{"title":"Art \u0026 Artists \u003e Available","description":"","products":[{"product_id":"2304-cummings-e-e-1894-1962-original-drawing-diva-c-1925","title":"Cummings, E.E. (1894 - 1962) \"Diva,\" ca. 1925","description":"\u003cp\u003eAn extraordinary and witty original drawing from one of the 20th century's greatest and most popular poets, who was also an admired artist throughout his life. During the 1920s, he published numerous line drawings in \u003cem\u003eThe Dial \u003c\/em\u003eand some of these have become iconic images of the period. Marianne Moore said of him \"neither as a poet nor as an artist did he ever make a false step.\" Unsigned. 14.5 x 21 inches. Framed. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093157630111,"sku":"2304","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cummings_Diva.jpg?v=1722186286"},{"product_id":"2699-hogarth-william-1697-1764-a-chorus-of-singers","title":"Hogarth, William. (1697-1764) A Chorus of Singers","description":"The very rare third and final original state of this important print.  Issued in 1737, with the plate measuring 6  15\/16 X 6 1\/2 inches, and the tops of the letters \"Recd.\" visible at the bottom left. Paulson 127 (Hogarth's Graphic Works). On laid paper, overall 19 X 20.5 cm. and in very fine condition.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"A Chorus of Singers\" was first created in 1732 as a subscription ticket to the larger \"A Midnight Modern Conversation,\"  though in the present third state, the receipt has been cut off so that only the top of the letters \"Recd.\" are visible. The print shows a rehearsal of the oratorio Judith, written by Hogarth's friend, William Huggins (1696 - 1761) with music by William Defesch (c. 1680 - 1758) and first performed on February 16, 1732\/3, at Lincoln's Inn Fields. \"The conductor of the chorus, whose agitated motions seem to have shaken off his periwig, conducts from a paper titled 'Judith: an ORATORIO; or, SACRED DRAMA by . . . ' Beneath him is a group singing from a paper with lines of music, under which is written, '...world shall Bow to ye Assyrian Throne'; each of the groups has music with these words (or with 'the world...'); and if it were not for the date on the receipt, which proves that the print was issued before the oratorio appeared, one would conjecture that the words 'world shall Bow', etc., ironically underline the lack of success the oratorio enjoyed.  As it is, Hogarth is pointing up the discrepancy between the sentiments of the words and the vehicle of their transmission.  Even the head of the bass viol rising behind the singers has the expression of a singer.\" (Paulson)","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093169655967,"sku":"2699","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Hogarth_A_Chorus...639.jpg?v=1722186362"},{"product_id":"2859-handel-george-frederic-1685-1759-bartolozzi-francesco-1727-1818-after-giovanni-baptista-cipriani-ra-pre-edition-proof-of-the-celebrated-coronation-portrait","title":"[Handel, George Frederic. (1685–1759)]  Bartolozzi, Francesco. (1727–1818) [after Giovanni Baptista Cipriani, RA] Pre-Edition Proof of the Celebrated Coronation Portrait","description":"Rare \u003ci style=\"\"\u003eprobedruck\u003c\/i\u003e (pre-edition proof)  depicting \u003cspan style=\"\"\u003eHandel composing sacred Music, the Genius of harmony crowning him, and a Seraph wafting his name to heaven.\u003c\/span\u003e \u003cspan style=\"\"\u003e \u003c\/span\u003e\u003cspan style=\"\"\u003eLettered below image with artists' names and publication line: \"I. B. Cipriani R. A. Invenit. \/ F Bartolozzi R. A. Engraver to his Majesty Sculpt. \/ Pubd. as the Act directe [sic] April 1st. 1784.\", and within image in banners with title: \"FROM HARMONY, FROM HEAVENLY HARMONY \/ THIS UNIVERSAL FRAME BEGAN \/ HANDEL\".  \u003c\/span\u003eA beautiful impression on thick laid paper, wide margins, very little foxing, very fine condition.  8.6 x 10.4 inches (21.8 x 26.5 cm.).\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe present portrait was famously published the following year as Plate IV (so engraved in the upper right corner; the present proof lacking this designation) of Charles Burney's \"An Account of the Musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. \u003cspan style=\"\"\u003eIn Commemoration of Handel...\u003c\/span\u003e\"  \u003c\/div\u003e\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003eThe great Handel Commemoration of 1784, marking the supposed centenary of the composer's death, was an event with out precedent in musical history. There were five performances, and five of the plates printed here were originally conceived as entrance tickets. On the morning of Wednesday 26 May 1784 at Westminster Abbey (where Handel is buried), 525 musicians and singers performed the Dettingen Te Deum, one of the Coronation Anthems, one of the Chandos Anthems, part of the Funeral Anthem, and a few shorter pieces. The next evening at the Pantheon a smaller group performed various songs and choruses, sacred and secular, four concertos, and an overture, and on the Saturday morning the full company returned to the Abbey to perform ‘Messiah’. So successful were the concerts in the Abbey that they were repeated in full the next week. The lavishly illustrated and finely printed volume recording the events was published under the close supervision of its dedicatee, the King.  The Italian engraver, drawer, and publisher Francesco Bartolozzi was, for a time, Engraver to King George III of England, and was a founding member of the Royal Academy. While Bartolozzi did not create the crayon, or stipple, method of engraving, it became inextricably associated with him and his work.\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093174472863,"sku":"2859","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Bartolozzi_2C_Francesco_Handel_Portrait_Engraving_2859a.jpg?v=1722186398"},{"product_id":"2978-caby-robert-1905-1992-original-drawing-la-batracienne","title":"Caby, Robert. (1905 - 1992) Original Drawing, \"La Batracienne.\"","description":"A superb original drawing from the important French critic, artist, poet and musician.  12.5 x 21.5 cm., matted to 21 x 29 cm overall. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCaby had a long and richly varied life and at various points, was engaged in writing art criticism and political articles, composing and arranging concerts, creating surrealistic drawings and dealing with rare books and paintings. His wide circle of friends included important musicians and artists of the time such as Erik Satie, Darius Milhaud, Pablo Picasso, Francis Poulenc, Charles Koechlin and Henri Sauguet. In the mid 1960's he was responsible for the posthumous publication of Satie's unpublished works from sketchbooks and was important in awakening public interest in the composer.  By the time of his own death, he had composed some 900 works.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093178110111,"sku":"2978","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/2978_Caby_La_Batracienne.jpg?v=1722186416"},{"product_id":"5097-hollywood-disney-wood-wally-american-1927-1981-disneyland-memorial-orgy","title":"[Disney] Wood, Wally. (American, 1927-1981) \"Disneyland Memorial Orgy.\"","description":"The realist Magazine no. 74, irreverence is our only sacred cow. 32p., very good. Bears subscriber's mailing address on back wrap. Includes Wally Wood's infamous X-rated lampoon of all the famous Walt Disney Studio's animated characters. Krassner comments editorially that \"The first free-lance article I ever sold was to Mad magazine a dozen years ago. It was illustrated by Wally Wood. Now Wally has completed the cycle with his after-Disney orgy.\" In the lower left corner Minnie is doing it missionary style with Goofy, she's pillowed on a cash register and currency litters their mattress. Mickey is shooting up; that's about as conventional as this ensemble gets. Find about 60 characters, all Disney, all diddling or defecating. Coincidentally another exceedingly famous Realist parody appears this issue, \"The Parts Left Out of the Kennedy Book,\" which lampoons the Jackie\/Bobbie suit brought against official William Manchester, to force him to omit material he was at first assured was OK. In the Krassner reprise we learn why it was that the hole in JFK's neck was small in Dallas, large in DC, it has rather a lot to do with LBJ...