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[Monroe, Marilyn. (1926-1962)] Badger, Gerry. (b 1946). "Marilyn by Magnum". Munich: Pretel. 2012.

Hardcover. 4to. 130 pp. White boards, alabaster white lettering to front and spine, fine in in fine dj. 

Many pictures of her were taken by members of the Magnum photographic cooperative, and appear in this stunning collection that expresses every aspect of Marilyn's multifaceted persona. Henri Cartier-Bresson, Elliott Erwitt, Eve Arnold, Inge Morath, Philippe Halsman, Bruce Davidson, Dennis Stock, Bob Henriques, Erich Hartmann, and others capture Marilyn on and off the set. The images range from glamorous portraits to candid scenes of delicate intimacy. Marilyn is pictured filming movies such as Some Like It Hot and Gentlemen Prefer Blondes; also included in the book are Elliott Erwitt's renowned shots of Marilyn wrangling horses on the set of The Misfits, her last film. In richly toned black and white as well as lustrous color, these photographs reveal Marilyn's uncanny ease in front of the camera. Whether acting or exercising, putting on make-up or gracefully posing, Marilyn was a photographer's dream. 

 

[Monroe, Marilyn. (1926-1962)] Badger, Gerry. (b 1946) "Marilyn by Magnum"

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[Monroe, Marilyn. (1926-1962)] Badger, Gerry. (b 1946). "Marilyn by Magnum". Munich: Pretel. 2012.

Hardcover. 4to. 130 pp. White boards, alabaster white lettering to front and spine, fine in in fine dj. 

Many pictures of her were taken by members of the Magnum photographic cooperative, and appear in this stunning collection that expresses every aspect of Marilyn's multifaceted persona. Henri Cartier-Bresson, Elliott Erwitt, Eve Arnold, Inge Morath, Philippe Halsman, Bruce Davidson, Dennis Stock, Bob Henriques, Erich Hartmann, and others capture Marilyn on and off the set. The images range from glamorous portraits to candid scenes of delicate intimacy. Marilyn is pictured filming movies such as Some Like It Hot and Gentlemen Prefer Blondes; also included in the book are Elliott Erwitt's renowned shots of Marilyn wrangling horses on the set of The Misfits, her last film. In richly toned black and white as well as lustrous color, these photographs reveal Marilyn's uncanny ease in front of the camera. Whether acting or exercising, putting on make-up or gracefully posing, Marilyn was a photographer's dream.