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[Hockney, David. (b. 1937)]. Collection of Fax Drawings, Letters, Exhibition Announcements and Publications, Gallery Cards, and Other Ephemera.
An interesting small collection of personal faxed letters and drawings, exhibition announcements, gallery cards, exhibition publications, magazines, and photocopies. Various sizes and conditions. 1973-1982. Provenance: Christopher Hanley Scott (1945–2002), partner to Henry Geldzahler (1935–1994); private collection, New York.

Hockney met Henry Geldzahler, a curator at the Metropolitan Museum, at Andy Warhol's New York apartment in the 1960's.  Hockney and Geldzahler became close friends and travel companions, sharing a sense of humor, interests, and many similar life experiences.  Through their friendship, Geldzahler and his partner Christopher became the subjects of numerous works by Hockney. This collection testifies to that relationship and includes a series of personal art faxes sent to them. In one facsimile note, the artist muses about their mutual engagement with the fax medium, writing, "Your fax had more half tones on it than any I have yet received. Here are a few of mine. You will love the machine."

Widely known for his ready embrace of new technology, David Hockney once described the fax machine as “the wonderful machine, the enemy of totalitarianism, the return of handwritten letters.” Hockney first began to experiment with the fax machine in the 1980s, transmitting drawings around the globe to friends and galleries alike. Adapting his drawing technique to the machine’s specificities, Hockney used opaque gray, for instance, to render halftones in the final product. When he was invited to participate in the 1989 São Paulo Biennial, he elected to do so by fax and devised a series of more than 30 such works to be shown.

The collection includes the following:

Faxes and Photocopies. 
Ten total. Largest 8.5 x 14 inches, smallest 8.5 x 11 inches.

Exhibition Publications.
Andy Warhol: A Memorial, curated by Henry Geldhazar, July 4–August 16, 1987. New York: Dia Art Foundation. 1987. Softcover. 12pp.  
David Hockney: Paintings and Drawings at the Musée des Arts Décoratifs, Paris, October 11 – December 9, 1974. London: Petersburg Press. Softcover. 58pp.
David Hockney: Things Recent, at Andre Emmerich Gallery, New York City, December 5 1990 – January 5, 1991.  Virginia: Virginia Lithograph Inc. Softcover. 52pp.  
The Artist's Eye – David Hockney: Looking at Pictures in a Book at the National Gallery, July 1 – August 31, 1981. Uxbridge: The Hillingdon Press. 1981. Softcover. 25pp. Includes 8 postcard prints of works selected by Hockney for his The Artist's Eye exhibition.
David Hockney: Some New Paintings at Knoedler Gallery, London, October 1988.  Softcover. 20pp.
David Hockney: Travels with Pen, Pencil and Ink / Selected Prints and Drawings 1962–1977 at the Tehran Museum of Contemporary Art, Iran. London: Petersburg Press Ltd., 1977.  Softcover. 200pp.
David Hockney: New Drawings at 1853 Gallery and Salts Mill, 1993–1994, Yorkshire.  United Kingdom: Lund Humphries Publishing. 1994. Softcover. 76pp.  With printed card reading "with compliments from David Hockney" and postcard print of a 1988 painting.
David Hockney: Faces published in conjunction with the exhibition David Hockney: Portrait Drawings 1966–1984 at Laband Art Gallery, Los Angeles, January 30 – March 14, 1987. New York: Thames and Hudson Inc.. 1987. Softcover. 80pp.
David Hockney: Some New Pictures at the L.A. Louver, Venice, CA (December 6, 1989 – January 6, 1990) and The Contemporary Museum, Honolulu, Hawaii (February 7 – March 19, 1990). 6,000 copies printed by Gardner Lithograph. 1990. Softcover. 48pp.

Five exhibition invitations from André Emmerich Gallery, New York City, between 1973–1991:
David Hockney: Things Recent, December 5 1990 – January 5, 1991. Bifolio.
David Hockney: New Paintings, March 30 – April 22, 1989. Bifolio.
David Hockney: Paper Pools, January 6 – January 26, 1979. Bifolio.
David Hockney: The Weather and Other Lithographs, May 19 – June 15, 1973. Bifolio.
David Hockney: Home Made Prints, December 6 – January 3, 1987. Bifolio.

Lecture booklet from André Emmerich Gallery, New York City, for Hockney's lecture, On Photography, given at the Victoria and Albert Museum in November, 1983. Softcover. 29pp.

January 1995 issue of New York Times Magazine with clippings of an article titled "Regarding Henry," with posthumous reflections on Henry Geldzahler's life by several artists, including Hockney.

