![Dolin, Anton. (1904–1983) [Vechten, Carl Van. (1880-1964)] Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho](http://www.schubertiademusic.com/cdn/shop/files/VechtenDolin25555.jpg?v=1772832217)
![Dolin, Anton. (1904–1983) [Vechten, Carl Van. (1880-1964)] Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho](http://www.schubertiademusic.com/cdn/shop/files/VechtenDolin255551.jpg?v=1772832216)
Dolin, Anton. (1904–1983) [Vechten, Carl Van. (1880-1964)] . Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho.
Silver gelatin photograph of the great English ballet dancer and choreographer, a star in Diaghilev's Ballets Russes. Image taken in 1944, printed later, with the photographer's stamp to verso, inscribed by him upper center "Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho / AA.I.19 / May 18, 1964." 7.7 x 9.8 in. (19.5 x 25.1 cm). Very fine. From the Collection of Michael Feingold.
Anton Dolin created the role of "The Prince" in Tally-Ho, or The Frail Quarry (1944), a ballet choreographed by Agnes de Mille for Ballet Theatre. The ballet is set in a French forest during the time of Louis XVI. Paul Nordoff arranged the music, bringing together pieces by Christoph Willibald Gluck.
Carl Van Vechten was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago, he entered upon his first career as a reporter and by the early 1930s, Van Vechten was a well known author having written numerous articles for newspapers and magazines and published seven novels. It was during this time period that Van Vechten began to develop a second career as a photographer. Van Vechten over the course of his lifetime proved to be as successful a photographer as he was an author.
Michael E. Feingold was an American critic, translator, lyricist, playwright and dramaturg. He was the lead theater critic of The Village Voice from 1982 to 2013, for which he was twice named a Pulitzer Prize for Criticism finalist, and was a two-time recipient of the George Jean Nathan Award for Dramatic Criticism. He was a judge for the Obie Awards for 31 years, and the chairman for nine years. For his work as the translator and adapter of the book and lyrics of the Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht musical Happy End, he was nominated for two Tony Awards in 1977.
Dolin, Anton. (1904–1983) [Vechten, Carl Van. (1880-1964)] . Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho.
Silver gelatin photograph of the great English ballet dancer and choreographer, a star in Diaghilev's Ballets Russes. Image taken in 1944, printed later, with the photographer's stamp to verso, inscribed by him upper center "Anton Dolin as The Prince in Agnes de Mille's ballet, Tally Ho / AA.I.19 / May 18, 1964." 7.7 x 9.8 in. (19.5 x 25.1 cm). Very fine. From the Collection of Michael Feingold.
Anton Dolin created the role of "The Prince" in Tally-Ho, or The Frail Quarry (1944), a ballet choreographed by Agnes de Mille for Ballet Theatre. The ballet is set in a French forest during the time of Louis XVI. Paul Nordoff arranged the music, bringing together pieces by Christoph Willibald Gluck.
Carl Van Vechten was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago, he entered upon his first career as a reporter and by the early 1930s, Van Vechten was a well known author having written numerous articles for newspapers and magazines and published seven novels. It was during this time period that Van Vechten began to develop a second career as a photographer. Van Vechten over the course of his lifetime proved to be as successful a photographer as he was an author.
Michael E. Feingold was an American critic, translator, lyricist, playwright and dramaturg. He was the lead theater critic of The Village Voice from 1982 to 2013, for which he was twice named a Pulitzer Prize for Criticism finalist, and was a two-time recipient of the George Jean Nathan Award for Dramatic Criticism. He was a judge for the Obie Awards for 31 years, and the chairman for nine years. For his work as the translator and adapter of the book and lyrics of the Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht musical Happy End, he was nominated for two Tony Awards in 1977.