Born in Sweden, Rejlander studied painting as a young man, and later moved to Rome where he made a living making copies of Renaissance paintings. It was perhaps as a result of his early experience as a painter that Rejlander realised how useful photography could be to artists. He himself claimed that this moment of revelation came in 1852 after he’d bought some photographic reproductions of classical sculptures and was captivated by how photography succeeded in capturing the complicated folds of drapery. The present photograph is a fine testament to that revelation.
Born in Sweden, Rejlander studied painting as a young man, and later moved to Rome where he made a living making copies of Renaissance paintings. It was perhaps as a result of his early experience as a painter that Rejlander realised how useful photography could be to artists. He himself claimed that this moment of revelation came in 1852 after he’d bought some photographic reproductions of classical sculptures and was captivated by how photography succeeded in capturing the complicated folds of drapery. The present photograph is a fine testament to that revelation.