February 1988 newsprint of Los Angeles Herald Examiner – Weekend with a centerfold presenting "an original print for you to keep and frame" of David Hockney's Two Apples, One Lemon and Four Flowers




[Hockney, David. (b. 1937)] Collection of Fax Drawings, Letters, Exhibition Announcements and Publications, Gallery Cards, and Other Ephemera

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[Hockney, David. (b. 1937)]. Collection of Fax Drawings, Letters, Exhibition Announcements and Publications, Gallery Cards, and Other Ephemera.
An interesting small collection of personal faxed letters and drawings, exhibition announcements, gallery cards, exhibition publications, magazines, and photocopies. Various sizes and conditions. 1973-1982. Provenance: Christopher Hanley Scott (1945–2002), partner to Henry Geldzahler (1935–1994); private collection, New York.

Hockney met Henry Geldzahler, a curator at the Metropolitan Museum, at Andy Warhol's New York apartment in the 1960's.  Hockney and Geldzahler became close friends and travel companions, sharing a sense of humor, interests, and many similar life experiences.  Through their friendship, Geldzahler and his partner Christopher became the subjects of numerous works by Hockney. This collection testifies to that relationship and includes a series of personal art faxes sent to them. In one facsimile note, the artist muses about their mutual engagement with the fax medium, writing, "Your fax had more half tones on it than any I have yet received. Here are a few of mine. You will love the machine."

Widely known for his ready embrace of new technology, David Hockney once described the fax machine as “the wonderful machine, the enemy of totalitarianism, the return of handwritten letters.” Hockney first began to experiment with the fax machine in the 1980s, transmitting drawings around the globe to friends and galleries alike. Adapting his drawing technique to the machine’s specificities, Hockney used opaque gray, for instance, to render halftones in the final product. When he was invited to participate in the 1989 São Paulo Biennial, he elected to do so by fax and devised a series of more than 30 such works to be shown.

The collection includes the following:

Faxes and Photocopies. 
Ten total. Largest 8.5 x 14 inches, smallest 8.5 x 11 inches.

Exhibition Publications.
Andy Warhol: A Memorial, curated by Henry Geldhazar, July 4–August 16, 1987. New York: Dia Art Foundation. 1987. Softcover. 12pp.  
David Hockney: Paintings and Drawings at the Musée des Arts Décoratifs, Paris, October 11 – December 9, 1974. London: Petersburg Press. Softcover. 58pp.
David Hockney: Things Recent, at Andre Emmerich Gallery, New York City, December 5 1990 – January 5, 1991.  Virginia: Virginia Lithograph Inc. Softcover. 52pp.  
The Artist's Eye – David Hockney: Looking at Pictures in a Book at the National Gallery, July 1 – August 31, 1981. Uxbridge: The Hillingdon Press. 1981. Softcover. 25pp. Includes 8 postcard prints of works selected by Hockney for his The Artist's Eye exhibition.
David Hockney: Some New Paintings at Knoedler Gallery, London, October 1988.  Softcover. 20pp.
David Hockney: Travels with Pen, Pencil and Ink / Selected Prints and Drawings 1962–1977 at the Tehran Museum of Contemporary Art, Iran. London: Petersburg Press Ltd., 1977.  Softcover. 200pp.
David Hockney: New Drawings at 1853 Gallery and Salts Mill, 1993–1994, Yorkshire.  United Kingdom: Lund Humphries Publishing. 1994. Softcover. 76pp.  With printed card reading "with compliments from David Hockney" and postcard print of a 1988 painting.
David Hockney: Faces published in conjunction with the exhibition David Hockney: Portrait Drawings 1966–1984 at Laband Art Gallery, Los Angeles, January 30 – March 14, 1987. New York: Thames and Hudson Inc.. 1987. Softcover. 80pp.
David Hockney: Some New Pictures at the L.A. Louver, Venice, CA (December 6, 1989 – January 6, 1990) and The Contemporary Museum, Honolulu, Hawaii (February 7 – March 19, 1990). 6,000 copies printed by Gardner Lithograph. 1990. Softcover. 48pp.

Five exhibition invitations from André Emmerich Gallery, New York City, between 1973–1991:
David Hockney: Things Recent, December 5 1990 – January 5, 1991. Bifolio.
David Hockney: New Paintings, March 30 – April 22, 1989. Bifolio.
David Hockney: Paper Pools, January 6 – January 26, 1979. Bifolio.
David Hockney: The Weather and Other Lithographs, May 19 – June 15, 1973. Bifolio.
David Hockney: Home Made Prints, December 6 – January 3, 1987. Bifolio.

Lecture booklet from André Emmerich Gallery, New York City, for Hockney's lecture, On Photography, given at the Victoria and Albert Museum in November, 1983. Softcover. 29pp.

January 1995 issue of New York Times Magazine with clippings of an article titled "Regarding Henry," with posthumous reflections on Henry Geldzahler's life by several artists, including Hockney.

February 1988 newsprint of Los Angeles Herald Examiner – Weekend with a centerfold presenting "an original print for you to keep and frame" of David Hockney's Two Apples, One Lemon and Four Flowers