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[Warhol, Andy. (1928–1987)]. S&H Green Stamps Exhibition Invitation with Postcard.

Color offset lithograph on wove paper, 1965. 580x577 mm; 23x22 3/4 inches (sheet), full margins. Edition of 6000. Printed by Eugene Feldman, Philadelphia. Published by the Institute of Contemporary Art, Philadelphia, with the printed text verso. A very good impression of the mailing announcement for Warhol's exhibition at the Institute of Contemporary Art, Philadelphia, October 8-November 21, 1965. TOGETHER WITH: Warhol: Flowers and other graphics Clerestorey, Philadelphia exhibition postcard. Feldman & Schellmann II.9. Moderate wear to the left edge, small separation at head of one fold, toning to verso, otherwise fine.

Andy Warhol’s S & H Green Stamps was created by the artist in 1965 for his first retrospective which was held at the Institute of Contemporary Art in Philadelphia. Created as the exhibition’s invitation – an image on one side, exhibition text on the reverse, the work was named in honor of Warhol's friend 'Sam Green' who he had met in 1964 and who was director of the ICA and spearheaded the exhibition which both Warhol and Edie Sedgwick attended. 

[Warhol, Andy. (1928–1987)] S&H Green Stamps Exhibition Invitation with Postcard

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[Warhol, Andy. (1928–1987)]. S&H Green Stamps Exhibition Invitation with Postcard.

Color offset lithograph on wove paper, 1965. 580x577 mm; 23x22 3/4 inches (sheet), full margins. Edition of 6000. Printed by Eugene Feldman, Philadelphia. Published by the Institute of Contemporary Art, Philadelphia, with the printed text verso. A very good impression of the mailing announcement for Warhol's exhibition at the Institute of Contemporary Art, Philadelphia, October 8-November 21, 1965. TOGETHER WITH: Warhol: Flowers and other graphics Clerestorey, Philadelphia exhibition postcard. Feldman & Schellmann II.9. Moderate wear to the left edge, small separation at head of one fold, toning to verso, otherwise fine.

Andy Warhol’s S & H Green Stamps was created by the artist in 1965 for his first retrospective which was held at the Institute of Contemporary Art in Philadelphia. Created as the exhibition’s invitation – an image on one side, exhibition text on the reverse, the work was named in honor of Warhol's friend 'Sam Green' who he had met in 1964 and who was director of the ICA and spearheaded the exhibition which both Warhol and Edie Sedgwick attended.