\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOne of the original Mad Magazine illustrators, Wally Wood published this poster in The Realist, an underground newsletter, in 1967. An inside source at Disney told  Realist editor Paul Krassner that the company chose not to sue to avoid drawing attention to what could ultimately be a losing battle. However, Disney was not so reluctant when an entrepreneur pirated the drawing and sold it as a black light poster. The blatantly commercial nature of the bootleg--as well as its potential to reach an audience far larger than the Realist--prompted Disney to file a lawsuit, which was ultimately settled out of court. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe present issue is sold together with a poster on thick paper of the famous illustration, one of a limited number issued by Wood himself, shortly after the original magazine publication. 23 x 14.25 inches. Central horizontal and vertical folds, else fine.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093246496927,"sku":"5097","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Disney_orgy_1.jpg?v=1722186832"},{"product_id":"5304-reichius-wilhelmus-16th-century-last-supper-ex-jerome-kern","title":"Reichius, Wilhelmus. (16th Century) \"Last Supper\" - Ex Jerome Kern","description":"\u003cp\u003eOriginal etching on laid paper. Lettered along bottom \"A. 1584 COLONIAE\" and signed \"Wilhelmus Reichius Edcudebat\" with the text \"SANGUINE CHRISTE TUO SIC NOS ET CORPORE PASCIS ET SIS CONCICIS ALTOR ET ESCA TUIS.\" 18 x 15 cm. Trimmed to the plate edge, small loss at upper right corner, else fine. Nicely matted to 11 x 14 inches. Provenance: from the collection of the important American composer, Jerome Kern (1885-1945).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093252853919,"sku":"5304","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Screen_Shot_2017-09-14_at_12.00.48_PM.png?v=1722186873"},{"product_id":"5301-visual-arts-rogman-geertruyt-1625-51-57-domestic-weaving-scene","title":"[Visual Arts] Rogman, Geertruyt. (1625 - 51\/57) Domestic Weaving Scene","description":"Original etching on laid paper. Lettered within image, at bottom left: \"Geertruyt Rogman invenit\" and numbered 5 at lower right. 20.5 x 16.5 cm. Bartsch IV pp.36-7; Hollstein (23 nos). Provenance: from the collection of the important American composer, Jerome Kern (1885-1945). \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eA scarce print from the female engraver and etcher, born in Amsterdam as daughter of Hendrik Lambertsz Roghman.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093253017759,"sku":"5301","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Rogman_1.jpg?v=1722186874"},{"product_id":"5821-masson-andre-1896-1987-stravinsky-igor-1882-1971-souvenir-du-sacre-en-hommage-a-igor-stravinsky","title":"Masson, André. (1896–1987) [Stravinsky, Igor. (1882–1971)]  \"Souvenir du Sacre en Hommage à Igor Stravinsky\"","description":"Pen and ink on paper. 50.5 x 32.8 cm. Signed and inscribed lower right \"Souvenir du Sacre \/ en Hommage à Igor Stravinsky \/ André Masson.\" Undated. Archivally mounted and set in a hand-carved continuous edge ebony frame to approx. 88 x 73 cm overall. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eProvenance: Estate of Vera de Bosset Stravinsky (1888 - 1982), thence by descent to the previous owner.  Authenticated by Diego Masson, who has confirmed that this is an authentic, \"important\" and previously unknown work.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe influential French artist was an early associate of Igor Stravinsky in Paris and,  beginning in 1933 with sets and costumes for the Ballets Russes, he frequently designed for the theater, the opera and the ballet.  Masson, at the time only 17 years old, had not yet arrived in Paris by the time of the 1913 premiere of Stravinsky's \"Le sacre du Printemps,\" but his reaction to the work and its resonance is undeniably powerful in the present work.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093271695519,"sku":"5821","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Masson_Stravinsky_2.jpg?v=1722186977"},{"product_id":"6680-cocteau-jean-cock-and-harlequin-notes-concerning-music-with-a-portrait-of-the-author-and-two-monograms-by-pablo-picasso","title":"Cocteau, Jean. (1889–1963) Cock and Harlequin. Notes Concerning Music. With a Portrait of the Author and two Monograms by Pablo Picasso","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSoftcover. 57 pages. Features Jean Cocteau's text as translated from the French by Rollo H. Myers. Includes a portrait of Cocteau and two monograms by Pablo Picasso.  A nice copy of this somewhat fragile book.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093300334751,"sku":"6680","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cockandharlequin6680a.jpg?v=1773856068"},{"product_id":"6738-visual-arts-etcheverry-hubert-denis-1867-1950-autograph-letter","title":"[Visual Arts] Etcheverry, Hubert-Denis. (1867 - 1950) Autograph Letter","description":"\u003cp\u003eAutograph letter of the French painter, winner of the Prix de Rome in 1891.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093302431903,"sku":"6738","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/EtcheverryALS383.jpg?v=1722187158"},{"product_id":"7150-violin-music-iconography-der-schulmeister","title":"[Violin] [Music Iconography] Der Schulmeister","description":"\u003cp\u003e\u003cem\u003eJugend hat keine Tugend\u003c\/em\u003e. Late 19th century handcolored print of a frustrated schoolmaster hopping on one foot while playing the violin in an unruly classroom. Measures 17.25 x 13.5 inches (44 x 34 cm) framed to 20.5 x 16.5 inches (52 x 42 cm).\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093315932319,"sku":"7150","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/MusicIconDerSchulmeisterPrint7150a.jpg?v=1735918249"},{"product_id":"7253-burliuk-david-a-drunkard-1911","title":"Burliuk, David. (1882-1967) \"A Drunkard,\" 1911","description":"\u003cp\u003eOil and collage on artist's board, 1911. 141x178 mm; 5 1\/2x7 inches. Signed, titled and dated in oil, recto. \u003c\/p\u003e\n\u003cp\u003eA rare early work by by the Russian poet, artist and publicist of Ukrainian origin associated with the Futurist and Neo-Primitivist movements, described as \"the father of Russian Futurism.\"\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093319110815,"sku":"7253","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Burliuk_DavidADrunkard7253.jpg?v=1744230403"},{"product_id":"7658-visual-arts-moore-henry-1898-1986-reclining-figure-c-423","title":"[Visual Arts] Moore, Henry. (1898 - 1986) Reclining Figure (C. 423)","description":"\u003cp\u003eEtching and aquatint in colours, 1976, on wove paper, signed in pencil, numbered 33\/100, published by Il Bisonte, Florence, with wide margins, in very good condition, framed.  P. 200 x 210 mm., S. 650 x 460 mm. Framed to 17\" x 17.5\".\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093332021407,"sku":"7658","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Henry_Moore_Print1a.jpg?v=1722187345"},{"product_id":"8042-picasso-pablo-lifar-serge-signed-paper-crown-to-serge-lifar","title":"Picasso, Pablo. (1881–1973) [Lifar, Serge. (1905–1986)] Signed Paper Crown to Serge Lifar","description":"\u003cp\u003eGilt paper crown, a traditional \"galette des rois\" crown, signed and inscribed by Picasso to Serge Lifar and dated 6.1.60, in thick red pencil, signed also by Lifar in blue pencil and with the stamp of the Lifar Collection. 6.5 x 51 cm. In fine condition. \u003cbr\u003e\u003cbr\u003eOne of the most celebrated male dancers of the 20th century along with Nijinsky and Nureyev, Serge Lifar was an important choreographer and dancer in Diaghilev's Ballets Russes. He later became director of the Paris Opera Ballet (1929) and there created over 50 ballets, including the path-breaking \"Icare\" (1935), which was written to be danced without music. \u003cbr\u003e\u003cbr\u003e\"Picasso's last two theatrical décors were both designed at the request of his old friend and 'godson' Serge Lifar for productions at the Paris Opéra. During a meeting between them at Cannes in September 1960 [shortly after the date on our crown], Picasso drew Lifar's portrait and made a small drawing in coloured chalks representing Icarus, the hero of one of Lifar's own ballets, flying upwards towards the sun.