in bringing new compositions to the stage of major symphony orchestras.  Indeed, it is thanks to his efforts that many of our current symphonic standards made their way into the repertory.  He gave World and American premiers of seminal works such as Gustav Mahler’s Symphony No. 6 and Schoenberg’s \u003ci style=\"\"\u003eErwartung\u003c\/i\u003e, as well as other major works by Schoenberg, Shostakovich, Prokofiev, and many others.  His personal collection has been held in private hands since his death in 1960, when it passed to conductor James Dixon, his student and protégé.  Mitropoulos came to consider Dixon his son, introducing him to conductors and performing arts institutions around the world, jumpstarting his career.  When Mitropoulos died in 1960 he left all his belongings, including his scores, to Dixon.  The bulk of the musical library has been subsequently gifted to the University of Iowa’s music library, but a selection of rare items have been selected to be offered for sale exclusively by Schubertiade Music \u0026amp; Arts.  These examples, many inscribed to the conductor from composers or associates, have only occasional markings from the conductor himself who committed all music to memory before his first rehearsal of the repertoire – a highly unusual method!  Some of these scores, however, were also subsequently used by James Dixon as part of his working reference library for many years and include his occasional markings.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093739065503,"sku":"20135","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Schoenberg_2C_Arnold_Gurre-Lieder_von_Jens_Peter_Jacobsen_20135a.jpg?v=1722190017"},{"product_id":"20136-strauss-richard-1864-1949-mitropoulos-dimitri-1896-1960-die-schweigsame-frau-komische-oper-in-drei-aufzugen-frei-nach-ben-johnson-von-stefan-zweig-opus-80-potpourri-orchester-partitur-conductors-score-from-the-collection-of","title":"Strauss, Richard. (1864–1949) [Mitropoulos, Dimitri. (1896–1960)] Die schweigsame Frau \/ Komische Oper in drei Aufzügen \/ Frei nach Ben Johnson von Stefan Zweig...  Opus 80 \/ Potpourri \/ Orchester-Partitur –  Conductor's Score from the Collection of Mitro","description":"\u003cdiv style=\"\"\u003eFull score.  Upright folio.  Wrappers present.  Lithograph after plates engraved by Oscar Brandstetter, Leipzig-Berlin (see printer's note to foot of final page of music).  [PN] A. 8300 8306 F.  Title (lithographed from manuscript) with performing rights notice to verso; instrument list; XXIV pp.  Performing rights notice has blank filled in in manuscript (translated here), \"this copy of score no. [manuscript: \"12\"] is intended only [continuation in manuscript] for further study by Maestro Mitropoulos in Monte Carlo.\" From Mitropoulos's personal collection.  18.25 x 12.25 inches (46.5 x 31.5 cm).Light wear to wrappers and corners; top right corner bumped; lower edge creased; partial separation at binding; else in fine condition.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\"During the late summer of 1931 Anton Kippenberg, the publisher, called on Strauss and mentioned one of his authors, Stefan Zweig, who at this date was fifty and at the height of his popularity as novelist and biographer.  'Ask him if he has an opera libretto for me,' Strauss said...In mid-June of 1932 Zweig delivered the first section of Act 1 of \u003ci style=\"\"\u003eDie schweigsame Frau\u003c\/i\u003e.  'It is delightful,' Strauss told him, 'the born comic opera...more suited to music than either \u003ci style=\"\"\u003eFigaro\u003c\/i\u003e or \u003ci style=\"\"\u003eThe Barber of Seville\u003c\/i\u003e...I am burning to get started on it in earnest.'\"  The full score was finished in October of 1934, and the opera premiered in June of 1935.  Strauss's insistence that Zweig, a Jew, remain credited as librettist on the program at the premier led to his being asked to resign from the presidency of the \u003ci style=\"\"\u003eReichsmusikkammer\u003c\/i\u003e.  Less than a month later, \u003ci style=\"\"\u003eDie schweigsame Frau\u003c\/i\u003e was banned throughout Germany by the Nazi Party for violating the party's proscribing of non-Aryan art.  (Michael Kennedy, \u003ci style=\"\"\u003eRichard Strauss\u003c\/i\u003e)  It is also noteworthy that Strauss had his music published by a company owned by a Jewish family.  Strauss, whose business partnership with Fürstner had begun in 1900, remained faithful to his publisher as long as it was possible at all, into the late 1930s.\u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eDimitri Mitropoulos was Greece’s most prolific conductor and New York Philharmonic Music Director from 1949-1958.  Widely regarded as one of the most significant conductors of the twentieth century, he is best remembered for his significant recorded legacy and for his commitment in bringing new compositions to the stage of major symphony orchestras.  Indeed, it is thanks to his efforts that many of our current symphonic standards made their way into the repertory.  He gave World and American premiers of seminal works such as Gustav Mahler’s Symphony No. 6 and Schoenberg’s \u003ci style=\"\"\u003eErwartung\u003c\/i\u003e, as well as other major works by Schoenberg, Shostakovich, Prokofiev, and many others.  His personal collection has been held in private hands since his death in 1960, when it passed to conductor James Dixon, his student and protégé.  Mitropoulos came to consider Dixon his son, introducing him to conductors and performing arts institutions around the world, jumpstarting his career.  When Mitropoulos died in 1960 he left all his belongings, including his scores, to Dixon.  The bulk of the musical library has been subsequently gifted to the University of Iowa’s music library, but a selection of rare items have been selected to be offered for sale exclusively by Schubertiade Music \u0026amp; Arts.  These examples, many inscribed to the conductor from composers or associates, have only occasional markings from the conductor himself who committed all music to memory before his first rehearsal of the repertoire - a highly unusual method!  Some of these scores, however, were also subsequently used by James Dixon as part of his working reference library for many years and include his occasional markings.\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093739163807,"sku":"20136","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Strauss_2C_Richard._Conductor_27s_Score_from_the_Collection_of_Mitropoulos_20136a.jpg?v=1722190019"}],"url":"https:\/\/www.schubertiademusic.com\/collections\/fall-2023.oembed?page=6","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}