\" (Douglas Cooper, \"Picasso Theatre,\" p. 71)\u003cbr\u003e\u003cbr\u003eIn France, it is customary to eat \"galette des Rois\" to mark the Christian day of the Epiphany, January 6th. The \"king cake\" generally has a trinket (usually a porcelain figurine) or a bean hidden inside. The person who gets the piece of cake with the trinket becomes \"king\" for a day.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093344538783,"sku":"8042","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Picasso_Pablo_Lifar_SignedPaperCrown8042c.jpg?v=1743354437"},{"product_id":"8122-avedon-richard-1923-2004-observations-photographs-by-richard-avedon-comments-by-truman-capote","title":"Avedon, Richard. (1923 - 2004) Observations  - Photographs by Richard Avedon Comments by Truman Capote","description":"\u003cp\u003e151pp, 11\" 14 1\/2\". First edition, with acetate dust jacket. Fine condition, in stained and toned slipcase which bears a few splits in places. The photographer's first book. and certainly, one of the monuments of twentieth century collaborations between a photographer and author.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093346996383,"sku":"8122","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Avedon_Capote_Observations_1.jpg?v=1722187440"},{"product_id":"8171-anonymous-ca-1700-two-men-in-combat","title":"[Anonymous] Ca. 1700 Two Men in Combat","description":"\u003cp\u003eDrawing in black chalk with white highlights on laid paper,  ca. 1700, depicting two classical nude men in combat, one held down by the other who is poised to bring down the raised club over his head.  20 x 14 inches (51 x 36 cm) (sight). Mounted with tape along left edge to mat (not laid down), 3\" loss, l.l. corner, several creases, areas of restoration around face of top center figure, scattered foxing. Framed to 24 x 19 inches (61 x 48 cm). \u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093348536479,"sku":"8171","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/AnonymousTwoMeninCombatdrawing8171a_6412ee2a-a3b9-42ff-9caa-4221d278d6bb.jpg?v=1735924959"},{"product_id":"8560-violin-iconography-1610-1685-after-ostade-adriaen-van-1610-1685-violinist-with-two-children","title":"[Violin Iconography]  1610 - 1685) [After] Ostade, Adriaen van. ( 1610 - 1685) Violinist with Two Children","description":"\u003cp\u003e\"Geiger, zwei Kindern eine Melodie spielend.\" Vintage painting on parchment, after the original by Ostade.  With a slip of 18th century paper inscribed in ink with an identification of the work.  8.5 cms x 11.5 cms. Fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093361381535,"sku":"8560","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ostade_Painting_Copy_8560.jpg?v=1722187531"},{"product_id":"8563-literature-art-rowlandson-thomas-1756-1827-1827-gentlemans-magazine-with-rolandson-obituary","title":"[Literature \u0026 Art] [Rowlandson, Thomas. (1756–1827)] 1827 Gentleman's Magazine with Rolandson Obituary","description":"The Gentleman's Magazine, and Historical Chronicle. For June, 1827. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFounded by Edward Cave (1691 - 1754) under the pen name of Sylvanus Urban, the British monthly was one of the earliest magazines published, and one of the most successful, remaining in print for over 175 years.  It was the first publication in history to utilize the title “Magazine,\" and it features articles on a variety of subjects, including pages summarizing the most notable news of the month at home and abroad, \"obituaries, with anecdotes, of remarkable persons\", the month's activities in Parliament etc. The highlight of the present issue is the obituary of the important English artist and caricaturist. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e5 x 8 inches, 481 - 576 pp, disbound, from a larger volume with traces of leather and string along spine. Overall fine.  Full title\/contents page featuring an engraving of St. John's Gate.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093361512607,"sku":"8563","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Rowlandson_obit_8563887.jpg?v=1722187530"},{"product_id":"8615-breton-andre-1896-1966-entretiens-signed","title":"Breton, André. (1896 - 1966) Entretiens - SIGNED","description":"\u003cp\u003eOriginal edition, signed on the half title by the French writer and poet best known as the founder of Surrealism. 14 x 19.5cm. 317 pp. Covers worn with heavy creasing, pages toned but otherwise generally fine within.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093363249311,"sku":"8615","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/3380017_2.jpg?v=1722187545"},{"product_id":"8629-delius-frederick-original-portrait-drawing","title":"Delius, Frederick. (1862–1934) Original Portrait Drawing","description":"\u003cp\u003eOriginal pen and ink bust portrait drawing signed by the artist lower left, \"D. Shoemaker.\" \u003cmeta charset=\"utf-8\"\u003eUndated, probably ca. 1930. Some notations in pencil in the lower margin, otherwise very fine condition.  6 x 9 inches (16 x 23 cm.). \u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093363282079,"sku":"8629","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Delius_2C_Frederick_Original_Portrait_Drawing_8629.jpg?v=1722187544"},{"product_id":"8827-book-box-chinoiserie-style-lacquer-book-form-dressing-box","title":"[Book Box] Chinoiserie Style Lacquer Book Form Dressing Box","description":"\u003cp\u003eEarly 20th century book form dressing box decorated with figures and pavilions, the cover hinging to reveal an easel mirror, and the side sliding to reveal two drawers. 4 x 9 1\/4 x 7 1\/4in\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093369704607,"sku":"8827","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Bookform_box_Chinoiserie_8827.jpg?v=1722187582"},{"product_id":"8823-photography-abbott-berenice-1898-1991-changing-new-york-signed","title":"[PHOTOGRAPHY] Abbott, Berenice. (1898 - 1991) \"Changing New York\" - SIGNED","description":"Publisher's full blue cloth, black lettering on spine and cover, embossed medallion on cover, blue endpapers. Illustrated with 97 striking full-page photographs of depression era New York by Berenice Abbott, produced for the Works Progress Administration. Signed and Inscribed on the title-page: \"To Karin \/ from \/ Berenice \/ 1954 \/ October.\" Lacking the scarce dust jacket, rebacked, corners nicked and boards somewhat soiled and stained. \u003cdiv\u003e\u003cspan style=\"line-height: 1.42857;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cspan style=\"line-height: 1.42857;\"\u003eCondition issues notwithstanding, a rare signed copy of this extremely scarce and important book.  \"Changing New York not only fulfills Abbott's criterion for the historical importance of the documentary mode, but also demonstrates its power as a medium of personal expression\" (The Photobook). Parr and Badger, \"The Photobook\" Volume 1, 141; Hasselblad. \"The Open Book\", 130-131; Roth. \"The Book of 101 Books\", 100-101.\u003c\/span\u003e\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093369802911,"sku":"8823","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Berenice_Abbott_Changing_New_York.jpg?v=1722187584"},{"product_id":"8949-corot-jean-baptiste-camille-le-concert-annotated-trial-proof","title":"Corot, Jean-Baptiste-Camille. (1796 - 1875) \"Le Concert\"  - Annotated Trial Proof","description":"\u003cp\u003eOriginal etching engraved by Henri Guerard, with autograph edits for the publication of the print in brown ink by Corot, including the addition of his name \"C. Corot \" with a cancelation mark, and title beneath the image \"Le Concert \/ appartient à M. Jules Dupré\", and approved by him upper right corner \"Bon à tirer \" with his autograph paraph. 28 x 20 cm.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Concert Champêtre\u003c\/em\u003e, on which this engraving is based, was painted by Corot in 1857 and is currently housed in the Musée Condé of Chantilly, France. A reworking of a composition exhibited by Corot in the Salon of 1844, the painting was shown in the Salon of 1857 and depicts three women, one with a cello, in the foreground of a forest landscape. The work \"is interesting for the new directions it signals in Corot's work. The subject, neither mythic nor biblical, is essentially an eighteenth-century motif reinterpreted by a modern sensibility. The painting brought to life a serene Arcadia with no specific historical or literary referent, removed equally for antiquity and from the nineteenth century.\" (Gary Tinterow, \"Corot: Exhibition Metropolitan Museuem of Art, NY 1996,\" p. 147)\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093373702303,"sku":"8949","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Corot_2C_Jean_Baptiste_Camille_Trial_Proof_8949830.jpg?v=1722187611"},{"product_id":"9186-benito-edoardo-1891-1953-milhaud-darius-1892-1974-le-boeuf-sur-le-toit-1920","title":"Benito, Edoardo. (1891–1953 ) [Milhaud, Darius. (1892–1974)] \"Le Boeuf sur le toit,\" 1920","description":"\u003cp\u003eWatercolor and ink on paper, signed center \"Benito.\" 39 x 29 cm. A preliminary or related design for the pochoir published in the \u003cem\u003eGazette du Bon Ton\u003c\/em\u003e, March, 1920. A client wearing a hat stands at the bar and is attended by a black bartender, \"LE BOEUF SUR LE TOIT\" is inscribed at the left in various alternating bright colors. Tipped at corners to another sheet, archivally matted and framed under UV-Plexi. Fine. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Le boeuf sur le toit\" is a surrealist ballet made on a score composed by Darius Milhaud, taking its title (and much musical inspiration) from an old Brazilian tango. Conceived originally to have been the score of a silent Charlie Chaplin film (Cinéma-fantaisie for violin and piano), it grew into a ballet with a scenario by Jean Cocteau, stage designs by Raoul Dufy, costumes by Guy-Pierre Fauconnet and a first performance which involved the famous Fratellini clowns from the Medrano circus. The premiere of the ballet was given in February 1920 at the Théâtre des Champs-Élysées and subsequently gave its name to a celebrated Parisian cabaret-bar, Le Boeuf sur le Toit, which became a meeting-place for Cocteau and his associates. \"Although the history of Le Boeuf - both bar and ballet - is by now well known, the nightclub's emergence as a meeting ground for the haute monde and modernist artists merits further consideration here...The Ballet earned a coveted spot in the 'Gazette du Bon Ton,' where it was depicted in a pochoir illustration by Eduardo Benito in 1920.\" (Mary E. Davis, \"Classic Chic: Music, Fashion, and Modernism,\" p. 220)\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093381697695,"sku":"9186","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Milhaud_Boeuf_sur_le_toit_painting_9186a.jpg?v=1722187660"},{"product_id":"9199-ritts-herb-1952-2002-jackie-joyner-kersee","title":"Ritts, Herb. (1952 - 2002) Jackie Joyner Kersee","description":"\u003cp\u003e11 x 14-inch silver gelatin print by the important American photographer celebrated for his work in fashion and for his portraits often in the style of classical Greek sculpture. This image is of Olympic athlete Jackie Joyner Kersee, taken in 1987 at Point Dume, California. Blind-stamped by Herb Ritts, lower right. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOne of the prints sent to Rolling Stone for their 1988 article on her, an alternate of Ritts' famous image of Joyner-Kersee running on the sand with her own shadow. Printed on a warm tone paper, it has been taken with Ritts' trademark shutter drag, slightly blurred effect, typical of many of his beach shots. Being a working print, there are some imperfections from being handled by the magazine, including a small bend on the top right corner and some mounting remnants on verso and recto upper edge, none affecting the image area.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093381927071,"sku":"9199","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Ritts_2C_Herb_Joyner_kersee_9199a.jpg?v=1722187663"},{"product_id":"9210-literature-visual-arts-dada-picabia-francis-1879-1953-cocteau-jean-1889-1963-le-crapouillot-pastiche-numero-special-doctobre-1919","title":"[Literature \u0026 Visual Arts] [Dada] [Picabia, Francis. (1879–1953)] [Cocteau, Jean. (1889–1963)] Le Crapouillot. Pastiche. Numéro spécial d'octobre 1919.","description":"\u003cp\u003eAn amusing issue of the revue « Le Crapouillot » parodying, among others, Proust and the Dadaists, and featuring on the cover a spurious portait of \"La comtesse de N\" \"by\" Picabia. Only the poem by Jean Cocteau published in this issue is actually by the attributed author, and it appears in the Dada anthology. 4to. 16 pp. Edges somewhat stained, heavily chipped and with some tears.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093382353055,"sku":"9210","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Picabia_Cocteau_Le_Carpouillot_9210.jpg?v=1722187664"},{"product_id":"9235-motherwell-robert-1915-1991-early-sketches-in-his-1936-stanford-binder","title":"Motherwell, Robert. (1915–1991) Early Sketches in his 1936 Stanford Binder","description":"\u003cp\u003eRemarkable item from the important American artist who was one of the leading figures of the abstract Expressionist movement. His 1936 Stanford University, 9.5\" x 11.5\" canvas 3 ring binder, dated and signed on both the outside and inside cover, and with some of his earliest sketches in ink, including heads, a hand gun, various abstractions, and inscriptions of his initials penned by Motherwell around the inner edges of the front board. Acquired from his mother's estate in Marin County, CA.\u003cbr\u003e\u003cbr\u003eBetween 1932 and 1937 Motherwell briefly studied painting at California School of Fine Arts, San Francisco and received a BA in philosophy from Stanford University.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093383139487,"sku":"9235","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Motherwell_Robert_Burns_Stanford_Binder_Sketches_9235a.jpg?v=1722187672"},{"product_id":"9333-magritte-rene-1898-1967-the-extraterrestrials-v-marcel-lecomte-georgette-in-the-garden-at-rue-esseghem-in-brussels-1935","title":"Magritte, René. (1898-1967) The Extraterrestrials V. Marcel Lecomte \u0026 Georgette in the garden at Rue Esseghem in Brussels, 1935.","description":"Gelatin silver print, annotated, authenticated and signed in pencil on the reverse by Georgette Magritte, who states that this image was accomplished by René Magritte in Brussels. The full sheet 18 x 24 cm (7 x 9.5 in). Fine. Matted and framed under UV-Plexi.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn the series of photographs which constitute \u003ci\u003eThe Extraterrestrials\u003c\/i\u003e, Georgette \"dons an extravagant hat and mask that conceal half her face...these surrealistic arrangements prove that Magritte's photos are not always the result of unbridled fancy, but rather that they emanate from a premeditated, well thought-out creative process, much discussed among friends....In this enigmatic and almost hallucinatory sequence, we can recognize Marcel Lecomte (who became red with fury whenever Magritte painted a nose larger than life, thinking it an insulting reference to him)....The house on Rue Esseghem quickly became general HQ for Belgian Surrealism, and more specifically the Brussels Surrealists.  Its members at the time were considered pale imitators of the Paris group, and their literary and poetic works were seen merely as flat jokes by a bunch of bourgeois-baiters, backward Communists, fairground strongmen, indigent nutcases, and flashy nonentities.\"  (Patrick Roegiers: \"Magritte and Photography,\" p. 66 - 69, where four other images from this remarkable series are reproduced)\u003cbr style=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Every image had meaning for Magritte.  Using the lens as a way of confronting the visible, he resorted not to convoluted special effects but rather to trivial objects, surroundings, and situations, in order to explore the most unpredictable reaches of the imaginary.\" (p. 64) \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Surrealism was a way of being, and in Belgium Magritte incarnated this attitude better than anyone.   He never felt at home in France, where his art was poorly understood, to say the least.\" (p. 123)","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093386350751,"sku":"9333","price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Magritte_Extraterrestrials_Photo_9333_a.jpg?v=1722187690"},{"product_id":"9418-motherwell-robert-edited-by-e-a-carmean-jr-the-collages-of-robert-motherwell-signed","title":"Motherwell, Robert. (1915–1991) [Edited by E. A. Carmean, Jr.] The Collages of Robert Motherwell - SIGNED","description":"\u003cp\u003eA Retrospective Exhibition. Illustrated catalogue, oblong 8vo. 93 pp. Inscribed and signed on the first free endpage by the artist, \"For the K... - with great esteem \/ Robert Motherwell \/ Feb 7, 1974.\" Wrappers a little soiled, moderate handling wear, else fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093389004959,"sku":"9418","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/9418_Motherwell_Collages_Signed_6.jpg?v=1722187710"},{"product_id":"10099-cruikshank-george-1792-1878-autograph-letter","title":"Cruikshank, George.(1792–1878) Autograph Letter","description":"Single page autograph letter dated 16. July 1854. Tears repaired with tape, trimmed.  \"Will you be so good as to pay the bearer Mr. Grant, \u003cspan style=\"\"\u003e15s[hillings] \u003c\/span\u003e for a small sketch + ms which Mr Smedley [Frank Smedley] + myself think suitable for the magazine. Yours truly . George Cruikshank.\" \u003cbr style=\"\"\u003e\u003cbr style=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe British caricaturist and illustrator is best known for his works satirizing contemporary politics and his illustrations for the works of Charles Dickens.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093410893983,"sku":"10099","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cruikshank_ALS_10099.jpg?v=1722187847"},{"product_id":"10163-needs-images-literature-art-duchamp-marcel-1887-1968-william-p-miller-jr-designer-1973-newsprint-broadside-from-the-philadelphia-museum-of-art","title":"[Duchamp, Marcel. (1887 - 1968)]  William P. Miller, Jr. [Designer]: 1973 Newsprint Broadside from the Philadelphia Museum of Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBroadside produced by The Division of Education, Philadelphia Musuem of Art for the exhibition Marcel Duchamp organized by The Philadelphia Museum of Art and The Museum of Modern Art, New York.\" Printed on both sides, 15 x 24 inches. Expected slight toning to edges. Twice folded, a few small tears and stains to margins, overall fine. Designed by Willim P. Miller, Jr., an oversized newspaper format assemblage of New York times articles Duchamp, 1913 - 1968. \u003cbr\u003e\u003cbr\u003eDistributed in conjunction with the Philadelphia debut of the Marcel Duchamp Retrospective Exhibition from September 22 - November 11, 1973 and subsequently shown in New York and Chicago. Wonderful collage of Duchampian newspaper tidbits culled from a half-century of the New York Times.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093412991135,"sku":"10163","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Duchamp_WilliamP.MillerNewsprintBroadside10163c.jpg?v=1738354986"},{"product_id":"10257-dance-of-death-leyden-lucas-van-1494-1533-after-death-with-an-hourglass-pursuing-a-noble-lady","title":"[Dance of Death] Leyden, Lucas van. (1494 - 1533) [AFTER] Death with an Hourglass Pursuing a Noble Lady","description":"\u003cp\u003eSmall illustration of Death, holding an hourglass, and draped in a cloak, appearing to a young woman in Renaissance dress beneath a barren tree; a building rises up behind her, and a city on a hill behind Death; the signature is the letter \"L\" on a small sign hanging from low branches to the right of Death's right foot, indicating the Dutch artist van Leyden; printed on a small sheet mounted on a larger piece of paper, matted, 3 3\/4 x 2 1\/2 in.  A later printing, without plate mark, probably a late 19th century or early 20th century printing.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093416071327,"sku":"10257","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Dance_of_Death_Print_10257-2.jpg?v=1722187881"},{"product_id":"10301-ray-man-signed-letter-to-dudley-nichols","title":"Ray, Man. (1890 - 1976) Signed Letter to Dudley Nichols","description":"\u003cp\u003eInteresting letter from the influential American artist, one of the major innovators in both the Dada and Surrealist movements. 1 page typed letter, Paris, July 12, 1955. Blindstamped \"Man Ray\" upper left corner, signed \"Man,\" in blue ink at the conclusion. Addressed to the American screenwriter Dudley Nichols (1895 - 1960) who wrote or co-wrote the screenplays for 72 movies, and who evidently had purchased a work from the artist. \u003cmeta charset=\"utf-8\"\u003eIn fine condition, a few minor creases and small tears to corners. \u003c\/p\u003e\n\u003cp\u003eIn part: \"I received your draft and thank you very much. It has gone into my account here, and will be credited in francs, as I, as a resident, cannot draw dollars. Anyhow the difference is small, and as I use only francs, it does not matter. I can always adjust my living to my income. If I'm cheated, I buy less or pay less. So our society gains nothing. I've painted all my life without thinking of immediate returns, but I'm conscious of the fact that a small sum now is worth ten times ten years later! \/\/ You are the ideal art patron, who asks the artist to choose a work for him. I act that way, too, when I make an exchange with another painter. When offered a choice, I let the other pick what he thinks I ought to have, even if he has made a definite choice. It is always a pleasant surprise, like receiving a gift. It is also an indication of the other's integrity and perspicacity. So many careful calculations turn out to be off the beam, even with lots of experience. \/\/ What you say about being through with Hollywood or Hollywood being through with you is, I think, beside the point. I can also look back and see that my activities change or are deviated by outside forces every ten years or so, and it's a good thing. Whether I change my occupation or location, it is always with a feeling of liberation and renewal. It takes some time, the transition, and this is the most uncomfortable part of it, but, as you say, it works out. You really do not change yourself, and that is the most important.\" \u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093417480351,"sku":"10301","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Man_Ray_TLS_10301564.jpg?v=1722187889"},{"product_id":"10398-castiglione-giovanni-benedetto-1609-1664-a-heathen-sacrifice-original-drawing","title":"Castiglione, Giovanni Benedetto. (1609 - 1664) \"A heathen sacrifice\" - Original Drawing","description":"Study of Figures, pen and ink on paper, 17.75 x 20.25 cm [7 x 8 in], ca. 1650.  With the collection mark lower left of Sir Joshua Reynolds (1723 - 1792), this work thought to be Castiglione's \"A heathen sacrifice\" listed as #55 in the second day of the Reynolds sale catalogue.  With significant areas of paper loss and repairs, rebacked with areas of support sheet showing through. Archivally matted and set in a hand-gilted finished-corner frame under UV plexiglass.  \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe Italian Baroque artist, painter, printmaker and draftsman of the Genoese school is best known now for his elaborate engravings, as the inventor of the printmaking technique of monotyping, and for the \"course fluidity\" of his distinctive drawing style, the latter being on full display in the present fine example. He was known as Il Grechetto in Italy and in France as Le Benédette.  A brilliant draftsman, Castiglione pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work.  He returned to the same subjects, including that of sacrifice, over and over again, but with significantly different compositions each time. \"Collectors and and connoisseurs traveling to Venice...marveled at the brio and verve of execution...even if the works did not conform to the idealizing classicism favoured by many of Castiglione's contemporaries....they sensed that his drawings were at their best when they juxtaposed highly descriptive elements with deliberately unfinished passages.\" We can date the present drawing to the early to mid 1650s when the style of Castiglione's figures took on a marked and newly pronounced elongation. \"In part this was a re-engagement with Genoese late Mannerism, reprising a brief phases seen in the early 1640s but now taking the elegance of Biscaino, Castello and, from a century earlier, Parmigianino to such extremes that the results appear tortured rather than graceful.\"  (Timothy J. Standring and Martin Clayton, \"Castiglione: Lost Genius,\" p. 12, p. 129)","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093420495007,"sku":"10398","price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Castiglione_drawing_10398b.jpg?v=1722187912"},{"product_id":"10421-fini-leonor-attributed-to-mask-and-costume-elements-possibly-for-les-demoiselles-de-la-nuit","title":"Fini, Leonor. (1907–1996) [ATTRIBUTED TO] Mask and Costume Elements, possibly for \"Les Demoiselles de la Nuit\" (1948)","description":"\u003cp\u003eGroup of Theatrical Costume Accessories, comprising a white faux fur and buckram cat mask with applied whiskers and painted blue eyes, a ribbed pique vest; a silver lame bodice; a gold lame camisole; and black net and lace panniers on black boning.  Provenance: Formerly property of The Metropolitan Museum of Art, New York. \u003c\/p\u003e\n\u003cp\u003eOriginally acquired from an auction of deaccessioned ballet costumes from the collection of The Metropolitan Museum of Art, these costume elements have no identifying markings of any kind and are thus, finally, a mystery. However, this grouping seems, in our view, to strongly correlate to the designs by Leonor Fini (Argentine, 1907–96) for Roland Petit's first \u003cem\u003eBallets de Paris\u003c\/em\u003e production of \u003cem\u003eLes Demoiselles de la Nuit. \u003c\/em\u003eThis 1948 ballet tells the story of a musician who falls in love with his beautiful cat Agathe, who has assumed semi-human form. Agathe tries to be faithful to her human lover but is lured away by the sound of tomcats and the call of freedom. She leaps off the rooftops and the musician falls to his death as he tries to grab hold of her. She falls after him and they are united in death.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093420953759,"sku":"10421","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Fini_LeonorMaskandCostumeElementsLesDemoisellesdelaNuit10421a.jpg?v=1761943654"},{"product_id":"10620-literature-amp-art-brassai-gyula-halasz-1899-1984-choeur-des-eleves-de-l-apos-academie-religeuse-a-paris-original-photograph","title":"[Literature \u0026amp; Art] Brassaï [Gyula Halasz] (1899-1984) \"Choeur des élèves de l\u0026apos;académie Religeuse a Paris\" - Original Photograph","description":"Vintage silver gelatin photograph, 1936. Titled and dated on the verso in blue ink and stamped \"Brassai. 81, Rue Du Faub St. Jacques Paris XIV...\" 9 1\/4 \" x 11 1\/2\" [23.5 x 29 cm]. Corners nicked, light diagonal crease upper right, a few light surface creases and small crack upper middle. \u003cbr\u003e\u003cbr\u003eOne of the most renowned photographers of the interwar period, Brassaï's reputation rests on contributions to both commercial and avant-garde photography. His long-time friend, the author Henry Miller, nicknamed him \"The Eye of Paris\" for his devotion to the city, and he was close to many of its artists. His enduring relationship with Picasso in particular yielded many famous portraits of the artist, as well as important books. \u003cbr\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093427540127,"sku":"10620","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Brassai_Choeur_10620a.jpg?v=1722187955"},{"product_id":"10851-brassai-gyula-halasz-1899-1984-young-ballerina-original-photograph","title":"Brassaï [Gyula Halasz] (1899-1984) Young Ballerina - Original Photograph","description":"Silver gelatin photograph, ca. 1936. Stamped \"Brassai. 81, Rue Du Faub St. Jacques Paris XIV...\" 7 x 8.5 inches [17.5 x 21.5 cm]. Scattered light scratches to the surface, small nicks around the edges, otherwise in very good condition.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOne of the most renowned photographers of the interwar period, Brassaï's reputation rests on contributions to both commercial and avant-garde photography. His long-time friend, the author Henry Miller, nicknamed him \"The Eye of Paris\" for his devotion to the city, and he was close to many of its artists. His enduring relationship with Picasso in particular yielded many famous portraits of the artist, as well as important books.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093435568287,"sku":"10851","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Brassai_Ballerina_10851a098.jpg?v=1722188007"},{"product_id":"11092-nadelman-elie-druet-eugene-eight-original-exhibition-photographs-from-first-exhibition-galerie-e-druet-1909","title":"Nadelman, Elie. (1882-1946) \u0026 Druet, Eugène. (1867 - 1916) Eight Original Exhibition Photographs from First Exhibition, Galerie E. Druet, 1909","description":"\u003cp\u003eGroup of eight vintage silver gelatin exhibition photographs of Elie Nadelman sculptures, approx. 1908 -09, each roughly 15 x 10 inches (38 x 25.5 cm), taken by the photographer and gallerist Eugène Druet on the occasion of Nadelman's first ever solo exhibition, Galerie Druet, Paris, 1909. Some of the original exhibited plaster works were destroyed and these remarkable photographs (other examples of which are in the Lincoln Kirstein Photograph Collection, Jerome Robbins Dance Division, New York Public Library), constitute thus the only record of some of the works included in this historic exhibition. Each stamped \"Phot. Procédé DRUET\" in blue to the inner mount and with the drystamp \"E. Druet \/ 20, Rue Royale \/ Paris\" lower right. Generally in fine condition, with some silvering and scattered foxing to the mounts, two with losses to the mounts. \u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003eIn April 1909, with the opening of his one-person exhibition at Paris's Galerie E. Druet, Nadelman publicly showcased the full range of his sculpture. Druet's many years of work as Rodin's photographer no doubt sensitized him to the novelty of Nadelman's sculpture, and he had responded promptly and enthusiastically when Natanson proposed that he show the work. It may also have helped that the gallery had successfully debuted the paintings of Witold Wotkiewicz, Nadelman's earlier collaborator, two years before. Druet was one of the most important commercial agents for modernist art in Paris; in 1913 he would lend more pieces to America's Armory Show than any other single contributor. Inclusion in his roster thus carried an imprimatur that guaranteed attention. Nevertheless, the thirteen plaster models and one hundred drawings that Nadelman exhibited that April took even Paris by surprise. His radical simplification of form and stylized distortion of shape became a pulse point of debate about the future of sculpture, reportedly disturbing even Picasso and stimulating Amedeo Modigliani to turn temporarily to sculpture.\" (Barbara Haskell, \"Elie Nadelman: Sculptor of Modern Life\"[2003], p. 31)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOf particular interest in our grouping is the photograph of Nadelman's 1908 plaster head which, according to Lincoln Kirstein, \"Picasso saw in Nadelman's studio\" and \"did not fully understand, but from which, as so often happened in his voracious career, he appropriated stylistic mannerisms. head was a fragmentation of curves with their logical echoes; he was not decomposing form as much as he was drily describing its anatomy. The head by Picasso , dated 1909, in the collection of the Museum of\u003cbr\u003eModern Art, is close to Nadelman's, now lost, which in plaster was exposed at the Galerie Druet in April 1909. Comparison of the two illuminates the capital differences between Nadelman's personal research and Analytical Cubism of 1909. Nadelman's head, based on knowledge from his mirror, is a bold demonstration of emphatic planes and curved-edged forms. The volumes repeat the normal anatomy of the skull; the distortion is neither accidental nor Expressionist, but accentuates the underlying\u003cbr\u003egeometry.\" (Kirstein, \"The Sculptures of Elie Nadelman\" [1948], p. 11-12)\u003c\/p\u003e\n\u003cp\u003eEugène Druet, an amateur photographer, was the owner of the Yacht Club Café in Paris, which had Auguste Rodin as one of its frequent guests. From 1896 to 1903, Eugene Druet worked as a photographer at Rodin’s studio, carefully recording the sculptures of the famous French artist. He often captured each sculpture from different angles in order to properly convey the intrinsic elements of the work. This successful collaboration between Druet and Rodin led to a very fruitful business: Rodin used to exhibit Druet’s photos together with his sculptures and sign them with his own name next to Druets. In 1903, Druet took Rodin’s advice and opened a gallery in Paris, which was mentioned in Gertrude Stein’s book \u003cem\u003eAutobiography of Alice B. Toklas\u003c\/em\u003e and where up to 1,300 artists have been exhibited over the years.\u003cbr\u003e\u003cbr\u003eKnown primarily for his modernist sculptures of female heads and nudes, Nadelman was a Polish born artist who spent the last decades of his life in the Riverdale neighborhood of the Bronx. His works display his interest in classical sculpture and European Folk Art, combined with the Cubist influences he gained through his relationships with avant-garde artists like Henri Matisse and Pablo Picasso, whom he met while living in Paris from 1904 to 1914.  \u003cspan\u003eThere he settled into the Polish art colony of Montparnasse. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNadelman began to exhibit in group shows and met Leo Stein, Andre Gide, and Eugene Druet. In 1909, Druet gave Nadelman his first solo exhibition, featuring thirteen plaster sculptures and 100 of his “radically simplified drawings.” The show electrified the Parisian artistic community. Leo Stein, the brother of Gertrude Stein, bought two-thirds of the drawings. His drawings “so bordered on abstraction that he would later use them to support his claim that he, not Picasso, had invented cubism (Hankins).” Another supporter of his work was Alfred Stieglitz who featured Nadelman in his October 1910 issue of Camera Work. \u003c\/span\u003eThe following year, Nadelman had a one-person show at the William B. Paterson Gallery in London. This show included ten female heads chiseled in marble and was purchased in its entirety by Helena Rubenstein.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNadelman is represented in the collections of most major museums in the United States, including the National Gallery of Art, the Metropolitan Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Museum of Modern Art, Los Angeles County Museum of Art, Whitney Museum of American Art, Museum of Fine Arts, Houston, Amon Carter Museum, Museum of Fine Arts, Boston, Baltimore Museum of Art, Philadelphia Museum of Art, Detroit Institute of Arts, Minneapolis Institute of Arts, Wadsworth Atheneum, and many others.  New York’s Lincoln Center is home to 24-foot marble versions of Nadelman’s papier-mâché sculptures, Two Circus Women and Two Circus Women (Standing and Seated) from around 1930.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"first column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eProvenance: Collection of Lincoln Kirstein, thence to the architect Frederick Maddox (1939 - 2013). Early on encouraged by Philip Johnson, it was he who introduced Maddox to Lincoln Kirstein [American writer, impresario, art connoisseur, and cultural figure in New York City who, with George Balanchine, founded the New York City Ballet in 1948] and his wife Fidelma, with whom he then had a long and enduring friendship, inheriting their home in Weston upon their deaths. Maddox established his architectural firm in 1975, and for 38 years provided architectural and engineering services in the Manhattan and Long Island areas.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093442744479,"sku":"11092","price":85000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/NadelmanDruetOriginalExhibitionPhotographsfromFirstExhibition11092.jpg?v=1766341274"},{"product_id":"11314-modern-embroidery-moderne-stickvorlagen-modern-embroidery-patters-dessins-de-broderies-modernes","title":"[Modern Embroidery] Moderne Stickvorlagen. Modern Embroidery Patters. Dessins De Broderies Modernes.","description":"\u003cp\u003eSmall cross stitch leporello, decorative brown printed wrappers containing accordion foldout, one side alphabets and images in blue, the other side edges and fill patterns in red and blue. 20 pages\/patterns.  9 x 7 cm.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093450018975,"sku":"11314","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/11314_Modern_Embroidery_1.jpg?v=1722188103"},{"product_id":"11468-fris-jan-ca-1627-ca-1672-attributed-to-vanitas-still-life-with-pochette-violin-skull-book-recorder-and-overturned-glass","title":"[Fris, Jan. (ca 1627-ca 1672)] [ATTRIBUTED TO] Vanitas Still Life with Pochette violin, skull, book, recorder, and overturned glass","description":"\u003cp\u003eA very fine original work depicting a Vanitas still life with pochette violin, skull, book, recorder, and overturned glass. Oil on canvas, unsigned, attributed to Jan Fris or a nearly contemporary follower, most probably second half of the 17th century, possibly early 18th. 66 x 63 cm, in a later frame measuring 32 x 31 inches (80 x 78 cm).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThis painting is a fine and characteristic example of a still life by or in the style of the Amsterdam painter Jan Fris, known for vanitas still life paintings of instruments, books and skulls, painted in subtle, close tonalities. Here a skull, an overturned glass roemer with its fleeting reflections, an expired lamp, and the attributes of a writer and musician, suggest that worldly efforts are ultimately in vain.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eVery little is known about the life of Jan, or Johannes, Fris. The son of Gerrit, he was born in Amsterdam in c. 1627. The approximate year of his birth has been deduced from two documented declarations of his age. He was married in Amsterdam in 1649 and acquired citizenship there two years later. He was buried in the same city on 9 July 1672. His work provides the best testament of his existence: he left a small oeuvre consisting almost exclusively of still lifes, many (though not all) of which are signed and dated, with dates ranging from 1647 to 1672.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093455196319,"sku":"11468","price":30000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Jan_Fris_Vanitas_Painting_11468a.jpg?v=1746819061"},{"product_id":"11492-arman-1928-2005-portees-musicales","title":"Arman. (1928-2005) \"Portées Musicales,\" 1986","description":"Gouache on white wove paper, 1986. 304x230mm; 12x9 inches. Signed in black ink, lower right recto. This work is registered under number APA #1002.86.004 in the archive of the Studio Arman in New York. Ex-collection Monsieur Jean-Louis Martinoty, director of the Opéra in Paris from 1986-1989.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe French-born American artist moved from using objects for the ink or paint traces they leave (\"cachet\", \"allures d'objet\") to using them as the paintings themselves. He is best known for his \"accumulations\" and destruction\/recomposition of objects, often using objects with a strong \"identity\" such as musical instruments (mainly violins and saxophones) or bronze statues. The present painting is both unusual in its method and at the same time highly representative of the artist's musical oeuvre, the instruments here arrayed playfully as though themselves musical notes.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093455556767,"sku":"11492","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Arman_11492.jpg?v=1722188136"},{"product_id":"11518-literature-art-dore-gustave-1832-1883-original-nadar-cdv-photograph","title":"[Literature \u0026 Art] Doré, Gustave. (1832 - 1883) Original Nadar CDV Photograph","description":"\u003cp\u003eOriginal CDV photograph of the important French artist, printmaker, illustrator and sculptor. With the stamp \"N\" for Nadar lower right. Fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093456539807,"sku":"11518","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Dore_2C_Gustav_Nadar_CDV_11518.jpg?v=1722188144"},{"product_id":"11625-music-as-love-making-la-musique-enchanteresse-series-of-five-french-postcards","title":"[Music as love-making] La Musique Enchanteresse - Series of Five French Postcards","description":"A series of five French hand-tinted postcards, ca. 1900, approx. 3.5\" x 5.5\" ( 9 x 14 cm), detailing the outlines of a musical relationship taking place at a piano with a male violinist and female pianist.  The tableaus proceed from \u003ci\u003ePrélude\u003c\/i\u003e to \u003ci\u003eDuo d'amoureux\u003c\/i\u003e to L\u003ci\u003eégere dissonnance\u003c\/i\u003e to \u003ci\u003eDouce harmonie\u003c\/i\u003e and finally to\u003ci\u003e Accord parfait\u003c\/i\u003e. In fine condition.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093459849375,"sku":"11625","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Musique_Enchanteresse_11625b.jpg?v=1722188168"},{"product_id":"11633-cello-music-iconography-thomas-orde-lord-bolton-mr-sharp-playing-the-cello-at-cambridge-1775-ex-christopher-hogwood","title":"[Cello] [Music Iconography] Thomas Orde, Lord Bolton (British, 1740-1807) Mr Sharp playing the Cello at Cambridge, 1775 - EX-CHRISTOPHER HOGWOOD","description":"\u003cp\u003ePen and ink drawing, inscribed with title along the lower edge. 18 x 20.5 cm.  The paper has three vertical folds - one small tear at the bottom under his leg, some discoloration and browning, grey pencil marks along the bottom edge. Framed to 13.75 x 15.25 inches (35 x 39 cm). \u003cmeta charset=\"utf-8\"\u003eFrom the collection of noted English conductor, harpsichordist and musicologist, Christopher Hogwood (1941-2014). Exhibited: The Covent Garden Gallery, Russell Street, London.\u003cbr\u003e\u003cbr\u003eEducated at Eton and at King's College, Cambridge, Thomas Orde-Powlett, 1st Baron Bolton graduated with a Master of Arts in 1773. Though he soon entered politics, he was evidently an accomplished amateur draftsman.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093460308127,"sku":"11633","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Sharp_playing_the_Cello_11633ac.jpg?v=1746818657"},{"product_id":"11637-cardin-pierre-original-photograph","title":"Cardin, Pierre. (b. 1922) Original Photograph","description":"\u003cp\u003eEvocative original photograph of the important French fashion designer looking upwards while descending a spiral staircase, two of his models moving through the edges of the image and stairwell. Approx. 8 x 12 inches. Fine.\u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093460373663,"sku":"11637","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Cardin_photo_11637a.jpg?v=1722188171"},{"product_id":"11726-jouve-georges-1910-1964-cylindre-vase-ca-1955","title":"Jouve, Georges. (1910 - 1964)  Cylindre Vase, ca. 1955.","description":"Large \"Cylindre\" vase, enameled ceramic , ca. 1955. 37 cm high, 16 cm diameter. In fine condition with two marks from the firing at the bottom interior and a small invisible restoration at the bottom exterior.  References: \u003cspan style=\"\"\u003ePhilippe Jousse, Georges Jouve, éd. Jousse Entreprise, Paris, 2005, p.62-65, for similar models; \u003c\/span\u003eMichel faré, Renée Moutard-Uldry et Norbert Pierlot, «Georges Jouve céramiste», Edition Art et Industrie, Paris, 1965;  Pierre Staudenmayer, La céramique française des années 50, Norma, 2004.\u003cdiv style=\"\"\u003e\u003cbr style=\"\"\u003e\u003c\/div\u003e\u003cdiv style=\"\"\u003e\n\u003cspan style=\"\"\u003eGeorges Jouve was working as a theater designer when World War II broke out. He spent the war seeking refuge in the Free Zone of the South of France, where he happened upon the region’s tradition of ceramics, learning the local potters’ secrets. In 1944 he opened his studio in Paris, and in the years that followed, he would go on to become a leading ceramicist of the mid 20th century. With a background in art history and sculpture, Jouve created strong and sinuous shapes—sometimes influenced by the religious figures he encountered in southern France—which he covered with rich enamel.\u003c\/span\u003e\u003cbr style=\"\"\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093463027871,"sku":"11726","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Jouve_GeorgesCylindreVase11726b.jpg?v=1735943386"},{"product_id":"11729-gutai-untitled-anonymous-1961-japanese-abstract-gutai-painting-ex-mary-griggs-burke-collection","title":"[Gutai] UNTITLED\/ANONYMOUS - 1961 Japanese Abstract Gutai Painting, Ex - Mary Griggs Burke Collection","description":"\u003cp\u003eAbstract Composition dated 1961 with unidentified artist signature on verso, difficult to decipher, possibly \"M. Onda.\" Mixed media on paper backed by canvas. 31\" x 50\"; framed 31.5\" x 50.5\". In fine condition, with some rippling and slight separating in a few areas. From the Estate of Mary Griggs Burke (Center Island, NY and East 77th Street, NYC), whose celebrated collection of earlier Japanese artwork made worldwide news when it was donated toThe Metropolitan Museum of Art and Minneapolis Institute of Arts (MIA). The present work was among those which remained at the Burke residence on Long Island, \"Holly Pond\", a modernist architectural masterpiece designed and furnished by Boston architect Ben Thompson. \u003cbr\u003e\u003cbr\u003eThe work is in a Japanese style and seems to depict a sort of mental landscape.  Though the work is not dissimilar from those of Minoru Onoda in the early 1960s, the work is not by him. The artwork likewise seems related to the work of Yoshida Toshio who, as here, worked with burning the surface of his works, but is again, not by him. We have consulted with numerous Gutai art specialists, all of whom have praised the work as that of a clear master but, alas, none whom have been able to positively identify the artist. \u003c\/p\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093463093407,"sku":"11729","price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/JapaneseAbstractGutaiPainting11729b.jpg?v=1769899128"},{"product_id":"11751-delaunay-sonia-1885-1979-pot-a-fard-ca-1930","title":"Delaunay, Sonia. (1885–1979) Pot à fard, ca. 1930","description":"\u003cp\u003eFaïence modernist powder box created by Sonia Delaunay for the Parisian designer Jean Patou, ca. 1930. Stamped JP under the lid. 8 cm diameter.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eKnown primarily as a painter and textile designer, Delaunay worked alongside her husband, Robert, on the concept of simultaneous colours highlighting pure tones and geometric forms. In the 1920s, she applied these researches to textile and to dresses rapidly adopted by avant-garde women. She designed the present box for the \u003c\/span\u003e\u003cspan\u003eParisian couturier Jean Patou, know for his modernist, tubular 1920s sportswear, and as the inventor of the contemporary masculine tie and use of the monogram. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093463912607,"sku":"11751","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/11751_Delaunay_Pot_a_Fard_01.jpg?v=1722188193"},{"product_id":"11778-dubuffet-jean-tremolo-sur-l-oeil-signed-presentation-copy-to-henri-pol-bouche","title":"Dubuffet, Jean. (1901-1985) Tremolo sur l'Oeil - SIGNED PRESENTATION COPY to Henri-Pol Bouché","description":"8vo. (215 x 172 mm).  [8 unnumbered leaves].  Lithograph text and illustration printed recto and verso throughout: text and illustration after Dubuffet's original manuscript, final verso with illustration only, achevé d'imprimer and justification to inner rear wrapper.  Original publisher's printed wrappers with monochrome illustrations to front and rear covers, title to front cover.  From the edition of 300 unnumbered copies.  \"Texte autographe de Jean Dubuffet calligraphié et illustré à l'encre de Chine, reporté photographiquement sur zinc, imprimé par Serge Lozingot sur les presses de l'auteur en lithographie, Paris, été 1963.\"  [Webel II, 972 - 990, see pp. 60 - 63].  In fine condition with scattered light foxing. \u003cbr\u003e\u003cbr\u003eThis copy signed and inscribed to Henri-Pol Bouché, member of the so-called \"Collège de Pataphysique,\" translator of the writings of Swiss Art Brut artist Adolf Wölfi: \"pour la trémolation joyeuse de Henri-Pol Bouché \/ Jean Dubuffet,\" adding a small design beneath his signature. \u003cbr\u003e\u003cbr\u003eA remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called \"Art Brut\" (\"Raw Art\" or \"Low Art\") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093464862879,"sku":"11778","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/2_37e3ff22-8aa9-4657-a7e6-59c69bbe6952.jpg?v=1722188203"},{"product_id":"11822-braque-georges-1882-1963-aphorismes-cahiers-signed-proofs","title":"Braque, Georges. (1882-1963) Aphorismes. [Cahiers] - SIGNED PROOFS.","description":"Three-page proof set from the 1952 publication of the artist's aphorisms \"Le Jour et la Nuit : Cahiers de Georges Braque, 1917-1952,\" identified here as \"Cahiers,\" stamped on the first page \"11 AVR 1951,\" with the artist adding his name in brown ink for the publication under the title \"de \/ G. Braque.\"  Paper toned, else fine. 16.5 x 25 cm.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBraque's aphorisms on art, said to have been originally jottings on the margins of drawings, were first collected and published in 1917.","brand":"Schubertiade Music and Arts","offers":[{"title":"Default Title","offer_id":46093466435743,"sku":"11822","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/files\/Braque_Aphorismes_11822186.jpg?v=1722188207"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/4826\/7423\/collections\/Milhaud_Boeuf_sur_le_toit_painting_9186c.jpg?v=1721773347","url":"https:\/\/www.schubertiademusic.com\/collections\/art-artists-in-stock.oembed?page=36","provider":"Schubertiade Music and Arts","version":"1.0","type":"link"}